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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 41 / 34 / 0 / 35 it is the complementary color CMYK 0 / 7 / 43 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 41 / 34 / 0 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 41 / 34 / 0 / 35: CMYK 36 / 32 / 0 / 37, CMYK 33 / 29 / 0 / 29, CMYK 31 / 27 / 0 / 22, CMYK 29 / 25 / 0 / 15 and CMYK 28 / 24 / 0 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 41 / 34 / 0 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 41 / 34 / 0 / 35: CMYK 41 / 34 / 0 / 35, CMYK 45 / 38 / 0 / 42, CMYK 50 / 43 / 0 / 50, CMYK 57 / 50 / 0 / 57 and CMYK 67 / 59 / 0 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 34 / 0 / 35

HEX #626DA6

RGB 98 109 166

HSL 230.29, 0.28%, 0.52%

LAB 47.35, 10.79, -31.96

 

Complementary color

CMYK 0 / 7 / 43 / 38

HEX #9D9259

RGB 157 146 89

HSL 50.29, 0.28%, 0.48%

LAB 60.29, -4.32, 31.63

 

CMYK 36 / 32 / 0 / 37

HEX #676DA1

RGB 103 109 161

HSL 233.79, 0.24%, 0.52%

LAB 47.49, 10.77, -28.78

 

CMYK 33 / 29 / 0 / 29

HEX #787FB4

RGB 120 127 180

HSL 233, 0.29%, 0.59%

LAB 54.52, 10.18, -28.78

 

CMYK 31 / 27 / 0 / 22

HEX #8991C7

RGB 137 145 199

HSL 232.26, 0.36%, 0.66%

LAB 61.39, 9.68, -28.83

 

CMYK 29 / 25 / 0 / 15

HEX #9AA3DA

RGB 154 163 218

HSL 231.56, 0.46%, 0.73%

LAB 68.11, 9.24, -28.92

 

CMYK 28 / 24 / 0 / 7

HEX #ABB5ED

RGB 171 181 237

HSL 230.91, 0.65%, 0.8%

LAB 74.71, 8.84, -29.04

 

CMYK 41 / 34 / 0 / 35

HEX #626DA6

RGB 98 109 166

HSL 230.29, 0.28%, 0.52%

LAB 47.35, 10.79, -31.96

 

CMYK 45 / 38 / 0 / 42

HEX #515B93

RGB 81 91 147

HSL 230.91, 0.29%, 0.45%

LAB 40.14, 11.59, -32.08

 

CMYK 50 / 43 / 0 / 50

HEX #404980

RGB 64 73 128

HSL 231.56, 0.33%, 0.38%

LAB 32.73, 12.61, -32.28

 

CMYK 57 / 50 / 0 / 57

HEX #2F376D

RGB 47 55 109

HSL 232.26, 0.4%, 0.31%

LAB 25.08, 13.95, -32.57

 

CMYK 67 / 59 / 0 / 65

HEX #1E255A

RGB 30 37 90

HSL 233, 0.5%, 0.24%

LAB 17.17, 15.8, -32.94

 

CMYK 41 / 34 / 0 / 35

HEX #626DA6

RGB 98 109 166

HSL 230.29, 0.28%, 0.52%

LAB 47.35, 10.79, -31.96

 

CMYK 41 / 41 / 0 / 35

HEX #6262A6

RGB 98 98 166

HSL 240, 0.28%, 0.52%

LAB 44.35, 17.57, -36.67

 

CMYK 34 / 41 / 0 / 35

HEX #6D62A6

RGB 109 98 166

HSL 249.71, 0.28%, 0.52%

LAB 45.28, 20.64, -35.16

 

CMYK 27 / 41 / 0 / 35

HEX #7962A6

RGB 121 98 166

HSL 260.29, 0.28%, 0.52%

LAB 46.38, 24.16, -33.34

 

CMYK 20 / 41 / 0 / 35

HEX #8462A6

RGB 132 98 166

HSL 270, 0.28%, 0.52%

LAB 47.49, 27.49, -31.53

 

CMYK 41 / 34 / 0 / 35

HEX #626DA6

RGB 98 109 166

HSL 230.29, 0.28%, 0.52%

LAB 47.35, 10.79, -31.96

 

CMYK 41 / 35 / 0 / 15

HEX #808ED9

RGB 128 142 217

HSL 230.56, 0.54%, 0.68%

LAB 60.73, 13.8, -39.98

 

CMYK 38 / 31 / 0 / 95

HEX #08090D

RGB 8 9 13

HSL 228, 0.24%, 0.04%

LAB 2.49, 0.33, -1.71

 

CMYK 41 / 34 / 0 / 75

HEX #262A40

RGB 38 42 64

HSL 230.77, 0.25%, 0.2%

LAB 17.64, 4.75, -14.51

 

CMYK 41 / 34 / 0 / 55

HEX #444C73

RGB 68 76 115

HSL 229.79, 0.26%, 0.36%

LAB 33.21, 7.57, -23.41

 

CMYK 41 / 34 / 0 / 35

HEX #626DA6

RGB 98 109 166

HSL 230.29, 0.28%, 0.52%

LAB 47.35, 10.79, -31.96

 

CMYK 0 / 41 / 1 / 35

HEX #A662A4

RGB 166 98 164

HSL 301.76, 0.28%, 0.52%

LAB 51.29, 37.79, -24.14

 

CMYK 17 / 0 / 41 / 35

HEX #89A662

RGB 137 166 98

HSL 85.59, 0.28%, 0.52%

LAB 64.54, -21.93, 31.94

 

CMYK 41 / 34 / 0 / 35

HEX #626DA6

RGB 98 109 166

HSL 230.29, 0.28%, 0.52%

LAB 47.35, 10.79, -31.96

 

CMYK 0 / 41 / 34 / 35

HEX #A6626D

RGB 166 98 109

HSL 350.29, 0.28%, 0.52%

LAB 49.43, 28.89, 5.7

 

CMYK 34 / 0 / 41 / 35

HEX #6DA662

RGB 109 166 98

HSL 110.29, 0.28%, 0.52%

LAB 62.85, -32.18, 29.43

 

CMYK 41 / 34 / 0 / 35

HEX #626DA6

RGB 98 109 166

HSL 230.29, 0.28%, 0.52%

LAB 47.35, 10.79, -31.96

 

CMYK 0 / 41 / 1 / 35

HEX #A662A4

RGB 166 98 164

HSL 301.76, 0.28%, 0.52%

LAB 51.29, 37.79, -24.14

 

CMYK 0 / 7 / 41 / 35

HEX #A69B62

RGB 166 155 98

HSL 50.29, 0.28%, 0.52%

LAB 63.7, -4.42, 31.32

 

CMYK 41 / 0 / 40 / 35

HEX #62A664

RGB 98 166 100

HSL 121.76, 0.28%, 0.52%

LAB 62.33, -35.48, 27.58

 

CMYK 41 / 34 / 0 / 35

HEX #626DA6

RGB 98 109 166

HSL 230.29, 0.28%, 0.52%

LAB 47.35, 10.79, -31.96

 

CMYK 0 / 41 / 13 / 35

HEX #A66290

RGB 166 98 144

HSL 319.41, 0.28%, 0.52%

LAB 50.52, 34.19, -13.55

 

CMYK 0 / 7 / 41 / 35

HEX #A69B62

RGB 166 155 98

HSL 50.29, 0.28%, 0.52%

LAB 63.7, -4.42, 31.32

 

CMYK 41 / 0 / 27 / 35

HEX #62A679

RGB 98 166 121

HSL 140.29, 0.28%, 0.52%

LAB 62.72, -31.73, 16.69

 

Description

Color code: CMYK 41 / 34 / 0 / 35 | qconv.com Color code: CMYK 41 / 34 / 0 / 35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 109 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 109 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 34 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 34% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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