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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 38 / 12 / 0 / 19 it is the complementary color CMYK 0 / 43 / 62 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 38 / 12 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 38 / 12 / 0 / 19: CMYK 34 / 10 / 0 / 21, CMYK 32 / 10 / 0 / 13, CMYK 30 / 9 / 0 / 6, CMYK 28 / 7 / 0 / 0 and CMYK 21 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 38 / 12 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 38 / 12 / 0 / 19: CMYK 38 / 12 / 0 / 19, CMYK 41 / 13 / 0 / 26, CMYK 44 / 14 / 0 / 34, CMYK 49 / 15 / 0 / 41 and CMYK 54 / 16 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 12 / 0 / 19

HEX #80B6CF

RGB 128 182 207

HSL 198.99, 0.45%, 0.66%

LAB 71.25, -11.34, -18.23

 

Complementary color

CMYK 0 / 43 / 62 / 50

HEX #7F4930

RGB 127 73 48

HSL 18.99, 0.45%, 0.34%

LAB 36.91, 20.43, 24.67

 

CMYK 34 / 10 / 0 / 21

HEX #85B6CA

RGB 133 182 202

HSL 197.39, 0.39%, 0.66%

LAB 71.36, -11.25, -15.31

 

CMYK 32 / 10 / 0 / 13

HEX #96C8DD

RGB 150 200 221

HSL 197.75, 0.51%, 0.73%

LAB 77.88, -11.3, -15.7

 

CMYK 30 / 9 / 0 / 6

HEX #A7DAF0

RGB 167 218 240

HSL 198.08, 0.71%, 0.8%

LAB 84.3, -11.35, -16.09

 

CMYK 28 / 7 / 0 / 0

HEX #B8ECFF

RGB 184 236 255

HSL 196.06, 1%, 0.86%

LAB 90.51, -12.3, -14.57

 

CMYK 21 / 0 / 0 / 0

HEX #C9FEFF

RGB 201 254 255

HSL 181.11, 1%, 0.89%

LAB 96.21, -16.4, -5.98

 

CMYK 38 / 12 / 0 / 19

HEX #80B6CF

RGB 128 182 207

HSL 198.99, 0.45%, 0.66%

LAB 71.25, -11.34, -18.23

 

CMYK 41 / 13 / 0 / 26

HEX #6FA4BC

RGB 111 164 188

HSL 198.7, 0.36%, 0.59%

LAB 64.61, -11.22, -17.87

 

CMYK 44 / 14 / 0 / 34

HEX #5E92A9

RGB 94 146 169

HSL 198.4, 0.3%, 0.52%

LAB 57.85, -11.06, -17.51

 

CMYK 49 / 15 / 0 / 41

HEX #4D8096

RGB 77 128 150

HSL 198.08, 0.32%, 0.45%

LAB 50.94, -10.84, -17.15

 

CMYK 54 / 16 / 0 / 49

HEX #3C6E83

RGB 60 110 131

HSL 197.75, 0.37%, 0.37%

LAB 43.87, -10.52, -16.77

 

CMYK 38 / 12 / 0 / 19

HEX #80B6CF

RGB 128 182 207

HSL 198.99, 0.45%, 0.66%

LAB 71.25, -11.34, -18.23

 

CMYK 38 / 18 / 0 / 19

HEX #81AACF

RGB 129 170 207

HSL 208.46, 0.45%, 0.66%

LAB 67.96, -4.59, -23.23

 

CMYK 38 / 24 / 0 / 19

HEX #819DCF

RGB 129 157 207

HSL 218.46, 0.45%, 0.66%

LAB 64.39, 2.66, -28.71

 

CMYK 38 / 30 / 0 / 19

HEX #8190CF

RGB 129 144 207

HSL 228.46, 0.45%, 0.66%

LAB 60.89, 10.12, -34.14

 

CMYK 38 / 37 / 0 / 19

HEX #8183CF

RGB 129 131 207

HSL 238.46, 0.45%, 0.66%

LAB 57.47, 17.72, -39.49

 

CMYK 38 / 12 / 0 / 19

HEX #80B6CF

RGB 128 182 207

HSL 198.99, 0.45%, 0.66%

LAB 71.25, -11.34, -18.23

 

CMYK 33 / 0 / 0 / 99

HEX #020303

RGB 2 3 3

HSL 180, 0.2%, 0.01%

LAB 0.76, -0.26, -0.09

 

CMYK 39 / 13 / 0 / 79

HEX #212F36

RGB 33 47 54

HSL 200, 0.24%, 0.17%

LAB 18.46, -3.73, -6.36

 

CMYK 38 / 12 / 0 / 59

HEX #415C69

RGB 65 92 105

HSL 199.5, 0.24%, 0.33%

LAB 37.48, -6.41, -10.64

 

CMYK 38 / 12 / 0 / 39

HEX #60899C

RGB 96 137 156

HSL 199, 0.24%, 0.49%

LAB 54.84, -9.11, -14.61

 

CMYK 38 / 12 / 0 / 19

HEX #80B6CF

RGB 128 182 207

HSL 198.99, 0.45%, 0.66%

LAB 71.25, -11.34, -18.23

 

CMYK 19 / 38 / 0 / 19

HEX #A881CF

RGB 168 129 207

HSL 270, 0.45%, 0.66%

LAB 60.36, 30.11, -34.71

 

CMYK 0 / 4 / 38 / 19

HEX #CFC781

RGB 207 199 129

HSL 53.85, 0.45%, 0.66%

LAB 79.44, -7.44, 36.05

 

CMYK 38 / 12 / 0 / 19

HEX #80B6CF

RGB 128 182 207

HSL 198.99, 0.45%, 0.66%

LAB 71.25, -11.34, -18.23

 

CMYK 0 / 38 / 12 / 19

HEX #CF81B7

RGB 207 129 183

HSL 318.46, 0.45%, 0.66%

LAB 63.66, 37.87, -15.74

 

CMYK 12 / 0 / 38 / 19

HEX #B7CF81

RGB 183 207 129

HSL 78.46, 0.45%, 0.66%

LAB 79.77, -20.8, 36.12

 

CMYK 38 / 12 / 0 / 19

HEX #80B6CF

RGB 128 182 207

HSL 198.99, 0.45%, 0.66%

LAB 71.25, -11.34, -18.23

 

CMYK 19 / 38 / 0 / 19

HEX #A881CF

RGB 168 129 207

HSL 270, 0.45%, 0.66%

LAB 60.36, 30.11, -34.71

 

CMYK 0 / 27 / 38 / 19

HEX #CF9881

RGB 207 152 129

HSL 17.69, 0.45%, 0.66%

LAB 67.51, 17.61, 20.2

 

CMYK 19 / 0 / 38 / 19

HEX #A8CF81

RGB 168 207 129

HSL 90, 0.45%, 0.66%

LAB 78.77, -26.39, 34.63

 

CMYK 38 / 12 / 0 / 19

HEX #80B6CF

RGB 128 182 207

HSL 198.99, 0.45%, 0.66%

LAB 71.25, -11.34, -18.23

 

CMYK 8 / 38 / 0 / 19

HEX #BF81CF

RGB 191 129 207

HSL 287.69, 0.45%, 0.66%

LAB 62.74, 37.14, -30.83

 

CMYK 0 / 27 / 38 / 19

HEX #CF9881

RGB 207 152 129

HSL 17.69, 0.45%, 0.66%

LAB 67.51, 17.61, 20.2

 

CMYK 30 / 0 / 38 / 19

HEX #90CF81

RGB 144 207 129

HSL 108.46, 0.45%, 0.66%

LAB 77.36, -34.81, 32.53

 

Description

Color code: CMYK 38 / 12 / 0 / 19 | qconv.com Color code: CMYK 38 / 12 / 0 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 182 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 182 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 12 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 12% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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