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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 17 / 0 / 11 it is the complementary color CMYK 0 / 43 / 76 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 17 / 0 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 17 / 0 / 11: CMYK 36 / 15 / 0 / 13, CMYK 34 / 15 / 0 / 5, CMYK 31 / 12 / 0 / 0, CMYK 24 / 5 / 0 / 0 and CMYK 17 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 17 / 0 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 17 / 0 / 11: CMYK 39 / 17 / 0 / 11, CMYK 42 / 18 / 0 / 18, CMYK 45 / 20 / 0 / 26, CMYK 49 / 21 / 0 / 33 and CMYK 54 / 23 / 0 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 17 / 0 / 11

HEX #8ABCE3

RGB 138 188 227

HSL 206.29, 0.61%, 0.72%

LAB 74.14, -6.69, -24.69

 

Complementary color

CMYK 0 / 43 / 76 / 54

HEX #75431C

RGB 117 67 28

HSL 26.29, 0.61%, 0.28%

LAB 33.73, 18.11, 31.97

 

CMYK 36 / 15 / 0 / 13

HEX #8FBCDE

RGB 143 188 222

HSL 205.82, 0.54%, 0.72%

LAB 74.24, -6.64, -21.79

 

CMYK 34 / 15 / 0 / 5

HEX #A0CEF1

RGB 160 206 241

HSL 205.93, 0.74%, 0.79%

LAB 80.72, -6.79, -22.07

 

CMYK 31 / 12 / 0 / 0

HEX #B1E0FF

RGB 177 224 255

HSL 203.85, 1%, 0.85%

LAB 86.94, -8.12, -19.98

 

CMYK 24 / 5 / 0 / 0

HEX #C2F2FF

RGB 194 242 255

HSL 192.79, 1%, 0.88%

LAB 92.66, -12.46, -11.29

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 39 / 17 / 0 / 11

HEX #8ABCE3

RGB 138 188 227

HSL 206.29, 0.61%, 0.72%

LAB 74.14, -6.69, -24.69

 

CMYK 42 / 18 / 0 / 18

HEX #79AAD0

RGB 121 170 208

HSL 206.21, 0.48%, 0.65%

LAB 67.55, -6.44, -24.44

 

CMYK 45 / 20 / 0 / 26

HEX #6898BD

RGB 104 152 189

HSL 206.12, 0.39%, 0.57%

LAB 60.85, -6.15, -24.22

 

CMYK 49 / 21 / 0 / 33

HEX #5786AA

RGB 87 134 170

HSL 206.02, 0.33%, 0.5%

LAB 54, -5.79, -24

 

CMYK 54 / 23 / 0 / 41

HEX #467497

RGB 70 116 151

HSL 205.93, 0.37%, 0.43%

LAB 47.01, -5.31, -23.8

 

CMYK 39 / 17 / 0 / 11

HEX #8ABCE3

RGB 138 188 227

HSL 206.29, 0.61%, 0.72%

LAB 74.14, -6.69, -24.69

 

CMYK 38 / 23 / 0 / 11

HEX #8CAEE3

RGB 140 174 227

HSL 216.55, 0.61%, 0.72%

LAB 70.45, 1.49, -30.33

 

CMYK 38 / 30 / 0 / 11

HEX #8CA0E3

RGB 140 160 227

HSL 226.21, 0.61%, 0.72%

LAB 66.72, 9.35, -36.11

 

CMYK 38 / 36 / 0 / 11

HEX #8C91E3

RGB 140 145 227

HSL 236.55, 0.61%, 0.72%

LAB 62.82, 17.97, -42.21

 

CMYK 35 / 38 / 0 / 11

HEX #948CE3

RGB 148 140 227

HSL 245.52, 0.61%, 0.72%

LAB 62.17, 23.01, -43.19

 

CMYK 39 / 17 / 0 / 11

HEX #8ABCE3

RGB 138 188 227

HSL 206.29, 0.61%, 0.72%

LAB 74.14, -6.69, -24.69

 

CMYK 39 / 17 / 0 / 91

HEX #0E1317

RGB 14 19 23

HSL 206.67, 0.24%, 0.07%

LAB 5.61, -0.88, -3.21

 

CMYK 39 / 18 / 0 / 71

HEX #2D3D4A

RGB 45 61 74

HSL 206.9, 0.24%, 0.23%

LAB 24.92, -2.65, -10.01

 

CMYK 39 / 17 / 0 / 51

HEX #4C687D

RGB 76 104 125

HSL 205.71, 0.24%, 0.39%

LAB 42.64, -4.51, -14.97

 

CMYK 39 / 17 / 0 / 31

HEX #6B92B0

RGB 107 146 176

HSL 206.09, 0.3%, 0.55%

LAB 58.81, -5.63, -19.97

 

CMYK 39 / 17 / 0 / 11

HEX #8ABCE3

RGB 138 188 227

HSL 206.29, 0.61%, 0.72%

LAB 74.14, -6.69, -24.69

 

CMYK 14 / 38 / 0 / 11

HEX #C38CE3

RGB 195 140 227

HSL 277.93, 0.61%, 0.72%

LAB 66.45, 36.47, -36.18

 

CMYK 1 / 0 / 38 / 11

HEX #E0E38C

RGB 224 227 140

HSL 62.07, 0.61%, 0.72%

LAB 88.29, -13.73, 42.14

 

CMYK 39 / 17 / 0 / 11

HEX #8ABCE3

RGB 138 188 227

HSL 206.29, 0.61%, 0.72%

LAB 74.14, -6.69, -24.69

 

CMYK 0 / 38 / 17 / 11

HEX #E38CBD

RGB 227 140 189

HSL 326.21, 0.61%, 0.72%

LAB 68.58, 39.72, -11.48

 

CMYK 17 / 0 / 38 / 11

HEX #BDE38C

RGB 189 227 140

HSL 86.21, 0.61%, 0.72%

LAB 85.83, -26.9, 38.48

 

CMYK 39 / 17 / 0 / 11

HEX #8ABCE3

RGB 138 188 227

HSL 206.29, 0.61%, 0.72%

LAB 74.14, -6.69, -24.69

 

CMYK 14 / 38 / 0 / 11

HEX #C38CE3

RGB 195 140 227

HSL 277.93, 0.61%, 0.72%

LAB 66.45, 36.47, -36.18

 

CMYK 0 / 22 / 38 / 11

HEX #E3B18C

RGB 227 177 140

HSL 25.52, 0.61%, 0.72%

LAB 75.87, 13.32, 25.9

 

CMYK 25 / 0 / 38 / 11

HEX #ABE38C

RGB 171 227 140

HSL 98.62, 0.61%, 0.72%

LAB 84.74, -33.29, 36.85

 

CMYK 39 / 17 / 0 / 11

HEX #8ABCE3

RGB 138 188 227

HSL 206.29, 0.61%, 0.72%

LAB 74.14, -6.69, -24.69

 

CMYK 3 / 38 / 0 / 11

HEX #DD8CE3

RGB 221 140 227

HSL 295.86, 0.61%, 0.72%

LAB 69.24, 44.3, -31.64

 

CMYK 0 / 22 / 38 / 11

HEX #E3B18C

RGB 227 177 140

HSL 25.52, 0.61%, 0.72%

LAB 75.87, 13.32, 25.9

 

CMYK 36 / 0 / 38 / 11

HEX #91E38C

RGB 145 227 140

HSL 116.55, 0.61%, 0.72%

LAB 83.36, -41.86, 34.8

 

Description

Color code: CMYK 39 / 17 / 0 / 11 | qconv.com Color code: CMYK 39 / 17 / 0 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 188 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 188 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 17 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 17% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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