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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 44 / 0 / 47 it is the complementary color CMYK 3 / 0 / 33 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 44 / 0 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 44 / 0 / 47: CMYK 33 / 42 / 0 / 49, CMYK 30 / 37 / 0 / 42, CMYK 28 / 33 / 0 / 34, CMYK 26 / 30 / 0 / 27 and CMYK 25 / 28 / 0 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 44 / 0 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 44 / 0 / 47: CMYK 39 / 44 / 0 / 47, CMYK 44 / 50 / 0 / 55, CMYK 51 / 59 / 0 / 62, CMYK 60 / 72 / 0 / 69 and CMYK 76 / 93 / 0 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 44 / 0 / 47

HEX #524C87

RGB 82 76 135

HSL 246.1, 0.28%, 0.41%

LAB 35.42, 17.78, -32.24

 

Complementary color

CMYK 3 / 0 / 33 / 30

HEX #ADB378

RGB 173 179 120

HSL 66.1, 0.28%, 0.59%

LAB 71.2, -11.63, 29.48

 

CMYK 33 / 42 / 0 / 49

HEX #574C82

RGB 87 76 130

HSL 252.22, 0.26%, 0.4%

LAB 35.61, 17.79, -28.84

 

CMYK 30 / 37 / 0 / 42

HEX #685E95

RGB 104 94 149

HSL 250.91, 0.23%, 0.48%

LAB 42.94, 16.96, -28.76

 

CMYK 28 / 33 / 0 / 34

HEX #7970A8

RGB 121 112 168

HSL 249.64, 0.24%, 0.55%

LAB 50.07, 16.25, -28.74

 

CMYK 26 / 30 / 0 / 27

HEX #8A82BB

RGB 138 130 187

HSL 248.42, 0.3%, 0.62%

LAB 57.03, 15.64, -28.78

 

CMYK 25 / 28 / 0 / 19

HEX #9B94CE

RGB 155 148 206

HSL 247.24, 0.37%, 0.69%

LAB 63.84, 15.09, -28.85

 

CMYK 39 / 44 / 0 / 47

HEX #524C87

RGB 82 76 135

HSL 246.1, 0.28%, 0.41%

LAB 35.42, 17.78, -32.24

 

CMYK 44 / 50 / 0 / 55

HEX #413A74

RGB 65 58 116

HSL 247.24, 0.33%, 0.34%

LAB 27.87, 18.91, -32.48

 

CMYK 51 / 59 / 0 / 62

HEX #302861

RGB 48 40 97

HSL 248.42, 0.42%, 0.27%

LAB 20.08, 20.34, -32.8

 

CMYK 60 / 72 / 0 / 69

HEX #1F164E

RGB 31 22 78

HSL 249.64, 0.56%, 0.2%

LAB 12.06, 22.14, -33.11

 

CMYK 76 / 93 / 0 / 77

HEX #0E043B

RGB 14 4 59

HSL 250.91, 0.87%, 0.12%

LAB 4.48, 21.79, -32.16

 

CMYK 39 / 44 / 0 / 47

HEX #524C87

RGB 82 76 135

HSL 246.1, 0.28%, 0.41%

LAB 35.42, 17.78, -32.24

 

CMYK 32 / 44 / 0 / 48

HEX #5A4B85

RGB 90 75 133

HSL 255.52, 0.28%, 0.41%

LAB 35.79, 20.18, -30.39

 

CMYK 25 / 44 / 0 / 48

HEX #644B85

RGB 100 75 133

HSL 265.86, 0.28%, 0.41%

LAB 36.81, 23.25, -28.71

 

CMYK 17 / 44 / 0 / 48

HEX #6E4B85

RGB 110 75 133

HSL 276.21, 0.28%, 0.41%

LAB 37.92, 26.41, -26.9

 

CMYK 10 / 44 / 0 / 48

HEX #784B85

RGB 120 75 133

HSL 286.55, 0.28%, 0.41%

LAB 39.1, 29.63, -24.96

 

CMYK 39 / 44 / 0 / 47

HEX #524C87

RGB 82 76 135

HSL 246.1, 0.28%, 0.41%

LAB 35.42, 17.78, -32.24

 

CMYK 39 / 44 / 0 / 27

HEX #7169BA

RGB 113 105 186

HSL 245.93, 0.37%, 0.57%

LAB 48.46, 23.1, -41.79

 

CMYK 39 / 44 / 0 / 7

HEX #9085ED

RGB 144 133 237

HSL 246.35, 0.74%, 0.73%

LAB 60.62, 28.71, -51.2

 

CMYK 39 / 42 / 0 / 87

HEX #141321

RGB 20 19 33

HSL 244.29, 0.27%, 0.1%

LAB 6.54, 4.4, -9.47

 

CMYK 39 / 44 / 0 / 67

HEX #332F54

RGB 51 47 84

HSL 246.49, 0.28%, 0.26%

LAB 21.49, 12.04, -21.92

 

CMYK 39 / 44 / 0 / 47

HEX #524C87

RGB 82 76 135

HSL 246.1, 0.28%, 0.41%

LAB 35.42, 17.78, -32.24

 

CMYK 0 / 44 / 13 / 48

HEX #854B74

RGB 133 75 116

HSL 317.59, 0.28%, 0.41%

LAB 40.05, 30.65, -12.91

 

CMYK 31 / 0 / 44 / 48

HEX #5C854B

RGB 92 133 75

HSL 102.41, 0.28%, 0.41%

LAB 51.33, -25.73, 26.8

 

CMYK 39 / 44 / 0 / 47

HEX #524C87

RGB 82 76 135

HSL 246.1, 0.28%, 0.41%

LAB 35.42, 17.78, -32.24

 

CMYK 0 / 39 / 44 / 48

HEX #85514B

RGB 133 81 75

HSL 6.21, 0.28%, 0.41%

LAB 40.21, 21.04, 12.73

 

CMYK 44 / 0 / 39 / 48

HEX #4B8551

RGB 75 133 81

HSL 126.21, 0.28%, 0.41%

LAB 50.53, -30.65, 22.26

 

CMYK 39 / 44 / 0 / 47

HEX #524C87

RGB 82 76 135

HSL 246.1, 0.28%, 0.41%

LAB 35.42, 17.78, -32.24

 

CMYK 0 / 44 / 13 / 48

HEX #854B74

RGB 133 75 116

HSL 317.59, 0.28%, 0.41%

LAB 40.05, 30.65, -12.91

 

CMYK 5 / 0 / 44 / 48

HEX #7F854B

RGB 127 133 75

HSL 66.21, 0.28%, 0.41%

LAB 53.81, -11.61, 30.45

 

CMYK 44 / 0 / 31 / 48

HEX #4B855C

RGB 75 133 92

HSL 137.59, 0.28%, 0.41%

LAB 50.74, -28.6, 16.32

 

CMYK 39 / 44 / 0 / 47

HEX #524C87

RGB 82 76 135

HSL 246.1, 0.28%, 0.41%

LAB 35.42, 17.78, -32.24

 

CMYK 0 / 44 / 26 / 48

HEX #854B62

RGB 133 75 98

HSL 336.21, 0.28%, 0.41%

LAB 39.41, 27.66, -2.69

 

CMYK 5 / 0 / 44 / 48

HEX #7F854B

RGB 127 133 75

HSL 66.21, 0.28%, 0.41%

LAB 53.81, -11.61, 30.45

 

CMYK 44 / 0 / 17 / 48

HEX #4B856E

RGB 75 133 110

HSL 156.21, 0.28%, 0.41%

LAB 51.15, -24.72, 6.51

 

Description

Color code: CMYK 39 / 44 / 0 / 47 | qconv.com Color code: CMYK 39 / 44 / 0 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 76 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 76 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 44 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 44% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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