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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 37 / 5 / 0 / 14 it is the complementary color CMYK 0 / 60 / 69 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 37 / 5 / 0 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 37 / 5 / 0 / 14: CMYK 33 / 3 / 0 / 16, CMYK 31 / 3 / 0 / 9, CMYK 30 / 3 / 0 / 1, CMYK 24 / 0 / 0 / 0 and CMYK 17 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 37 / 5 / 0 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 37 / 5 / 0 / 14: CMYK 37 / 5 / 0 / 14, CMYK 40 / 5 / 0 / 22, CMYK 43 / 5 / 0 / 29, CMYK 46 / 5 / 0 / 36 and CMYK 51 / 5 / 0 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 5 / 0 / 14

HEX #8AD0DB

RGB 138 208 219

HSL 188.15, 0.53%, 0.7%

LAB 79.4, -19.16, -12.41

 

Complementary color

CMYK 0 / 60 / 69 / 54

HEX #752F24

RGB 117 47 36

HSL 8.15, 0.53%, 0.3%

LAB 29.27, 29.97, 22.29

 

CMYK 33 / 3 / 0 / 16

HEX #8FD0D6

RGB 143 208 214

HSL 185.07, 0.46%, 0.7%

LAB 79.5, -19.03, -9.55

 

CMYK 31 / 3 / 0 / 9

HEX #A0E2E9

RGB 160 226 233

HSL 185.75, 0.62%, 0.77%

LAB 85.88, -18.98, -10.07

 

CMYK 30 / 3 / 0 / 1

HEX #B1F4FC

RGB 177 244 252

HSL 186.4, 0.93%, 0.84%

LAB 92.17, -18.92, -10.57

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 37 / 5 / 0 / 14

HEX #8AD0DB

RGB 138 208 219

HSL 188.15, 0.53%, 0.7%

LAB 79.4, -19.16, -12.41

 

CMYK 40 / 5 / 0 / 22

HEX #79BEC8

RGB 121 190 200

HSL 187.59, 0.42%, 0.63%

LAB 72.93, -19.16, -11.91

 

CMYK 43 / 5 / 0 / 29

HEX #68ACB5

RGB 104 172 181

HSL 187.01, 0.34%, 0.56%

LAB 66.35, -19.14, -11.38

 

CMYK 46 / 5 / 0 / 36

HEX #579AA2

RGB 87 154 162

HSL 186.4, 0.3%, 0.49%

LAB 59.66, -19.08, -10.83

 

CMYK 51 / 5 / 0 / 44

HEX #46888F

RGB 70 136 143

HSL 185.75, 0.34%, 0.42%

LAB 52.83, -18.97, -10.24

 

CMYK 37 / 5 / 0 / 14

HEX #8AD0DB

RGB 138 208 219

HSL 188.15, 0.53%, 0.7%

LAB 79.4, -19.16, -12.41

 

CMYK 37 / 11 / 0 / 14

HEX #89C2DB

RGB 137 194 219

HSL 198.29, 0.53%, 0.7%

LAB 75.46, -12.2, -18.34

 

CMYK 37 / 17 / 0 / 14

HEX #89B5DB

RGB 137 181 219

HSL 207.8, 0.53%, 0.7%

LAB 71.88, -5.27, -23.79

 

CMYK 37 / 24 / 0 / 14

HEX #89A7DB

RGB 137 167 219

HSL 218.05, 0.53%, 0.7%

LAB 68.07, 2.44, -29.63

 

CMYK 37 / 30 / 0 / 14

HEX #899ADB

RGB 137 154 219

HSL 227.56, 0.53%, 0.7%

LAB 64.6, 9.8, -35.01

 

CMYK 37 / 5 / 0 / 14

HEX #8AD0DB

RGB 138 208 219

HSL 188.15, 0.53%, 0.7%

LAB 79.4, -19.16, -12.41

 

CMYK 40 / 7 / 0 / 94

HEX #090E0F

RGB 9 14 15

HSL 190, 0.25%, 0.05%

LAB 3.67, -1.25, -0.99

 

CMYK 36 / 5 / 0 / 74

HEX #2A3F42

RGB 42 63 66

HSL 187.5, 0.22%, 0.21%

LAB 25.08, -7.36, -4.5

 

CMYK 37 / 5 / 0 / 54

HEX #4A6F75

RGB 74 111 117

HSL 188.37, 0.23%, 0.37%

LAB 44.39, -11.44, -7.52

 

CMYK 37 / 5 / 0 / 34

HEX #6AA0A8

RGB 106 160 168

HSL 187.74, 0.26%, 0.54%

LAB 62.54, -15.69, -9.82

 

CMYK 37 / 5 / 0 / 14

HEX #8AD0DB

RGB 138 208 219

HSL 188.15, 0.53%, 0.7%

LAB 79.4, -19.16, -12.41

 

CMYK 25 / 37 / 0 / 14

HEX #A489DB

RGB 164 137 219

HSL 259.76, 0.53%, 0.7%

LAB 62.42, 27.2, -38.25

 

CMYK 0 / 10 / 37 / 14

HEX #DBC589

RGB 219 197 137

HSL 43.9, 0.53%, 0.7%

LAB 80.07, -0.74, 32.94

 

CMYK 37 / 5 / 0 / 14

HEX #8AD0DB

RGB 138 208 219

HSL 188.15, 0.53%, 0.7%

LAB 79.4, -19.16, -12.41

 

CMYK 0 / 37 / 5 / 14

HEX #DB89D0

RGB 219 137 208

HSL 308.05, 0.53%, 0.7%

LAB 67.65, 41.82, -23.57

 

CMYK 5 / 0 / 37 / 14

HEX #D0DB89

RGB 208 219 137

HSL 68.05, 0.53%, 0.7%

LAB 84.93, -16.25, 39.09

 

CMYK 37 / 5 / 0 / 14

HEX #8AD0DB

RGB 138 208 219

HSL 188.15, 0.53%, 0.7%

LAB 79.4, -19.16, -12.41

 

CMYK 25 / 37 / 0 / 14

HEX #A489DB

RGB 164 137 219

HSL 259.76, 0.53%, 0.7%

LAB 62.42, 27.2, -38.25

 

CMYK 0 / 32 / 37 / 14

HEX #DB9489

RGB 219 148 137

HSL 8.05, 0.53%, 0.7%

LAB 68.05, 25.42, 16.73

 

CMYK 12 / 0 / 37 / 14

HEX #C0DB89

RGB 192 219 137

HSL 79.76, 0.53%, 0.7%

LAB 83.8, -22.31, 37.4

 

CMYK 37 / 5 / 0 / 14

HEX #8AD0DB

RGB 138 208 219

HSL 188.15, 0.53%, 0.7%

LAB 79.4, -19.16, -12.41

 

CMYK 14 / 37 / 0 / 14

HEX #BD89DB

RGB 189 137 219

HSL 278.05, 0.53%, 0.7%

LAB 64.82, 34.62, -34.32

 

CMYK 0 / 32 / 37 / 14

HEX #DB9489

RGB 219 148 137

HSL 8.05, 0.53%, 0.7%

LAB 68.05, 25.42, 16.73

 

CMYK 24 / 0 / 37 / 14

HEX #A7DB89

RGB 167 219 137

HSL 98.05, 0.53%, 0.7%

LAB 82.21, -31.37, 35.03

 

Description

Color code: CMYK 37 / 5 / 0 / 14 | qconv.com Color code: CMYK 37 / 5 / 0 / 14 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 208 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 208 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 5 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 5% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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