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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 38 / 57 / 0 / 84 it is the complementary color CMYK 3 / 0 / 10 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 38 / 57 / 0 / 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 38 / 57 / 0 / 84: CMYK 17 / 50 / 0 / 86, CMYK 15 / 35 / 0 / 78, CMYK 14 / 27 / 0 / 71, CMYK 13 / 23 / 0 / 64 and CMYK 13 / 20 / 0 / 56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 38 / 57 / 0 / 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 38 / 57 / 0 / 84: CMYK 39 / 56 / 0 / 84, CMYK 64 / 100 / 0 / 91, CMYK 100 / 100 / 0 / 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 57 / 0 / 84

HEX #191229

RGB 25 18 41

HSL 258.26, 0.39%, 0.12%

LAB 7.22, 10.11, -14.43

 

Complementary color

CMYK 3 / 0 / 10 / 7

HEX #E6EDD6

RGB 230 237 214

HSL 78.26, 0.39%, 0.88%

LAB 92.68, -6.31, 10.33

 

CMYK 17 / 50 / 0 / 86

HEX #1E1224

RGB 30 18 36

HSL 280, 0.33%, 0.11%

LAB 7.55, 10.55, -10.1

 

CMYK 15 / 35 / 0 / 78

HEX #2F2437

RGB 47 36 55

HSL 274.74, 0.21%, 0.18%

LAB 16.22, 9.7, -10.36

 

CMYK 14 / 27 / 0 / 71

HEX #40364A

RGB 64 54 74

HSL 270, 0.16%, 0.25%

LAB 24.39, 9.01, -10.66

 

CMYK 13 / 23 / 0 / 64

HEX #51485D

RGB 81 72 93

HSL 265.71, 0.13%, 0.32%

LAB 32.2, 8.46, -10.98

 

CMYK 13 / 20 / 0 / 56

HEX #625A70

RGB 98 90 112

HSL 261.82, 0.11%, 0.4%

LAB 39.71, 8, -11.33

 

CMYK 39 / 56 / 0 / 84

HEX #191229

RGB 25 18 41

HSL 258.26, 0.39%, 0.12%

LAB 7.22, 10.11, -14.43

 

CMYK 64 / 100 / 0 / 91

HEX #080016

RGB 8 0 22

HSL 261.82, 1%, 0.04%

LAB 0.99, 5.77, -9.27

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 39 / 56 / 0 / 84

HEX #191229

RGB 25 18 41

HSL 258.26, 0.39%, 0.12%

LAB 7.22, 10.11, -14.43

 

CMYK 31 / 57 / 0 / 84

HEX #1D122A

RGB 29 18 42

HSL 267.5, 0.4%, 0.12%

LAB 7.78, 12, -14.26

 

CMYK 21 / 57 / 0 / 84

HEX #21122A

RGB 33 18 42

HSL 277.5, 0.4%, 0.12%

LAB 8.33, 13.49, -13.35

 

CMYK 12 / 57 / 0 / 84

HEX #25122A

RGB 37 18 42

HSL 287.5, 0.4%, 0.12%

LAB 8.93, 15.01, -12.37

 

CMYK 2 / 57 / 0 / 84

HEX #29122A

RGB 41 18 42

HSL 297.5, 0.4%, 0.12%

LAB 9.57, 16.54, -11.32

 

CMYK 39 / 56 / 0 / 84

HEX #191229

RGB 25 18 41

HSL 258.26, 0.39%, 0.12%

LAB 7.22, 10.11, -14.43

 

CMYK 39 / 57 / 0 / 64

HEX #38285C

RGB 56 40 92

HSL 258.46, 0.39%, 0.26%

LAB 20.56, 20.87, -28.68

 

CMYK 39 / 56 / 0 / 44

HEX #573F8F

RGB 87 63 143

HSL 258, 0.39%, 0.4%

LAB 33.06, 29.71, -40.89

 

CMYK 39 / 56 / 0 / 24

HEX #7655C2

RGB 118 85 194

HSL 258.17, 0.47%, 0.55%

LAB 44.58, 38.52, -52.59

 

CMYK 39 / 56 / 0 / 4

HEX #956CF5

RGB 149 108 245

HSL 257.96, 0.87%, 0.69%

LAB 55.79, 46.31, -63.33

 

CMYK 39 / 56 / 0 / 84

HEX #191229

RGB 25 18 41

HSL 258.26, 0.39%, 0.12%

LAB 7.22, 10.11, -14.43

 

CMYK 0 / 57 / 29 / 84

HEX #2A121E

RGB 42 18 30

HSL 330, 0.4%, 0.12%

LAB 9.15, 14.34, -2.95

 

CMYK 50 / 0 / 57 / 84

HEX #152A12

RGB 21 42 18

HSL 112.5, 0.4%, 0.12%

LAB 14.73, -14.55, 13.02

 

CMYK 39 / 56 / 0 / 84

HEX #191229

RGB 25 18 41

HSL 258.26, 0.39%, 0.12%

LAB 7.22, 10.11, -14.43

 

CMYK 0 / 40 / 57 / 84

HEX #2A1912

RGB 42 25 18

HSL 17.5, 0.4%, 0.12%

LAB 10.79, 7.45, 8.08

 

CMYK 57 / 0 / 40 / 84

HEX #122A19

RGB 18 42 25

HSL 137.5, 0.4%, 0.12%

LAB 14.71, -14.24, 8.29

 

CMYK 39 / 56 / 0 / 84

HEX #191229

RGB 25 18 41

HSL 258.26, 0.39%, 0.12%

LAB 7.22, 10.11, -14.43

 

CMYK 0 / 57 / 29 / 84

HEX #2A121E

RGB 42 18 30

HSL 330, 0.4%, 0.12%

LAB 9.15, 14.34, -2.95

 

CMYK 17 / 0 / 57 / 84

HEX #232A12

RGB 35 42 18

HSL 77.5, 0.4%, 0.12%

LAB 15.78, -8.05, 14.58

 

CMYK 57 / 0 / 29 / 84

HEX #122A1E

RGB 18 42 30

HSL 150, 0.4%, 0.12%

LAB 14.83, -12.98, 4.99

 

CMYK 39 / 56 / 0 / 84

HEX #191229

RGB 25 18 41

HSL 258.26, 0.39%, 0.12%

LAB 7.22, 10.11, -14.43

 

CMYK 0 / 57 / 45 / 84

HEX #2A1217

RGB 42 18 23

HSL 347.5, 0.4%, 0.12%

LAB 8.88, 13.12, 1.99

 

CMYK 17 / 0 / 57 / 84

HEX #232A12

RGB 35 42 18

HSL 77.5, 0.4%, 0.12%

LAB 15.78, -8.05, 14.58

 

CMYK 57 / 0 / 12 / 84

HEX #122A25

RGB 18 42 37

HSL 167.5, 0.4%, 0.12%

LAB 15.05, -10.95, 0.36

 

Description

Color code: CMYK 38 / 57 / 0 / 84 | qconv.com Color code: CMYK 38 / 57 / 0 / 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 18 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 18 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 57 magenta, none yellow and 84 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 57% 0% 84% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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