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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 6 / 0 / 57 it is the complementary color CMYK 0 / 19 / 23 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 6 / 0 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 6 / 0 / 57: CMYK 31 / 2 / 0 / 59, CMYK 28 / 2 / 0 / 51, CMYK 26 / 3 / 0 / 44, CMYK 24 / 3 / 0 / 36 and CMYK 23 / 3 / 0 / 29

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 6 / 0 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 6 / 0 / 57: CMYK 39 / 6 / 0 / 57, CMYK 45 / 7 / 0 / 64, CMYK 54 / 7 / 0 / 72, CMYK 70 / 8 / 0 / 79 and CMYK 100 / 9 / 0 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 6 / 0 / 57

HEX #43676E

RGB 67 103 110

HSL 189.77, 0.24%, 0.35%

LAB 41.25, -10.87, -8.02

 

Complementary color

CMYK 0 / 19 / 23 / 26

HEX #BC9891

RGB 188 152 145

HSL 9.77, 0.24%, 0.65%

LAB 65.9, 12.33, 8.75

 

CMYK 31 / 2 / 0 / 59

HEX #486769

RGB 72 103 105

HSL 183.64, 0.19%, 0.35%

LAB 41.37, -10.68, -4.76

 

CMYK 28 / 2 / 0 / 51

HEX #59797C

RGB 89 121 124

HSL 185.14, 0.16%, 0.42%

LAB 48.58, -10.61, -5.36

 

CMYK 26 / 3 / 0 / 44

HEX #6A8B8F

RGB 106 139 143

HSL 186.49, 0.15%, 0.49%

LAB 55.6, -10.55, -5.92

 

CMYK 24 / 3 / 0 / 36

HEX #7B9DA2

RGB 123 157 162

HSL 187.69, 0.17%, 0.56%

LAB 62.45, -10.5, -6.46

 

CMYK 23 / 3 / 0 / 29

HEX #8CAFB5

RGB 140 175 181

HSL 188.78, 0.22%, 0.63%

LAB 69.16, -10.47, -6.99

 

CMYK 39 / 6 / 0 / 57

HEX #43676E

RGB 67 103 110

HSL 189.77, 0.24%, 0.35%

LAB 41.25, -10.87, -8.02

 

CMYK 45 / 7 / 0 / 64

HEX #32555B

RGB 50 85 91

HSL 188.78, 0.29%, 0.28%

LAB 33.84, -10.85, -7.47

 

CMYK 54 / 7 / 0 / 72

HEX #214348

RGB 33 67 72

HSL 187.69, 0.37%, 0.21%

LAB 26.17, -10.75, -6.86

 

CMYK 70 / 8 / 0 / 79

HEX #103135

RGB 16 49 53

HSL 186.49, 0.54%, 0.14%

LAB 18.2, -10.45, -6.15

 

CMYK 100 / 9 / 0 / 87

HEX #001F22

RGB 0 31 34

HSL 185.29, 1%, 0.07%

LAB 9.76, -10.18, -5.41

 

CMYK 39 / 6 / 0 / 57

HEX #43676E

RGB 67 103 110

HSL 189.77, 0.24%, 0.35%

LAB 41.25, -10.87, -8.02

 

CMYK 39 / 12 / 0 / 57

HEX #43616E

RGB 67 97 110

HSL 198.14, 0.24%, 0.35%

LAB 39.36, -7.36, -10.87

 

CMYK 39 / 19 / 0 / 57

HEX #43596E

RGB 67 89 110

HSL 209.3, 0.24%, 0.35%

LAB 36.86, -2.51, -14.66

 

CMYK 39 / 25 / 0 / 57

HEX #43526E

RGB 67 82 110

HSL 219.07, 0.24%, 0.35%

LAB 34.71, 1.88, -17.97

 

CMYK 39 / 32 / 0 / 57

HEX #434B6E

RGB 67 75 110

HSL 228.84, 0.24%, 0.35%

LAB 32.59, 6.38, -21.25

 

CMYK 39 / 6 / 0 / 57

HEX #43676E

RGB 67 103 110

HSL 189.77, 0.24%, 0.35%

LAB 41.25, -10.87, -8.02

 

CMYK 39 / 6 / 0 / 37

HEX #6297A1

RGB 98 151 161

HSL 189.52, 0.25%, 0.51%

LAB 59.25, -14.9, -10.82

 

CMYK 39 / 6 / 0 / 17

HEX #81C7D4

RGB 129 199 212

HSL 189.4, 0.49%, 0.67%

LAB 76.23, -18.66, -13.44

 

CMYK 37 / 13 / 0 / 97

HEX #050708

RGB 5 7 8

HSL 200, 0.23%, 0.03%

LAB 1.82, -0.38, -0.56

 

CMYK 39 / 7 / 0 / 77

HEX #24373B

RGB 36 55 59

HSL 190.43, 0.24%, 0.19%

LAB 21.66, -6.41, -4.95

 

CMYK 39 / 6 / 0 / 57

HEX #43676E

RGB 67 103 110

HSL 189.77, 0.24%, 0.35%

LAB 41.25, -10.87, -8.02

 

CMYK 25 / 39 / 0 / 57

HEX #52436E

RGB 82 67 110

HSL 260.93, 0.24%, 0.35%

LAB 31.66, 16.43, -22.61

 

CMYK 0 / 10 / 39 / 57

HEX #6E6343

RGB 110 99 67

HSL 44.65, 0.24%, 0.35%

LAB 42.22, -0.78, 19.79

 

CMYK 39 / 6 / 0 / 57

HEX #43676E

RGB 67 103 110

HSL 189.77, 0.24%, 0.35%

LAB 41.25, -10.87, -8.02

 

CMYK 0 / 39 / 5 / 57

HEX #6E4368

RGB 110 67 104

HSL 308.37, 0.24%, 0.35%

LAB 34.66, 24.84, -13.91

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 39 / 6 / 0 / 57

HEX #43676E

RGB 67 103 110

HSL 189.77, 0.24%, 0.35%

LAB 41.25, -10.87, -8.02

 

CMYK 25 / 39 / 0 / 57

HEX #52436E

RGB 82 67 110

HSL 260.93, 0.24%, 0.35%

LAB 31.66, 16.43, -22.61

 

CMYK 0 / 33 / 39 / 57

HEX #6E4A43

RGB 110 74 67

HSL 9.77, 0.24%, 0.35%

LAB 35.24, 14.34, 10.37

 

CMYK 14 / 0 / 39 / 57

HEX #5F6E43

RGB 95 110 67

HSL 80.93, 0.24%, 0.35%

LAB 44.22, -13.64, 22.15

 

CMYK 39 / 6 / 0 / 57

HEX #43676E

RGB 67 103 110

HSL 189.77, 0.24%, 0.35%

LAB 41.25, -10.87, -8.02

 

CMYK 14 / 39 / 0 / 57

HEX #5F436E

RGB 95 67 110

HSL 279.07, 0.24%, 0.35%

LAB 33.08, 20.83, -20.28

 

CMYK 0 / 33 / 39 / 57

HEX #6E4A43

RGB 110 74 67

HSL 9.77, 0.24%, 0.35%

LAB 35.24, 14.34, 10.37

 

CMYK 25 / 0 / 39 / 57

HEX #526E43

RGB 82 110 67

HSL 99.07, 0.24%, 0.35%

LAB 43.29, -18.97, 20.76

 

Description

Color code: CMYK 39 / 6 / 0 / 57 | qconv.com Color code: CMYK 39 / 6 / 0 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 103 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 103 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 6 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 6% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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