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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 38 / 15 / 0 / 33 it is the complementary color CMYK 0 / 26 / 44 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 38 / 15 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 38 / 15 / 0 / 33: CMYK 33 / 13 / 0 / 35, CMYK 31 / 12 / 0 / 27, CMYK 29 / 11 / 0 / 20, CMYK 27 / 11 / 0 / 13 and CMYK 26 / 10 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 38 / 15 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 38 / 15 / 0 / 33: CMYK 38 / 15 / 0 / 33, CMYK 41 / 16 / 0 / 40, CMYK 46 / 18 / 0 / 48, CMYK 52 / 20 / 0 / 55 and CMYK 60 / 23 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 15 / 0 / 33

HEX #6A91AB

RGB 106 145 171

HSL 204, 0.28%, 0.54%

LAB 58.28, -6.7, -17.94

 

Complementary color

CMYK 0 / 26 / 44 / 42

HEX #956E54

RGB 149 110 84

HSL 24, 0.28%, 0.46%

LAB 49.72, 11.99, 20.54

 

CMYK 33 / 13 / 0 / 35

HEX #6F91A6

RGB 111 145 166

HSL 202.91, 0.24%, 0.54%

LAB 58.4, -6.58, -14.88

 

CMYK 31 / 12 / 0 / 27

HEX #80A3B9

RGB 128 163 185

HSL 203.16, 0.29%, 0.61%

LAB 65.19, -6.68, -15.23

 

CMYK 29 / 11 / 0 / 20

HEX #91B5CC

RGB 145 181 204

HSL 203.39, 0.37%, 0.68%

LAB 71.84, -6.77, -15.6

 

CMYK 27 / 11 / 0 / 13

HEX #A2C7DF

RGB 162 199 223

HSL 203.61, 0.49%, 0.75%

LAB 78.38, -6.86, -15.96

 

CMYK 26 / 10 / 0 / 5

HEX #B3D9F2

RGB 179 217 242

HSL 203.81, 0.71%, 0.83%

LAB 84.8, -6.94, -16.33

 

CMYK 38 / 15 / 0 / 33

HEX #6A91AB

RGB 106 145 171

HSL 204, 0.28%, 0.54%

LAB 58.28, -6.7, -17.94

 

CMYK 41 / 16 / 0 / 40

HEX #597F98

RGB 89 127 152

HSL 203.81, 0.26%, 0.47%

LAB 51.35, -6.51, -17.64

 

CMYK 46 / 18 / 0 / 48

HEX #486D85

RGB 72 109 133

HSL 203.61, 0.3%, 0.4%

LAB 44.25, -6.26, -17.35

 

CMYK 52 / 20 / 0 / 55

HEX #375B72

RGB 55 91 114

HSL 203.39, 0.35%, 0.33%

LAB 36.95, -5.91, -17.07

 

CMYK 60 / 23 / 0 / 63

HEX #26495F

RGB 38 73 95

HSL 203.16, 0.43%, 0.26%

LAB 29.42, -5.39, -16.79

 

CMYK 38 / 15 / 0 / 33

HEX #6A91AB

RGB 106 145 171

HSL 204, 0.28%, 0.54%

LAB 58.28, -6.7, -17.94

 

CMYK 39 / 22 / 0 / 33

HEX #6885AA

RGB 104 133 170

HSL 213.64, 0.28%, 0.54%

LAB 54.68, -0.7, -22.88

 

CMYK 39 / 28 / 0 / 33

HEX #687AAA

RGB 104 122 170

HSL 223.64, 0.28%, 0.54%

LAB 51.57, 5.77, -27.68

 

CMYK 39 / 35 / 0 / 33

HEX #686FAA

RGB 104 111 170

HSL 233.64, 0.28%, 0.54%

LAB 48.53, 12.4, -32.42

 

CMYK 36 / 39 / 0 / 33

HEX #6D68AA

RGB 109 104 170

HSL 244.55, 0.28%, 0.54%

LAB 47.05, 18.09, -34.72

 

CMYK 38 / 15 / 0 / 33

HEX #6A91AB

RGB 106 145 171

HSL 204, 0.28%, 0.54%

LAB 58.28, -6.7, -17.94

 

CMYK 38 / 15 / 0 / 13

HEX #8ABCDE

RGB 138 188 222

HSL 204.29, 0.56%, 0.71%

LAB 73.96, -7.99, -22.24

 

CMYK 39 / 17 / 0 / 93

HEX #0B0F12

RGB 11 15 18

HSL 205.71, 0.24%, 0.06%

LAB 4.12, -0.65, -2.02

 

CMYK 38 / 14 / 0 / 73

HEX #2B3B45

RGB 43 59 69

HSL 203.08, 0.23%, 0.22%

LAB 23.91, -3.56, -8.24

 

CMYK 38 / 15 / 0 / 53

HEX #4A6678

RGB 74 102 120

HSL 203.48, 0.24%, 0.38%

LAB 41.71, -5.35, -13.36

 

CMYK 38 / 15 / 0 / 33

HEX #6A91AB

RGB 106 145 171

HSL 204, 0.28%, 0.54%

LAB 58.28, -6.7, -17.94

 

CMYK 15 / 39 / 0 / 33

HEX #9068AA

RGB 144 104 170

HSL 276.36, 0.28%, 0.54%

LAB 50.37, 28.65, -29.28

 

CMYK 0 / 0 / 39 / 33

HEX #AAAA68

RGB 170 170 104

HSL 60, 0.28%, 0.54%

LAB 68.24, -10.08, 34.02

 

CMYK 38 / 15 / 0 / 33

HEX #6A91AB

RGB 106 145 171

HSL 204, 0.28%, 0.54%

LAB 58.28, -6.7, -17.94

 

CMYK 0 / 39 / 15 / 33

HEX #AA6890

RGB 170 104 144

HSL 323.64, 0.28%, 0.54%

LAB 52.35, 32.27, -10.73

 

CMYK 15 / 0 / 39 / 33

HEX #90AA68

RGB 144 170 104

HSL 83.64, 0.28%, 0.54%

LAB 66.27, -20.46, 31.1

 

CMYK 38 / 15 / 0 / 33

HEX #6A91AB

RGB 106 145 171

HSL 204, 0.28%, 0.54%

LAB 58.28, -6.7, -17.94

 

CMYK 15 / 39 / 0 / 33

HEX #9068AA

RGB 144 104 170

HSL 276.36, 0.28%, 0.54%

LAB 50.37, 28.65, -29.28

 

CMYK 0 / 23 / 39 / 33

HEX #AA8368

RGB 170 131 104

HSL 24.55, 0.28%, 0.54%

LAB 57.83, 11.25, 20.36

 

CMYK 23 / 0 / 39 / 33

HEX #83AA68

RGB 131 170 104

HSL 95.45, 0.28%, 0.54%

LAB 65.42, -25.39, 29.82

 

CMYK 38 / 15 / 0 / 33

HEX #6A91AB

RGB 106 145 171

HSL 204, 0.28%, 0.54%

LAB 58.28, -6.7, -17.94

 

CMYK 4 / 39 / 0 / 33

HEX #A368AA

RGB 163 104 170

HSL 293.64, 0.28%, 0.54%

LAB 52.5, 34.69, -25.81

 

CMYK 0 / 23 / 39 / 33

HEX #AA8368

RGB 170 131 104

HSL 24.55, 0.28%, 0.54%

LAB 57.83, 11.25, 20.36

 

CMYK 35 / 0 / 39 / 33

HEX #6FAA68

RGB 111 170 104

HSL 113.64, 0.28%, 0.54%

LAB 64.26, -32.47, 28.1

 

Description

Color code: CMYK 38 / 15 / 0 / 33 | qconv.com Color code: CMYK 38 / 15 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 145 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 145 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 15 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 15% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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