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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 38 / 0 / 21 / 55 it is the complementary color CMYK 0 / 24 / 11 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 38 / 0 / 21 / 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 38 / 0 / 21 / 55: CMYK 34 / 0 / 25 / 55, CMYK 30 / 0 / 21 / 48, CMYK 27 / 0 / 18 / 41, CMYK 25 / 0 / 15 / 34 and CMYK 23 / 0 / 13 / 27

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 38 / 0 / 21 / 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 38 / 0 / 21 / 55: CMYK 38 / 0 / 21 / 55, CMYK 44 / 0 / 26 / 62, CMYK 53 / 0 / 33 / 69, CMYK 67 / 0 / 44 / 76 and CMYK 93 / 0 / 65 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 21 / 55

HEX #47735B

RGB 71 115 91

HSL 147.27, 0.24%, 0.36%

LAB 44.74, -21, 8.54

 

Complementary color

CMYK 0 / 24 / 11 / 28

HEX #B88CA4

RGB 184 140 164

HSL 327.27, 0.24%, 0.64%

LAB 63.03, 20.59, -6.18

 

CMYK 34 / 0 / 25 / 55

HEX #4C7356

RGB 76 115 86

HSL 135.38, 0.2%, 0.37%

LAB 44.9, -20.39, 11.77

 

CMYK 30 / 0 / 21 / 48

HEX #5D8569

RGB 93 133 105

HSL 138, 0.18%, 0.44%

LAB 51.98, -20.11, 10.71

 

CMYK 27 / 0 / 18 / 41

HEX #6E977C

RGB 110 151 124

HSL 140.49, 0.16%, 0.51%

LAB 58.88, -19.86, 9.75

 

CMYK 25 / 0 / 15 / 34

HEX #7FA98F

RGB 127 169 143

HSL 142.86, 0.2%, 0.58%

LAB 65.65, -19.64, 8.85

 

CMYK 23 / 0 / 13 / 27

HEX #90BBA2

RGB 144 187 162

HSL 145.12, 0.24%, 0.65%

LAB 72.28, -19.45, 8.02

 

CMYK 38 / 0 / 21 / 55

HEX #47735B

RGB 71 115 91

HSL 147.27, 0.24%, 0.36%

LAB 44.74, -21, 8.54

 

CMYK 44 / 0 / 26 / 62

HEX #366148

RGB 54 97 72

HSL 145.12, 0.28%, 0.3%

LAB 37.48, -21.29, 9.67

 

CMYK 53 / 0 / 33 / 69

HEX #254F35

RGB 37 79 53

HSL 142.86, 0.36%, 0.23%

LAB 30.02, -21.55, 10.96

 

CMYK 67 / 0 / 44 / 76

HEX #143D22

RGB 20 61 34

HSL 140.49, 0.51%, 0.16%

LAB 22.31, -21.64, 12.5

 

CMYK 93 / 0 / 65 / 83

HEX #032B0F

RGB 3 43 15

HSL 138, 0.87%, 0.09%

LAB 14.3, -21.48, 14.01

 

CMYK 38 / 0 / 21 / 55

HEX #47735B

RGB 71 115 91

HSL 147.27, 0.24%, 0.36%

LAB 44.74, -21, 8.54

 

CMYK 39 / 0 / 15 / 56

HEX #457160

RGB 69 113 96

HSL 156.82, 0.24%, 0.36%

LAB 44.12, -19.44, 4.66

 

CMYK 39 / 0 / 8 / 56

HEX #457168

RGB 69 113 104

HSL 167.73, 0.24%, 0.36%

LAB 44.34, -17.48, 0.19

 

CMYK 39 / 0 / 2 / 56

HEX #45716F

RGB 69 113 111

HSL 177.27, 0.24%, 0.36%

LAB 44.55, -15.66, -3.7

 

CMYK 39 / 4 / 0 / 56

HEX #456C71

RGB 69 108 113

HSL 186.82, 0.24%, 0.36%

LAB 43.04, -12.31, -7.15

 

CMYK 38 / 0 / 21 / 55

HEX #47735B

RGB 71 115 91

HSL 147.27, 0.24%, 0.36%

LAB 44.74, -21, 8.54

 

CMYK 39 / 0 / 21 / 35

HEX #66A683

RGB 102 166 131

HSL 147.19, 0.26%, 0.53%

LAB 63.12, -28.52, 11.75

 

CMYK 38 / 0 / 21 / 15

HEX #86D9AC

RGB 134 217 172

HSL 147.47, 0.52%, 0.69%

LAB 80.56, -35.08, 14.32

 

CMYK 38 / 0 / 23 / 95

HEX #080D0A

RGB 8 13 10

HSL 144, 0.24%, 0.04%

LAB 3.26, -1.83, 0.75

 

CMYK 38 / 0 / 20 / 75

HEX #284033

RGB 40 64 51

HSL 147.5, 0.23%, 0.2%

LAB 24.82, -12.73, 5.02

 

CMYK 38 / 0 / 21 / 55

HEX #47735B

RGB 71 115 91

HSL 147.27, 0.24%, 0.36%

LAB 44.74, -21, 8.54

 

CMYK 39 / 25 / 0 / 56

HEX #455571

RGB 69 85 113

HSL 218.18, 0.24%, 0.36%

LAB 35.9, 1.5, -17.99

 

CMYK 0 / 37 / 39 / 56

HEX #714745

RGB 113 71 69

HSL 2.73, 0.24%, 0.36%

LAB 34.9, 17.74, 8.69

 

CMYK 38 / 0 / 21 / 55

HEX #47735B

RGB 71 115 91

HSL 147.27, 0.24%, 0.36%

LAB 44.74, -21, 8.54

 

CMYK 21 / 39 / 0 / 56

HEX #594571

RGB 89 69 113

HSL 267.27, 0.24%, 0.36%

LAB 33.08, 18.28, -22.23

 

CMYK 0 / 21 / 39 / 56

HEX #715945

RGB 113 89 69

HSL 27.27, 0.24%, 0.36%

LAB 39.72, 6.8, 15.33

 

CMYK 38 / 0 / 21 / 55

HEX #47735B

RGB 71 115 91

HSL 147.27, 0.24%, 0.36%

LAB 44.74, -21, 8.54

 

CMYK 39 / 25 / 0 / 56

HEX #455571

RGB 69 85 113

HSL 218.18, 0.24%, 0.36%

LAB 35.9, 1.5, -17.99

 

CMYK 0 / 39 / 17 / 56

HEX #71455E

RGB 113 69 94

HSL 325.91, 0.24%, 0.36%

LAB 35.15, 22.87, -6.8

 

CMYK 0 / 13 / 39 / 56

HEX #716245

RGB 113 98 69

HSL 39.55, 0.24%, 0.36%

LAB 42.27, 1.41, 18.73

 

CMYK 38 / 0 / 21 / 55

HEX #47735B

RGB 71 115 91

HSL 147.27, 0.24%, 0.36%

LAB 44.74, -21, 8.54

 

CMYK 39 / 37 / 0 / 56

HEX #454771

RGB 69 71 113

HSL 237.27, 0.24%, 0.36%

LAB 31.72, 10.53, -24.48

 

CMYK 0 / 39 / 17 / 56

HEX #71455E

RGB 113 69 94

HSL 325.91, 0.24%, 0.36%

LAB 35.15, 22.87, -6.8

 

CMYK 0 / 2 / 39 / 56

HEX #716F45

RGB 113 111 69

HSL 57.27, 0.24%, 0.36%

LAB 46.05, -6.16, 23.68

 

Description

Color code: CMYK 38 / 0 / 21 / 55 | qconv.com Color code: CMYK 38 / 0 / 21 / 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 115 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 115 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 21 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 21% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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