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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 37 / 9 / 0 / 34 it is the complementary color CMYK 0 / 32 / 42 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 37 / 9 / 0 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 37 / 9 / 0 / 34: CMYK 32 / 6 / 0 / 36, CMYK 30 / 6 / 0 / 29, CMYK 28 / 6 / 0 / 21, CMYK 26 / 6 / 0 / 14 and CMYK 25 / 6 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 37 / 9 / 0 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 37 / 9 / 0 / 34: CMYK 37 / 9 / 0 / 34, CMYK 40 / 9 / 0 / 42, CMYK 45 / 10 / 0 / 49, CMYK 50 / 11 / 0 / 56 and CMYK 59 / 12 / 0 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 9 / 0 / 34

HEX #6A99A8

RGB 106 153 168

HSL 194.52, 0.26%, 0.54%

LAB 60.49, -11.92, -12.88

 

Complementary color

CMYK 0 / 32 / 42 / 42

HEX #956657

RGB 149 102 87

HSL 14.52, 0.26%, 0.46%

LAB 47.73, 16.98, 16.1

 

CMYK 32 / 6 / 0 / 36

HEX #6F99A3

RGB 111 153 163

HSL 191.54, 0.22%, 0.54%

LAB 60.61, -11.76, -9.85

 

CMYK 30 / 6 / 0 / 29

HEX #80ABB6

RGB 128 171 182

HSL 192.22, 0.27%, 0.61%

LAB 67.35, -11.75, -10.33

 

CMYK 28 / 6 / 0 / 21

HEX #91BDC9

RGB 145 189 201

HSL 192.86, 0.34%, 0.68%

LAB 73.95, -11.74, -10.79

 

CMYK 26 / 6 / 0 / 14

HEX #A2CFDC

RGB 162 207 220

HSL 193.45, 0.45%, 0.75%

LAB 80.45, -11.73, -11.25

 

CMYK 25 / 6 / 0 / 6

HEX #B3E1EF

RGB 179 225 239

HSL 194, 0.65%, 0.82%

LAB 86.83, -11.73, -11.7

 

CMYK 37 / 9 / 0 / 34

HEX #6A99A8

RGB 106 153 168

HSL 194.52, 0.26%, 0.54%

LAB 60.49, -11.92, -12.88

 

CMYK 40 / 9 / 0 / 42

HEX #598795

RGB 89 135 149

HSL 194, 0.25%, 0.47%

LAB 53.62, -11.86, -12.44

 

CMYK 45 / 10 / 0 / 49

HEX #487582

RGB 72 117 130

HSL 193.45, 0.29%, 0.4%

LAB 46.59, -11.77, -11.98

 

CMYK 50 / 11 / 0 / 56

HEX #37636F

RGB 55 99 111

HSL 192.86, 0.34%, 0.33%

LAB 39.38, -11.62, -11.5

 

CMYK 59 / 12 / 0 / 64

HEX #26515C

RGB 38 81 92

HSL 192.22, 0.42%, 0.25%

LAB 31.96, -11.34, -10.99

 

CMYK 37 / 9 / 0 / 34

HEX #6A99A8

RGB 106 153 168

HSL 194.52, 0.26%, 0.54%

LAB 60.49, -11.92, -12.88

 

CMYK 36 / 15 / 0 / 34

HEX #6B8FA8

RGB 107 143 168

HSL 204.59, 0.26%, 0.54%

LAB 57.65, -6.1, -17.17

 

CMYK 36 / 21 / 0 / 34

HEX #6B85A8

RGB 107 133 168

HSL 214.43, 0.26%, 0.54%

LAB 54.79, -0.39, -21.54

 

CMYK 36 / 27 / 0 / 34

HEX #6B7BA8

RGB 107 123 168

HSL 224.26, 0.26%, 0.54%

LAB 51.97, 5.47, -25.88

 

CMYK 36 / 33 / 0 / 34

HEX #6B71A8

RGB 107 113 168

HSL 234.1, 0.26%, 0.54%

LAB 49.21, 11.47, -30.18

 

CMYK 37 / 9 / 0 / 34

HEX #6A99A8

RGB 106 153 168

HSL 194.52, 0.26%, 0.54%

LAB 60.49, -11.92, -12.88

 

CMYK 37 / 9 / 0 / 14

HEX #8AC7DB

RGB 138 199 219

HSL 194.81, 0.53%, 0.7%

LAB 76.9, -14.55, -16.17

 

CMYK 40 / 7 / 0 / 94

HEX #090E0F

RGB 9 14 15

HSL 190, 0.25%, 0.05%

LAB 3.67, -1.25, -0.99

 

CMYK 36 / 9 / 0 / 74

HEX #2A3C42

RGB 42 60 66

HSL 195, 0.22%, 0.21%

LAB 24.06, -5.45, -6.02

 

CMYK 37 / 9 / 0 / 54

HEX #4A6B75

RGB 74 107 117

HSL 193.95, 0.23%, 0.37%

LAB 43.15, -9.14, -9.38

 

CMYK 37 / 9 / 0 / 34

HEX #6A99A8

RGB 106 153 168

HSL 194.52, 0.26%, 0.54%

LAB 60.49, -11.92, -12.88

 

CMYK 21 / 36 / 0 / 34

HEX #856BA8

RGB 133 107 168

HSL 265.57, 0.26%, 0.54%

LAB 49.89, 22.97, -28.94

 

CMYK 0 / 6 / 36 / 34

HEX #A89E6B

RGB 168 158 107

HSL 50.16, 0.26%, 0.54%

LAB 64.84, -4.15, 27.99

 

CMYK 37 / 9 / 0 / 34

HEX #6A99A8

RGB 106 153 168

HSL 194.52, 0.26%, 0.54%

LAB 60.49, -11.92, -12.88

 

CMYK 0 / 36 / 9 / 34

HEX #A86B99

RGB 168 107 153

HSL 314.75, 0.26%, 0.54%

LAB 53.1, 31.46, -14.91

 

CMYK 9 / 0 / 36 / 34

HEX #99A86B

RGB 153 168 107

HSL 74.75, 0.26%, 0.54%

LAB 66.4, -15.51, 29.8

 

CMYK 37 / 9 / 0 / 34

HEX #6A99A8

RGB 106 153 168

HSL 194.52, 0.26%, 0.54%

LAB 60.49, -11.92, -12.88

 

CMYK 21 / 36 / 0 / 34

HEX #856BA8

RGB 133 107 168

HSL 265.57, 0.26%, 0.54%

LAB 49.89, 22.97, -28.94

 

CMYK 0 / 28 / 36 / 34

HEX #A8796B

RGB 168 121 107

HSL 13.77, 0.26%, 0.54%

LAB 55.14, 16.45, 14.93

 

CMYK 16 / 0 / 36 / 34

HEX #8DA86B

RGB 141 168 107

HSL 86.56, 0.26%, 0.54%

LAB 65.54, -20.19, 28.51

 

CMYK 37 / 9 / 0 / 34

HEX #6A99A8

RGB 106 153 168

HSL 194.52, 0.26%, 0.54%

LAB 60.49, -11.92, -12.88

 

CMYK 10 / 36 / 0 / 34

HEX #976BA8

RGB 151 107 168

HSL 283.28, 0.26%, 0.54%

LAB 51.75, 28.71, -25.91

 

CMYK 0 / 28 / 36 / 34

HEX #A8796B

RGB 168 121 107

HSL 13.77, 0.26%, 0.54%

LAB 55.14, 16.45, 14.93

 

CMYK 27 / 0 / 36 / 34

HEX #7BA86B

RGB 123 168 107

HSL 104.26, 0.26%, 0.54%

LAB 64.39, -26.88, 26.78

 

Description

Color code: CMYK 37 / 9 / 0 / 34 | qconv.com Color code: CMYK 37 / 9 / 0 / 34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 153 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 153 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 9 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 9% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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