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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 5 / 70 / 40 it is the complementary color CMYK 22 / 47 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 5 / 70 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 5 / 70 / 40: CMYK 33 / 0 / 72 / 43, CMYK 30 / 0 / 63 / 36, CMYK 28 / 0 / 56 / 29, CMYK 26 / 0 / 51 / 22 and CMYK 24 / 0 / 46 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 5 / 70 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 5 / 70 / 40: CMYK 37 / 0 / 68 / 43, CMYK 41 / 0 / 79 / 50, CMYK 47 / 0 / 93 / 57, CMYK 55 / 0 / 100 / 64 and CMYK 67 / 0 / 100 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 5 / 70 / 40

HEX #5C912E

RGB 92 145 46

HSL 92.12, 0.52%, 0.37%

LAB 54.79, -34.72, 45.19

 

Complementary color

CMYK 22 / 47 / 0 / 18

HEX #A36ED1

RGB 163 110 209

HSL 272.12, 0.52%, 0.63%

LAB 55.63, 39.78, -43.31

 

CMYK 33 / 0 / 72 / 43

HEX #619129

RGB 97 145 41

HSL 87.69, 0.56%, 0.36%

LAB 55.02, -33.23, 47.58

 

CMYK 30 / 0 / 63 / 36

HEX #72A33C

RGB 114 163 60

HSL 88.54, 0.46%, 0.44%

LAB 61.74, -33.52, 46.96

 

CMYK 28 / 0 / 56 / 29

HEX #83B54F

RGB 131 181 79

HSL 89.41, 0.41%, 0.51%

LAB 68.34, -33.66, 45.99

 

CMYK 26 / 0 / 51 / 22

HEX #94C762

RGB 148 199 98

HSL 90.3, 0.47%, 0.58%

LAB 74.84, -33.72, 44.88

 

CMYK 24 / 0 / 46 / 15

HEX #A5D975

RGB 165 217 117

HSL 91.2, 0.57%, 0.65%

LAB 81.24, -33.71, 43.73

 

CMYK 37 / 0 / 68 / 43

HEX #5C912E

RGB 92 145 46

HSL 92.12, 0.52%, 0.37%

LAB 54.79, -34.72, 45.19

 

CMYK 41 / 0 / 79 / 50

HEX #4B7F1B

RGB 75 127 27

HSL 91.2, 0.65%, 0.3%

LAB 47.95, -34.3, 45.43

 

CMYK 47 / 0 / 93 / 57

HEX #3A6D08

RGB 58 109 8

HSL 90.3, 0.86%, 0.23%

LAB 40.98, -33.5, 44.31

 

CMYK 55 / 0 / 100 / 64

HEX #295B00

RGB 41 91 0

HSL 92.97, 1%, 0.18%

LAB 33.89, -32.08, 40.42

 

CMYK 67 / 0 / 100 / 71

HEX #184900

RGB 24 73 0

HSL 100.27, 1%, 0.14%

LAB 26.62, -30.03, 34.28

 

CMYK 37 / 0 / 68 / 43

HEX #5C912E

RGB 92 145 46

HSL 92.12, 0.52%, 0.37%

LAB 54.79, -34.72, 45.19

 

CMYK 48 / 0 / 69 / 44

HEX #4A8F2D

RGB 74 143 45

HSL 102.24, 0.52%, 0.37%

LAB 53.27, -40.15, 43.74

 

CMYK 59 / 0 / 69 / 44

HEX #3A8F2D

RGB 58 143 45

HSL 112.04, 0.52%, 0.37%

LAB 52.66, -44.82, 42.91

 

CMYK 69 / 0 / 66 / 44

HEX #2D8F30

RGB 45 143 48

HSL 121.84, 0.52%, 0.37%

LAB 52.3, -47.56, 41.1

 

CMYK 69 / 0 / 55 / 44

HEX #2D8F40

RGB 45 143 64

HSL 131.63, 0.52%, 0.37%

LAB 52.48, -45.52, 33.61

 

CMYK 37 / 0 / 68 / 43

HEX #5C912E

RGB 92 145 46

HSL 92.12, 0.52%, 0.37%

LAB 54.79, -34.72, 45.19

 

CMYK 37 / 0 / 68 / 23

HEX #7CC43E

RGB 124 196 62

HSL 92.24, 0.53%, 0.51%

LAB 72.3, -44.32, 57.58

 

CMYK 36 / 0 / 68 / 3

HEX #9DF74E

RGB 157 247 78

HSL 91.95, 0.91%, 0.64%

LAB 89.04, -53.08, 69.37

 

CMYK 37 / 0 / 67 / 83

HEX #1B2B0E

RGB 27 43 14

HSL 93.1, 0.51%, 0.11%

LAB 15.45, -13.13, 16.24

 

CMYK 36 / 0 / 68 / 63

HEX #3C5E1E

RGB 60 94 30

HSL 91.88, 0.52%, 0.24%

LAB 36.1, -24.37, 31.83

 

CMYK 37 / 0 / 68 / 43

HEX #5C912E

RGB 92 145 46

HSL 92.12, 0.52%, 0.37%

LAB 54.79, -34.72, 45.19

 

CMYK 69 / 0 / 18 / 44

HEX #2D8F75

RGB 45 143 117

HSL 164.08, 0.52%, 0.37%

LAB 53.48, -34.69, 5.66

 

CMYK 0 / 69 / 9 / 44

HEX #8F2D82

RGB 143 45 130

HSL 307.96, 0.52%, 0.37%

LAB 36.61, 51, -26.76

 

CMYK 37 / 0 / 68 / 43

HEX #5C912E

RGB 92 145 46

HSL 92.12, 0.52%, 0.37%

LAB 54.79, -34.72, 45.19

 

CMYK 69 / 36 / 0 / 44

HEX #2D5B8F

RGB 45 91 143

HSL 211.84, 0.52%, 0.37%

LAB 37.88, 2.05, -33.37

 

CMYK 0 / 69 / 36 / 44

HEX #8F2D5B

RGB 143 45 91

HSL 331.84, 0.52%, 0.37%

LAB 34.95, 45.43, -4.7

 

CMYK 37 / 0 / 68 / 43

HEX #5C912E

RGB 92 145 46

HSL 92.12, 0.52%, 0.37%

LAB 54.79, -34.72, 45.19

 

CMYK 69 / 0 / 18 / 44

HEX #2D8F75

RGB 45 143 117

HSL 164.08, 0.52%, 0.37%

LAB 53.48, -34.69, 5.66

 

CMYK 32 / 69 / 0 / 44

HEX #612D8F

RGB 97 45 143

HSL 271.84, 0.52%, 0.37%

LAB 30.4, 42.36, -45.1

 

CMYK 0 / 69 / 50 / 44

HEX #8F2D47

RGB 143 45 71

HSL 344.08, 0.52%, 0.37%

LAB 34.34, 43.28, 7.31

 

CMYK 37 / 0 / 68 / 43

HEX #5C912E

RGB 92 145 46

HSL 92.12, 0.52%, 0.37%

LAB 54.79, -34.72, 45.19

 

CMYK 69 / 2 / 0 / 44

HEX #2D8C8F

RGB 45 140 143

HSL 181.84, 0.52%, 0.37%

LAB 53.27, -25.9, -9.66

 

CMYK 32 / 69 / 0 / 44

HEX #612D8F

RGB 97 45 143

HSL 271.84, 0.52%, 0.37%

LAB 30.4, 42.36, -45.1

 

CMYK 0 / 66 / 69 / 44

HEX #8F302D

RGB 143 48 45

HSL 1.84, 0.52%, 0.37%

LAB 34.28, 39.96, 23.85

 

Description

Color code: CMYK 40 / 5 / 70 / 40 | qconv.com Color code: CMYK 40 / 5 / 70 / 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 145 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 145 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 5 magenta, 70 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 5% 70% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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