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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 0 / 7 / 15 it is the complementary color CMYK 0 / 70 / 58 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 0 / 7 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 0 / 7 / 15: CMYK 38 / 0 / 9 / 15, CMYK 35 / 0 / 8 / 8, CMYK 33 / 0 / 7 / 1, CMYK 27 / 0 / 0 / 0 and CMYK 20 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 0 / 7 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 0 / 7 / 15: CMYK 40 / 0 / 7 / 15, CMYK 43 / 0 / 8 / 22, CMYK 47 / 0 / 9 / 29, CMYK 52 / 0 / 11 / 36 and CMYK 57 / 0 / 13 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 7 / 15

HEX #82D9CA

RGB 130 217 202

HSL 169.66, 0.53%, 0.68%

LAB 81.09, -29.73, -0.87

 

Complementary color

CMYK 0 / 70 / 58 / 51

HEX #7D2635

RGB 125 38 53

HSL 349.66, 0.53%, 0.32%

LAB 29.42, 38.63, 11.77

 

CMYK 38 / 0 / 9 / 15

HEX #87D9C5

RGB 135 217 197

HSL 165.37, 0.52%, 0.69%

LAB 81.19, -29.55, 1.96

 

CMYK 35 / 0 / 8 / 8

HEX #98EBD8

RGB 152 235 216

HSL 166.27, 0.67%, 0.76%

LAB 87.51, -29.37, 1.23

 

CMYK 33 / 0 / 7 / 1

HEX #A9FDEB

RGB 169 253 235

HSL 167.14, 0.95%, 0.83%

LAB 93.75, -29.21, 0.53

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFE

RGB 186 255 254

HSL 179.13, 1%, 0.86%

LAB 95.63, -21.39, -6.42

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 40 / 0 / 7 / 15

HEX #82D9CA

RGB 130 217 202

HSL 169.66, 0.53%, 0.68%

LAB 81.09, -29.73, -0.87

 

CMYK 43 / 0 / 8 / 22

HEX #71C7B7

RGB 113 199 183

HSL 168.84, 0.43%, 0.61%

LAB 74.68, -29.85, -0.12

 

CMYK 47 / 0 / 9 / 29

HEX #60B5A4

RGB 96 181 164

HSL 168, 0.36%, 0.54%

LAB 68.18, -29.95, 0.69

 

CMYK 52 / 0 / 11 / 36

HEX #4FA391

RGB 79 163 145

HSL 167.14, 0.35%, 0.47%

LAB 61.57, -30.02, 1.56

 

CMYK 57 / 0 / 13 / 43

HEX #3E917E

RGB 62 145 126

HSL 166.27, 0.4%, 0.41%

LAB 54.85, -30, 2.52

 

CMYK 40 / 0 / 7 / 15

HEX #82D9CA

RGB 130 217 202

HSL 169.66, 0.53%, 0.68%

LAB 81.09, -29.73, -0.87

 

CMYK 40 / 0 / 0 / 15

HEX #82D8D7

RGB 130 216 215

HSL 179.3, 0.52%, 0.68%

LAB 81.16, -26.16, -7.69

 

CMYK 40 / 6 / 0 / 15

HEX #82CBD8

RGB 130 203 216

HSL 189.07, 0.52%, 0.68%

LAB 77.53, -19.43, -13.64

 

CMYK 40 / 13 / 0 / 15

HEX #82BDD8

RGB 130 189 216

HSL 198.84, 0.52%, 0.68%

LAB 73.61, -12.19, -19.55

 

CMYK 40 / 19 / 0 / 15

HEX #82AED8

RGB 130 174 216

HSL 209.3, 0.52%, 0.68%

LAB 69.45, -4.11, -25.89

 

CMYK 40 / 0 / 7 / 15

HEX #82D9CA

RGB 130 217 202

HSL 169.66, 0.53%, 0.68%

LAB 81.09, -29.73, -0.87

 

CMYK 38 / 0 / 8 / 95

HEX #080D0C

RGB 8 13 12

HSL 168, 0.24%, 0.04%

LAB 3.31, -1.53, -0.05

 

CMYK 41 / 0 / 6 / 75

HEX #26403C

RGB 38 64 60

HSL 170.77, 0.25%, 0.2%

LAB 24.97, -11.06, -0.71

 

CMYK 40 / 0 / 7 / 55

HEX #45736B

RGB 69 115 107

HSL 169.57, 0.25%, 0.36%

LAB 45.06, -17.8, -0.55

 

CMYK 40 / 0 / 7 / 35

HEX #63A69B

RGB 99 166 155

HSL 170.15, 0.27%, 0.52%

LAB 63.58, -23.97, -1.01

 

CMYK 40 / 0 / 7 / 15

HEX #82D9CA

RGB 130 217 202

HSL 169.66, 0.53%, 0.68%

LAB 81.09, -29.73, -0.87

 

CMYK 39 / 40 / 0 / 15

HEX #8382D8

RGB 131 130 216

HSL 240.7, 0.52%, 0.68%

LAB 57.8, 21.34, -44.03

 

CMYK 0 / 23 / 40 / 15

HEX #D8A682

RGB 216 166 130

HSL 25.12, 0.52%, 0.68%

LAB 71.88, 13.72, 25.73

 

CMYK 40 / 0 / 7 / 15

HEX #82D9CA

RGB 130 217 202

HSL 169.66, 0.53%, 0.68%

LAB 81.09, -29.73, -0.87

 

CMYK 7 / 40 / 0 / 15

HEX #C882D8

RGB 200 130 216

HSL 288.84, 0.52%, 0.68%

LAB 64.32, 41.14, -33.33

 

CMYK 0 / 7 / 40 / 15

HEX #D8C882

RGB 216 200 130

HSL 48.84, 0.52%, 0.68%

LAB 80.47, -4.27, 37.02

 

CMYK 40 / 0 / 7 / 15

HEX #82D9CA

RGB 130 217 202

HSL 169.66, 0.53%, 0.68%

LAB 81.09, -29.73, -0.87

 

CMYK 39 / 40 / 0 / 15

HEX #8382D8

RGB 131 130 216

HSL 240.7, 0.52%, 0.68%

LAB 57.8, 21.34, -44.03

 

CMYK 0 / 40 / 32 / 15

HEX #D88292

RGB 216 130 146

HSL 348.84, 0.52%, 0.68%

LAB 63.87, 35.03, 5.7

 

CMYK 0 / 0 / 40 / 15

HEX #D7D882

RGB 215 216 130

HSL 60.7, 0.52%, 0.68%

LAB 84.57, -12.82, 42.23

 

CMYK 40 / 0 / 7 / 15

HEX #82D9CA

RGB 130 217 202

HSL 169.66, 0.53%, 0.68%

LAB 81.09, -29.73, -0.87

 

CMYK 27 / 40 / 0 / 15

HEX #9D82D8

RGB 157 130 216

HSL 258.84, 0.52%, 0.68%

LAB 59.97, 28.45, -40.46

 

CMYK 0 / 40 / 32 / 15

HEX #D88292

RGB 216 130 146

HSL 348.84, 0.52%, 0.68%

LAB 63.87, 35.03, 5.7

 

CMYK 13 / 0 / 40 / 15

HEX #BDD882

RGB 189 216 130

HSL 78.84, 0.52%, 0.68%

LAB 82.67, -22.83, 39.42

 

Description

Color code: CMYK 40 / 0 / 7 / 15 | qconv.com Color code: CMYK 40 / 0 / 7 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 217 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 217 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 7 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 7% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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