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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 93 / 0 / 73 it is the complementary color CMYK 15 / 0 / 26 / 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 93 / 0 / 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 93 / 0 / 73: CMYK 27 / 92 / 0 / 75, CMYK 23 / 72 / 0 / 67, CMYK 21 / 60 / 0 / 60, CMYK 19 / 51 / 0 / 53 and CMYK 18 / 45 / 0 / 45

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 93 / 0 / 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 93 / 0 / 73: CMYK 39 / 93 / 0 / 73, CMYK 50 / 100 / 0 / 80, CMYK 74 / 100 / 0 / 88, CMYK 100 / 100 / 0 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 93 / 0 / 73

HEX #2A0545

RGB 42 5 69

HSL 274.69, 0.86%, 0.15%

LAB 9.24, 31.12, -31.38

 

Complementary color

CMYK 15 / 0 / 26 / 2

HEX #D5FABA

RGB 213 250 186

HSL 94.69, 0.86%, 0.85%

LAB 94.34, -23.02, 26.86

 

CMYK 27 / 92 / 0 / 75

HEX #2F0540

RGB 47 5 64

HSL 282.71, 0.86%, 0.14%

LAB 9.66, 30.83, -27.11

 

CMYK 23 / 72 / 0 / 67

HEX #401753

RGB 64 23 83

HSL 281, 0.57%, 0.21%

LAB 17.12, 30.9, -28.12

 

CMYK 21 / 60 / 0 / 60

HEX #512966

RGB 81 41 102

HSL 279.34, 0.43%, 0.28%

LAB 24.62, 30.26, -28.58

 

CMYK 19 / 51 / 0 / 53

HEX #623B79

RGB 98 59 121

HSL 277.74, 0.34%, 0.35%

LAB 32.04, 29.36, -28.79

 

CMYK 18 / 45 / 0 / 45

HEX #734D8C

RGB 115 77 140

HSL 276.19, 0.29%, 0.43%

LAB 39.32, 28.46, -28.93

 

CMYK 39 / 93 / 0 / 73

HEX #2A0545

RGB 42 5 69

HSL 274.69, 0.86%, 0.15%

LAB 9.24, 31.12, -31.38

 

CMYK 50 / 100 / 0 / 80

HEX #190032

RGB 25 0 50

HSL 270, 1%, 0.1%

LAB 3.95, 22.72, -26.35

 

CMYK 74 / 100 / 0 / 88

HEX #08001F

RGB 8 0 31

HSL 255.48, 1%, 0.06%

LAB 1.36, 8.37, -15.86

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 39 / 93 / 0 / 73

HEX #2A0545

RGB 42 5 69

HSL 274.69, 0.86%, 0.15%

LAB 9.24, 31.12, -31.38

 

CMYK 25 / 93 / 0 / 72

HEX #350547

RGB 53 5 71

HSL 283.64, 0.87%, 0.15%

LAB 11.42, 33.62, -29.16

 

CMYK 10 / 93 / 0 / 72

HEX #400547

RGB 64 5 71

HSL 293.64, 0.87%, 0.15%

LAB 13.55, 35.83, -25.6

 

CMYK 0 / 93 / 7 / 72

HEX #470542

RGB 71 5 66

HSL 304.55, 0.87%, 0.15%

LAB 14.63, 36.44, -20.29

 

CMYK 0 / 93 / 23 / 72

HEX #470537

RGB 71 5 55

HSL 314.55, 0.87%, 0.15%

LAB 13.97, 34.65, -13.53

 

CMYK 39 / 93 / 0 / 73

HEX #2A0545

RGB 42 5 69

HSL 274.69, 0.86%, 0.15%

LAB 9.24, 31.12, -31.38

 

CMYK 39 / 93 / 0 / 53

HEX #490978

RGB 73 9 120

HSL 274.59, 0.86%, 0.25%

LAB 19.91, 46.85, -47.87

 

CMYK 39 / 93 / 0 / 33

HEX #680CAB

RGB 104 12 171

HSL 274.72, 0.87%, 0.36%

LAB 29.78, 61.55, -63.13

 

CMYK 39 / 93 / 0 / 13

HEX #8710DE

RGB 135 16 222

HSL 274.66, 0.87%, 0.47%

LAB 39.23, 75.13, -77.35

 

CMYK 39 / 94 / 0 / 93

HEX #0B0112

RGB 11 1 18

HSL 275.29, 0.89%, 0.04%

LAB 1.23, 5.25, -6.24

 

CMYK 39 / 93 / 0 / 73

HEX #2A0545

RGB 42 5 69

HSL 274.69, 0.86%, 0.15%

LAB 9.24, 31.12, -31.38

 

CMYK 0 / 93 / 72 / 72

HEX #470514

RGB 71 5 20

HSL 346.36, 0.87%, 0.15%

LAB 12.6, 30.76, 10.21

 

CMYK 93 / 0 / 77 / 72

HEX #054710

RGB 5 71 16

HSL 130, 0.87%, 0.15%

LAB 25.49, -31.96, 26.46

 

CMYK 39 / 93 / 0 / 73

HEX #2A0545

RGB 42 5 69

HSL 274.69, 0.86%, 0.15%

LAB 9.24, 31.12, -31.38

 

CMYK 0 / 41 / 93 / 72

HEX #472A05

RGB 71 42 5

HSL 33.64, 0.87%, 0.15%

LAB 20.07, 10.14, 26.85

 

CMYK 93 / 0 / 41 / 72

HEX #05472A

RGB 5 71 42

HSL 153.64, 0.87%, 0.15%

LAB 25.88, -27.32, 12.11

 

CMYK 39 / 93 / 0 / 73

HEX #2A0545

RGB 42 5 69

HSL 274.69, 0.86%, 0.15%

LAB 9.24, 31.12, -31.38

 

CMYK 0 / 93 / 72 / 72

HEX #470514

RGB 71 5 20

HSL 346.36, 0.87%, 0.15%

LAB 12.6, 30.76, 10.21

 

CMYK 54 / 0 / 93 / 72

HEX #214705

RGB 33 71 5

HSL 94.55, 0.87%, 0.15%

LAB 26.28, -25.85, 32.08

 

CMYK 93 / 0 / 23 / 72

HEX #054737

RGB 5 71 55

HSL 165.45, 0.87%, 0.15%

LAB 26.2, -23.79, 4.2

 

CMYK 39 / 93 / 0 / 73

HEX #2A0545

RGB 42 5 69

HSL 274.69, 0.86%, 0.15%

LAB 9.24, 31.12, -31.38

 

CMYK 0 / 87 / 93 / 72

HEX #470905

RGB 71 9 5

HSL 3.64, 0.87%, 0.15%

LAB 12.9, 28.45, 17.97

 

CMYK 54 / 0 / 93 / 72

HEX #214705

RGB 33 71 5

HSL 94.55, 0.87%, 0.15%

LAB 26.28, -25.85, 32.08

 

CMYK 93 / 7 / 0 / 72

HEX #054247

RGB 5 66 71

HSL 184.55, 0.87%, 0.15%

LAB 24.9, -15.72, -8.21

 

Description

Color code: CMYK 39 / 93 / 0 / 73 | qconv.com Color code: CMYK 39 / 93 / 0 / 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 5 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 5 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 93 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 93% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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