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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 38 / 37 / 0 / 57 it is the complementary color CMYK 0 / 1 / 22 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 38 / 37 / 0 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 38 / 37 / 0 / 57: CMYK 30 / 34 / 0 / 59, CMYK 27 / 30 / 0 / 51, CMYK 25 / 27 / 0 / 44, CMYK 23 / 24 / 0 / 36 and CMYK 22 / 22 / 0 / 29

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 38 / 37 / 0 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 38 / 37 / 0 / 57: CMYK 38 / 37 / 0 / 57, CMYK 44 / 44 / 0 / 64, CMYK 53 / 54 / 0 / 72, CMYK 68 / 72 / 0 / 79 and CMYK 100 / 100 / 0 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 37 / 0 / 57

HEX #44456E

RGB 68 69 110

HSL 238.57, 0.24%, 0.35%

LAB 30.9, 10.62, -23.88

 

Complementary color

CMYK 0 / 1 / 22 / 27

HEX #BBBA91

RGB 187 186 145

HSL 58.57, 0.24%, 0.65%

LAB 74.65, -6.42, 20.98

 

CMYK 30 / 34 / 0 / 59

HEX #494569

RGB 73 69 105

HSL 246.67, 0.21%, 0.34%

LAB 31.1, 10.74, -20.38

 

CMYK 27 / 30 / 0 / 51

HEX #5A577C

RGB 90 87 124

HSL 244.86, 0.18%, 0.41%

LAB 38.63, 10.11, -20.42

 

CMYK 25 / 27 / 0 / 44

HEX #6B698F

RGB 107 105 143

HSL 243.16, 0.15%, 0.49%

LAB 45.92, 9.58, -20.53

 

CMYK 23 / 24 / 0 / 36

HEX #7C7BA2

RGB 124 123 162

HSL 241.54, 0.17%, 0.56%

LAB 53.01, 9.13, -20.69

 

CMYK 22 / 22 / 0 / 29

HEX #8D8DB5

RGB 141 141 181

HSL 240, 0.21%, 0.63%

LAB 59.93, 8.73, -20.88

 

CMYK 38 / 37 / 0 / 57

HEX #44456E

RGB 68 69 110

HSL 238.57, 0.24%, 0.35%

LAB 30.9, 10.62, -23.88

 

CMYK 44 / 44 / 0 / 64

HEX #33335B

RGB 51 51 91

HSL 240, 0.28%, 0.28%

LAB 23.09, 11.55, -24.03

 

CMYK 53 / 54 / 0 / 72

HEX #222148

RGB 34 33 72

HSL 241.54, 0.37%, 0.21%

LAB 14.93, 12.82, -24.32

 

CMYK 68 / 72 / 0 / 79

HEX #110F35

RGB 17 15 53

HSL 243.16, 0.56%, 0.13%

LAB 6.48, 14.25, -24.53

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 38 / 37 / 0 / 57

HEX #44456E

RGB 68 69 110

HSL 238.57, 0.24%, 0.35%

LAB 30.9, 10.62, -23.88

 

CMYK 34 / 39 / 0 / 57

HEX #49436E

RGB 73 67 110

HSL 248.37, 0.24%, 0.35%

LAB 30.78, 13.5, -24.05

 

CMYK 27 / 39 / 0 / 57

HEX #50436E

RGB 80 67 110

HSL 258.14, 0.24%, 0.35%

LAB 31.45, 15.76, -22.94

 

CMYK 21 / 39 / 0 / 57

HEX #57436E

RGB 87 67 110

HSL 267.91, 0.24%, 0.35%

LAB 32.18, 18.1, -21.74

 

CMYK 15 / 39 / 0 / 57

HEX #5E436E

RGB 94 67 110

HSL 277.67, 0.24%, 0.35%

LAB 32.96, 20.49, -20.47

 

CMYK 38 / 37 / 0 / 57

HEX #44456E

RGB 68 69 110

HSL 238.57, 0.24%, 0.35%

LAB 30.9, 10.62, -23.88

 

CMYK 38 / 37 / 0 / 37

HEX #6465A1

RGB 100 101 161

HSL 239.02, 0.24%, 0.51%

LAB 45.07, 14.81, -32.59

 

CMYK 38 / 37 / 0 / 17

HEX #8385D4

RGB 131 133 212

HSL 238.52, 0.49%, 0.67%

LAB 58.37, 18.47, -40.87

 

CMYK 37 / 37 / 0 / 97

HEX #050508

RGB 5 5 8

HSL 240, 0.23%, 0.03%

LAB 1.43, 0.42, -1.14

 

CMYK 39 / 37 / 0 / 77

HEX #24253B

RGB 36 37 59

HSL 237.39, 0.24%, 0.19%

LAB 15.56, 5.99, -14.28

 

CMYK 38 / 37 / 0 / 57

HEX #44456E

RGB 68 69 110

HSL 238.57, 0.24%, 0.35%

LAB 30.9, 10.62, -23.88

 

CMYK 0 / 39 / 6 / 57

HEX #6E4367

RGB 110 67 103

HSL 309.77, 0.24%, 0.35%

LAB 34.62, 24.64, -13.34

 

CMYK 22 / 0 / 39 / 57

HEX #566E43

RGB 86 110 67

HSL 93.49, 0.24%, 0.35%

LAB 43.56, -17.37, 21.17

 

CMYK 38 / 37 / 0 / 57

HEX #44456E

RGB 68 69 110

HSL 238.57, 0.24%, 0.35%

LAB 30.9, 10.62, -23.88

 

CMYK 0 / 39 / 37 / 57

HEX #6E4345

RGB 110 67 69

HSL 357.21, 0.24%, 0.35%

LAB 33.48, 18.88, 6.63

 

CMYK 37 / 0 / 39 / 57

HEX #456E43

RGB 69 110 67

HSL 117.21, 0.24%, 0.35%

LAB 42.49, -23.87, 19.57

 

CMYK 38 / 37 / 0 / 57

HEX #44456E

RGB 68 69 110

HSL 238.57, 0.24%, 0.35%

LAB 30.9, 10.62, -23.88

 

CMYK 0 / 39 / 6 / 57

HEX #6E4367

RGB 110 67 103

HSL 309.77, 0.24%, 0.35%

LAB 34.62, 24.64, -13.34

 

CMYK 0 / 1 / 39 / 57

HEX #6E6D43

RGB 110 109 67

HSL 58.6, 0.24%, 0.35%

LAB 45.16, -6.59, 23.62

 

CMYK 39 / 0 / 33 / 57

HEX #436E4A

RGB 67 110 74

HSL 129.77, 0.24%, 0.35%

LAB 42.52, -23.28, 15.5

 

CMYK 38 / 37 / 0 / 57

HEX #44456E

RGB 68 69 110

HSL 238.57, 0.24%, 0.35%

LAB 30.9, 10.62, -23.88

 

CMYK 0 / 39 / 18 / 57

HEX #6E435A

RGB 110 67 90

HSL 327.91, 0.24%, 0.35%

LAB 34.12, 22.2, -5.84

 

CMYK 0 / 1 / 39 / 57

HEX #6E6D43

RGB 110 109 67

HSL 58.6, 0.24%, 0.35%

LAB 45.16, -6.59, 23.62

 

CMYK 39 / 0 / 21 / 57

HEX #436E57

RGB 67 110 87

HSL 147.91, 0.24%, 0.35%

LAB 42.81, -20.56, 8.18

 

Description

Color code: CMYK 38 / 37 / 0 / 57 | qconv.com Color code: CMYK 38 / 37 / 0 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 69 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 69 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 37 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 37% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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