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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 9 / 0 / 45 it is the complementary color CMYK 0 / 25 / 32 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 9 / 0 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 9 / 0 / 45: CMYK 33 / 5 / 0 / 47, CMYK 30 / 5 / 0 / 40, CMYK 28 / 5 / 0 / 32, CMYK 26 / 5 / 0 / 25 and CMYK 25 / 5 / 0 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 9 / 0 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 9 / 0 / 45: CMYK 39 / 9 / 0 / 45, CMYK 43 / 9 / 0 / 53, CMYK 49 / 10 / 0 / 60, CMYK 58 / 11 / 0 / 67 and CMYK 72 / 13 / 0 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 9 / 0 / 45

HEX #56808C

RGB 86 128 140

HSL 193.33, 0.24%, 0.44%

LAB 51.05, -11.26, -11.1

 

Complementary color

CMYK 0 / 25 / 32 / 34

HEX #A97F73

RGB 169 127 115

HSL 13.33, 0.24%, 0.56%

LAB 56.93, 14.52, 12.83

 

CMYK 33 / 5 / 0 / 47

HEX #5B8087

RGB 91 128 135

HSL 189.55, 0.19%, 0.44%

LAB 51.17, -11.11, -7.96

 

CMYK 30 / 5 / 0 / 40

HEX #6C929A

RGB 108 146 154

HSL 190.43, 0.19%, 0.51%

LAB 58.11, -11.08, -8.48

 

CMYK 28 / 5 / 0 / 32

HEX #7DA4AD

RGB 125 164 173

HSL 191.25, 0.23%, 0.58%

LAB 64.91, -11.06, -8.97

 

CMYK 26 / 5 / 0 / 25

HEX #8EB6C0

RGB 142 182 192

HSL 192, 0.28%, 0.65%

LAB 71.56, -11.04, -9.46

 

CMYK 25 / 5 / 0 / 17

HEX #9FC8D3

RGB 159 200 211

HSL 192.69, 0.37%, 0.73%

LAB 78.1, -11.03, -9.94

 

CMYK 39 / 9 / 0 / 45

HEX #56808C

RGB 86 128 140

HSL 193.33, 0.24%, 0.44%

LAB 51.05, -11.26, -11.1

 

CMYK 43 / 9 / 0 / 53

HEX #456E79

RGB 69 110 121

HSL 192.69, 0.27%, 0.37%

LAB 43.94, -11.2, -10.62

 

CMYK 49 / 10 / 0 / 60

HEX #345C66

RGB 52 92 102

HSL 192, 0.32%, 0.3%

LAB 36.64, -11.09, -10.12

 

CMYK 58 / 11 / 0 / 67

HEX #234A53

RGB 35 74 83

HSL 191.25, 0.41%, 0.23%

LAB 29.11, -10.86, -9.58

 

CMYK 72 / 13 / 0 / 75

HEX #123840

RGB 18 56 64

HSL 190.43, 0.56%, 0.16%

LAB 21.31, -10.37, -8.96

 

CMYK 39 / 9 / 0 / 45

HEX #56808C

RGB 86 128 140

HSL 193.33, 0.24%, 0.44%

LAB 51.05, -11.26, -11.1

 

CMYK 39 / 15 / 0 / 45

HEX #55768B

RGB 85 118 139

HSL 203.33, 0.24%, 0.44%

LAB 47.95, -6.12, -15.2

 

CMYK 39 / 22 / 0 / 45

HEX #556D8B

RGB 85 109 139

HSL 213.33, 0.24%, 0.44%

LAB 45.27, -0.81, -19.3

 

CMYK 39 / 28 / 0 / 45

HEX #55648B

RGB 85 100 139

HSL 223.33, 0.24%, 0.44%

LAB 42.63, 4.67, -23.37

 

CMYK 39 / 35 / 0 / 45

HEX #555B8B

RGB 85 91 139

HSL 233.33, 0.24%, 0.44%

LAB 40.04, 10.29, -27.39

 

CMYK 39 / 9 / 0 / 45

HEX #56808C

RGB 86 128 140

HSL 193.33, 0.24%, 0.44%

LAB 51.05, -11.26, -11.1

 

CMYK 39 / 8 / 0 / 25

HEX #75AFBF

RGB 117 175 191

HSL 192.97, 0.37%, 0.6%

LAB 68.17, -14.71, -14.13

 

CMYK 38 / 9 / 0 / 5

HEX #95DDF2

RGB 149 221 242

HSL 193.55, 0.78%, 0.77%

LAB 84.23, -17.21, -17.35

 

CMYK 39 / 8 / 0 / 85

HEX #172326

RGB 23 35 38

HSL 192, 0.25%, 0.12%

LAB 12.76, -4.27, -3.7

 

CMYK 38 / 9 / 0 / 65

HEX #375159

RGB 55 81 89

HSL 194.12, 0.24%, 0.28%

LAB 32.74, -7.51, -7.82

 

CMYK 39 / 9 / 0 / 45

HEX #56808C

RGB 86 128 140

HSL 193.33, 0.24%, 0.44%

LAB 51.05, -11.26, -11.1

 

CMYK 23 / 39 / 0 / 45

HEX #6B558B

RGB 107 85 139

HSL 264.44, 0.24%, 0.44%

LAB 40.39, 20.83, -26.71

 

CMYK 0 / 7 / 39 / 45

HEX #8B8155

RGB 139 129 85

HSL 48.89, 0.24%, 0.44%

LAB 53.86, -3.06, 25.24

 

CMYK 39 / 9 / 0 / 45

HEX #56808C

RGB 86 128 140

HSL 193.33, 0.24%, 0.44%

LAB 51.05, -11.26, -11.1

 

CMYK 0 / 39 / 9 / 45

HEX #8B557F

RGB 139 85 127

HSL 313.33, 0.24%, 0.44%

LAB 43.53, 29.06, -14.27

 

CMYK 9 / 0 / 39 / 45

HEX #7F8B55

RGB 127 139 85

HSL 73.33, 0.24%, 0.44%

LAB 55.72, -13.61, 27.44

 

CMYK 39 / 9 / 0 / 45

HEX #56808C

RGB 86 128 140

HSL 193.33, 0.24%, 0.44%

LAB 51.05, -11.26, -11.1

 

CMYK 23 / 39 / 0 / 45

HEX #6B558B

RGB 107 85 139

HSL 264.44, 0.24%, 0.44%

LAB 40.39, 20.83, -26.71

 

CMYK 0 / 31 / 39 / 45

HEX #8B6055

RGB 139 96 85

HSL 12.22, 0.24%, 0.44%

LAB 44.96, 16.01, 13.3

 

CMYK 17 / 0 / 39 / 45

HEX #748B55

RGB 116 139 85

HSL 85.56, 0.24%, 0.44%

LAB 54.9, -18.08, 26.22

 

CMYK 39 / 9 / 0 / 45

HEX #56808C

RGB 86 128 140

HSL 193.33, 0.24%, 0.44%

LAB 51.05, -11.26, -11.1

 

CMYK 12 / 39 / 0 / 45

HEX #7B558B

RGB 123 85 139

HSL 282.22, 0.24%, 0.44%

LAB 42.11, 26.04, -23.9

 

CMYK 0 / 31 / 39 / 45

HEX #8B6055

RGB 139 96 85

HSL 12.22, 0.24%, 0.44%

LAB 44.96, 16.01, 13.3

 

CMYK 28 / 0 / 39 / 45

HEX #648B55

RGB 100 139 85

HSL 103.33, 0.24%, 0.44%

LAB 53.85, -24.25, 24.65

 

Description

Color code: CMYK 39 / 9 / 0 / 45 | qconv.com Color code: CMYK 39 / 9 / 0 / 45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 128 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 128 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 9 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 9% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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