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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 0 / 21 / 53 it is the complementary color CMYK 0 / 26 / 12 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 0 / 21 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 0 / 21 / 53: CMYK 35 / 0 / 25 / 53, CMYK 31 / 0 / 21 / 46, CMYK 28 / 0 / 18 / 39, CMYK 26 / 0 / 16 / 32 and CMYK 24 / 0 / 14 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 0 / 21 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 0 / 21 / 53: CMYK 39 / 0 / 21 / 53, CMYK 45 / 0 / 25 / 60, CMYK 54 / 0 / 32 / 67, CMYK 67 / 0 / 42 / 74 and CMYK 90 / 0 / 60 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 21 / 53

HEX #49785F

RGB 73 120 95

HSL 148.09, 0.24%, 0.38%

LAB 46.55, -22.08, 8.74

 

Complementary color

CMYK 0 / 26 / 12 / 29

HEX #B687A0

RGB 182 135 160

HSL 328.09, 0.24%, 0.62%

LAB 61.49, 21.97, -6.22

 

CMYK 35 / 0 / 25 / 53

HEX #4E785A

RGB 78 120 90

HSL 137.14, 0.21%, 0.39%

LAB 46.7, -21.5, 11.94

 

CMYK 31 / 0 / 21 / 46

HEX #5F8A6D

RGB 95 138 109

HSL 139.53, 0.18%, 0.46%

LAB 53.72, -21.22, 10.88

 

CMYK 28 / 0 / 18 / 39

HEX #709C80

RGB 112 156 128

HSL 141.82, 0.18%, 0.53%

LAB 60.59, -20.97, 9.92

 

CMYK 26 / 0 / 16 / 32

HEX #81AE93

RGB 129 174 147

HSL 144, 0.22%, 0.59%

LAB 67.31, -20.74, 9.02

 

CMYK 24 / 0 / 14 / 25

HEX #92C0A6

RGB 146 192 166

HSL 146.09, 0.27%, 0.66%

LAB 73.91, -20.54, 8.19

 

CMYK 39 / 0 / 21 / 53

HEX #49785F

RGB 73 120 95

HSL 148.09, 0.24%, 0.38%

LAB 46.55, -22.08, 8.74

 

CMYK 45 / 0 / 25 / 60

HEX #38664C

RGB 56 102 76

HSL 146.09, 0.29%, 0.31%

LAB 39.35, -22.36, 9.86

 

CMYK 54 / 0 / 32 / 67

HEX #275439

RGB 39 84 57

HSL 144, 0.37%, 0.24%

LAB 31.96, -22.61, 11.14

 

CMYK 67 / 0 / 42 / 74

HEX #164226

RGB 22 66 38

HSL 141.82, 0.5%, 0.17%

LAB 24.34, -22.69, 12.66

 

CMYK 90 / 0 / 60 / 81

HEX #053013

RGB 5 48 19

HSL 139.53, 0.81%, 0.1%

LAB 16.47, -22.34, 14.46

 

CMYK 39 / 0 / 21 / 53

HEX #49785F

RGB 73 120 95

HSL 148.09, 0.24%, 0.38%

LAB 46.55, -22.08, 8.74

 

CMYK 39 / 0 / 14 / 53

HEX #497867

RGB 73 120 103

HSL 158.3, 0.24%, 0.38%

LAB 46.75, -20.25, 4.3

 

CMYK 39 / 0 / 8 / 53

HEX #49786E

RGB 73 120 110

HSL 167.23, 0.24%, 0.38%

LAB 46.94, -18.54, 0.43

 

CMYK 39 / 0 / 2 / 53

HEX #497876

RGB 73 120 118

HSL 177.45, 0.24%, 0.38%

LAB 47.18, -16.48, -3.97

 

CMYK 39 / 6 / 0 / 53

HEX #497178

RGB 73 113 120

HSL 188.94, 0.24%, 0.38%

LAB 45.06, -12.05, -8.32

 

CMYK 39 / 0 / 21 / 53

HEX #49785F

RGB 73 120 95

HSL 148.09, 0.24%, 0.38%

LAB 46.55, -22.08, 8.74

 

CMYK 39 / 0 / 21 / 33

HEX #68AB87

RGB 104 171 135

HSL 147.76, 0.29%, 0.54%

LAB 64.82, -29.52, 11.93

 

CMYK 39 / 0 / 21 / 13

HEX #87DEB0

RGB 135 222 176

HSL 148.28, 0.57%, 0.7%

LAB 82.12, -36.31, 14.43

 

CMYK 39 / 0 / 22 / 93

HEX #0B120E

RGB 11 18 14

HSL 145.71, 0.24%, 0.06%

LAB 4.84, -3.09, 1.25

 

CMYK 39 / 0 / 20 / 73

HEX #2A4537

RGB 42 69 55

HSL 148.89, 0.24%, 0.22%

LAB 26.8, -13.94, 5.24

 

CMYK 39 / 0 / 21 / 53

HEX #49785F

RGB 73 120 95

HSL 148.09, 0.24%, 0.38%

LAB 46.55, -22.08, 8.74

 

CMYK 39 / 26 / 0 / 53

HEX #495978

RGB 73 89 120

HSL 219.57, 0.24%, 0.38%

LAB 37.69, 2.3, -19.52

 

CMYK 0 / 37 / 39 / 53

HEX #784C49

RGB 120 76 73

HSL 3.83, 0.24%, 0.38%

LAB 37.19, 18.25, 9.52

 

CMYK 39 / 0 / 21 / 53

HEX #49785F

RGB 73 120 95

HSL 148.09, 0.24%, 0.38%

LAB 46.55, -22.08, 8.74

 

CMYK 21 / 39 / 0 / 53

HEX #5F4978

RGB 95 73 120

HSL 268.09, 0.24%, 0.38%

LAB 35.11, 19.55, -23.38

 

CMYK 0 / 21 / 39 / 53

HEX #785F49

RGB 120 95 73

HSL 28.09, 0.24%, 0.38%

LAB 42.24, 6.83, 16.45

 

CMYK 39 / 0 / 21 / 53

HEX #49785F

RGB 73 120 95

HSL 148.09, 0.24%, 0.38%

LAB 46.55, -22.08, 8.74

 

CMYK 39 / 26 / 0 / 53

HEX #495978

RGB 73 89 120

HSL 219.57, 0.24%, 0.38%

LAB 37.69, 2.3, -19.52

 

CMYK 0 / 39 / 18 / 53

HEX #784962

RGB 120 73 98

HSL 328.09, 0.24%, 0.38%

LAB 37.19, 23.87, -6.18

 

CMYK 0 / 13 / 39 / 53

HEX #786849

RGB 120 104 73

HSL 39.57, 0.24%, 0.38%

LAB 44.77, 1.5, 19.81

 

CMYK 39 / 0 / 21 / 53

HEX #49785F

RGB 73 120 95

HSL 148.09, 0.24%, 0.38%

LAB 46.55, -22.08, 8.74

 

CMYK 39 / 38 / 0 / 53

HEX #494B78

RGB 73 75 120

HSL 237.45, 0.24%, 0.38%

LAB 33.57, 11.26, -25.94

 

CMYK 0 / 39 / 18 / 53

HEX #784962

RGB 120 73 98

HSL 328.09, 0.24%, 0.38%

LAB 37.19, 23.87, -6.18

 

CMYK 0 / 2 / 39 / 53

HEX #787649

RGB 120 118 73

HSL 57.45, 0.24%, 0.38%

LAB 48.8, -6.56, 25.07

 

Description

Color code: CMYK 39 / 0 / 21 / 53 | qconv.com Color code: CMYK 39 / 0 / 21 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 120 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 120 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 21 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 21% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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