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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 0 / 62 / 25 it is the complementary color CMYK 24 / 65 / 0 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 0 / 62 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 0 / 62 / 25: CMYK 36 / 0 / 64 / 25, CMYK 33 / 0 / 58 / 18, CMYK 31 / 0 / 53 / 11, CMYK 29 / 0 / 49 / 4 and CMYK 25 / 0 / 44 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 0 / 62 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 0 / 62 / 25: CMYK 39 / 0 / 62 / 25, CMYK 42 / 0 / 69 / 32, CMYK 46 / 0 / 77 / 39, CMYK 52 / 0 / 88 / 46 and CMYK 59 / 0 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 62 / 25

HEX #75BF49

RGB 117 191 73

HSL 97.63, 0.48%, 0.52%

LAB 70.54, -43.65, 51.02

 

Complementary color

CMYK 24 / 65 / 0 / 29

HEX #8A40B6

RGB 138 64 182

HSL 277.63, 0.48%, 0.48%

LAB 41.92, 51.46, -49.74

 

CMYK 36 / 0 / 64 / 25

HEX #7ABF44

RGB 122 191 68

HSL 93.66, 0.49%, 0.51%

LAB 70.74, -42.4, 53.46

 

CMYK 33 / 0 / 58 / 18

HEX #8BD157

RGB 139 209 87

HSL 94.43, 0.57%, 0.58%

LAB 77.15, -42.54, 52.57

 

CMYK 31 / 0 / 53 / 11

HEX #9CE36A

RGB 156 227 106

HSL 95.21, 0.68%, 0.65%

LAB 83.47, -42.59, 51.53

 

CMYK 29 / 0 / 49 / 4

HEX #ADF57D

RGB 173 245 125

HSL 96, 0.86%, 0.73%

LAB 89.71, -42.57, 50.42

 

CMYK 25 / 0 / 44 / 0

HEX #BEFF90

RGB 190 255 144

HSL 95.14, 1%, 0.78%

LAB 93.66, -38.97, 46.52

 

CMYK 39 / 0 / 62 / 25

HEX #75BF49

RGB 117 191 73

HSL 97.63, 0.48%, 0.52%

LAB 70.54, -43.65, 51.02

 

CMYK 42 / 0 / 69 / 32

HEX #64AD36

RGB 100 173 54

HSL 96.81, 0.52%, 0.45%

LAB 64.05, -43.42, 51.76

 

CMYK 46 / 0 / 77 / 39

HEX #539B23

RGB 83 155 35

HSL 96, 0.63%, 0.37%

LAB 57.47, -42.95, 51.97

 

CMYK 52 / 0 / 88 / 46

HEX #428910

RGB 66 137 16

HSL 95.21, 0.79%, 0.3%

LAB 50.79, -42.13, 51.08

 

CMYK 59 / 0 / 100 / 53

HEX #317700

RGB 49 119 0

HSL 95.29, 1%, 0.23%

LAB 44.01, -40.8, 48.52

 

CMYK 39 / 0 / 62 / 25

HEX #75BF49

RGB 117 191 73

HSL 97.63, 0.48%, 0.52%

LAB 70.54, -43.65, 51.02

 

CMYK 48 / 0 / 62 / 25

HEX #63BF49

RGB 99 191 73

HSL 106.78, 0.48%, 0.52%

LAB 69.75, -49.34, 49.91

 

CMYK 59 / 0 / 62 / 25

HEX #4FBF49

RGB 79 191 73

HSL 116.95, 0.48%, 0.52%

LAB 69.04, -54.73, 48.92

 

CMYK 62 / 0 / 54 / 25

HEX #49BF57

RGB 73 191 87

HSL 127.12, 0.48%, 0.52%

LAB 69.02, -54.42, 42.38

 

CMYK 62 / 0 / 44 / 25

HEX #49BF6B

RGB 73 191 107

HSL 137.29, 0.48%, 0.52%

LAB 69.28, -51.43, 32.76

 

CMYK 39 / 0 / 62 / 25

HEX #75BF49

RGB 117 191 73

HSL 97.63, 0.48%, 0.52%

LAB 70.54, -43.65, 51.02

 

CMYK 39 / 0 / 62 / 5

HEX #94F25C

RGB 148 242 92

HSL 97.6, 0.85%, 0.65%

LAB 87.28, -52.89, 61.91

 

CMYK 39 / 0 / 61 / 85

HEX #17260F

RGB 23 38 15

HSL 99.13, 0.43%, 0.1%

LAB 13.25, -11.86, 12.81

 

CMYK 38 / 0 / 62 / 65

HEX #375922

RGB 55 89 34

HSL 97.09, 0.45%, 0.24%

LAB 34.13, -23.44, 27.51

 

CMYK 39 / 0 / 61 / 45

HEX #568C36

RGB 86 140 54

HSL 97.67, 0.44%, 0.38%

LAB 52.95, -33.89, 39.48

 

CMYK 39 / 0 / 62 / 25

HEX #75BF49

RGB 117 191 73

HSL 97.63, 0.48%, 0.52%

LAB 70.54, -43.65, 51.02

 

CMYK 62 / 0 / 12 / 25

HEX #49BFA9

RGB 73 191 169

HSL 168.81, 0.48%, 0.52%

LAB 70.55, -38.26, 1.31

 

CMYK 0 / 62 / 14 / 25

HEX #BF49A5

RGB 191 73 165

HSL 313.22, 0.48%, 0.52%

LAB 50.17, 57.71, -26.19

 

CMYK 39 / 0 / 62 / 25

HEX #75BF49

RGB 117 191 73

HSL 97.63, 0.48%, 0.52%

LAB 70.54, -43.65, 51.02

 

CMYK 62 / 38 / 0 / 25

HEX #4976BF

RGB 73 118 191

HSL 217.12, 0.48%, 0.52%

LAB 49.66, 7.43, -42.93

 

CMYK 0 / 62 / 38 / 25

HEX #BF4976

RGB 191 73 118

HSL 337.12, 0.48%, 0.52%

LAB 48.45, 51.45, -0.68

 

CMYK 39 / 0 / 62 / 25

HEX #75BF49

RGB 117 191 73

HSL 97.63, 0.48%, 0.52%

LAB 70.54, -43.65, 51.02

 

CMYK 62 / 0 / 12 / 25

HEX #49BFA9

RGB 73 191 169

HSL 168.81, 0.48%, 0.52%

LAB 70.55, -38.26, 1.31

 

CMYK 24 / 62 / 0 / 25

HEX #9249BF

RGB 146 73 191

HSL 277.12, 0.48%, 0.52%

LAB 45.13, 50.94, -49.79

 

CMYK 0 / 62 / 50 / 25

HEX #BF495F

RGB 191 73 95

HSL 348.81, 0.48%, 0.52%

LAB 47.84, 49.13, 12.41

 

CMYK 39 / 0 / 62 / 25

HEX #75BF49

RGB 117 191 73

HSL 97.63, 0.48%, 0.52%

LAB 70.54, -43.65, 51.02

 

CMYK 62 / 7 / 0 / 25

HEX #49B1BF

RGB 73 177 191

HSL 187.12, 0.48%, 0.52%

LAB 66.99, -25.54, -16.08

 

CMYK 24 / 62 / 0 / 25

HEX #9249BF

RGB 146 73 191

HSL 277.12, 0.48%, 0.52%

LAB 45.13, 50.94, -49.79

 

CMYK 0 / 54 / 62 / 25

HEX #BF5749

RGB 191 87 73

HSL 7.12, 0.48%, 0.52%

LAB 49.95, 40.72, 28.31

 

Description

Color code: CMYK 39 / 0 / 62 / 25 | qconv.com Color code: CMYK 39 / 0 / 62 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 191 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 191 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 62 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 62% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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