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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 37 / 59 / 0 / 48 it is the complementary color CMYK 15 / 0 / 39 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 37 / 59 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 37 / 59 / 0 / 48: CMYK 30 / 58 / 0 / 50, CMYK 28 / 51 / 0 / 42, CMYK 26 / 46 / 0 / 35, CMYK 24 / 42 / 0 / 27 and CMYK 23 / 38 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 37 / 59 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 37 / 59 / 0 / 48: CMYK 37 / 59 / 0 / 48, CMYK 41 / 68 / 0 / 55, CMYK 47 / 81 / 0 / 63, CMYK 57 / 100 / 0 / 70 and CMYK 72 / 100 / 0 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 59 / 0 / 48

HEX #543685

RGB 84 54 133

HSL 262.78, 0.42%, 0.37%

LAB 29.95, 31.58, -39.72

 

Complementary color

CMYK 15 / 0 / 39 / 21

HEX #ABC97A

RGB 171 201 122

HSL 82.78, 0.42%, 0.63%

LAB 77.18, -23.26, 36.19

 

CMYK 30 / 58 / 0 / 50

HEX #593680

RGB 89 54 128

HSL 268.38, 0.41%, 0.36%

LAB 30.21, 31.52, -36.16

 

CMYK 28 / 51 / 0 / 42

HEX #6A4893

RGB 106 72 147

HSL 267.2, 0.34%, 0.43%

LAB 37.49, 30.49, -36.13

 

CMYK 26 / 46 / 0 / 35

HEX #7B5AA6

RGB 123 90 166

HSL 266.05, 0.3%, 0.5%

LAB 44.63, 29.52, -36.09

 

CMYK 24 / 42 / 0 / 27

HEX #8C6CB9

RGB 140 108 185

HSL 264.94, 0.35%, 0.57%

LAB 51.61, 28.64, -36.07

 

CMYK 23 / 38 / 0 / 20

HEX #9D7ECC

RGB 157 126 204

HSL 263.85, 0.43%, 0.65%

LAB 58.46, 27.84, -36.07

 

CMYK 37 / 59 / 0 / 48

HEX #543685

RGB 84 54 133

HSL 262.78, 0.42%, 0.37%

LAB 29.95, 31.58, -39.72

 

CMYK 41 / 68 / 0 / 55

HEX #432472

RGB 67 36 114

HSL 263.85, 0.52%, 0.29%

LAB 22.55, 32.74, -39.76

 

CMYK 47 / 81 / 0 / 63

HEX #32125F

RGB 50 18 95

HSL 264.94, 0.68%, 0.22%

LAB 15.15, 33.59, -39.47

 

CMYK 57 / 100 / 0 / 70

HEX #21004C

RGB 33 0 76

HSL 266.05, 1%, 0.15%

LAB 7.63, 34.58, -38.98

 

CMYK 72 / 100 / 0 / 78

HEX #100039

RGB 16 0 57

HSL 256.84, 1%, 0.11%

LAB 3.66, 23.03, -32.02

 

CMYK 37 / 59 / 0 / 48

HEX #543685

RGB 84 54 133

HSL 262.78, 0.42%, 0.37%

LAB 29.95, 31.58, -39.72

 

CMYK 28 / 59 / 0 / 48

HEX #603685

RGB 96 54 133

HSL 271.9, 0.42%, 0.37%

LAB 31.39, 34.7, -37.33

 

CMYK 17 / 59 / 0 / 48

HEX #6E3685

RGB 110 54 133

HSL 282.53, 0.42%, 0.37%

LAB 33.24, 38.49, -34.28

 

CMYK 8 / 59 / 0 / 48

HEX #7B3685

RGB 123 54 133

HSL 292.41, 0.42%, 0.37%

LAB 35.09, 42.08, -31.23

 

CMYK 0 / 59 / 2 / 48

HEX #853683

RGB 133 54 131

HSL 301.52, 0.42%, 0.37%

LAB 36.49, 44.5, -27.69

 

CMYK 37 / 59 / 0 / 48

HEX #543685

RGB 84 54 133

HSL 262.78, 0.42%, 0.37%

LAB 29.95, 31.58, -39.72

 

CMYK 37 / 59 / 0 / 28

HEX #744BB8

RGB 116 75 184

HSL 262.57, 0.43%, 0.51%

LAB 41.54, 41.06, -51.66

 

CMYK 37 / 60 / 0 / 8

HEX #945FEB

RGB 148 95 235

HSL 262.71, 0.78%, 0.65%

LAB 52.37, 50.57, -63.26

 

CMYK 35 / 58 / 0 / 88

HEX #140D1F

RGB 20 13 31

HSL 263.33, 0.41%, 0.09%

LAB 4.84, 7, -10.52

 

CMYK 37 / 60 / 0 / 68

HEX #342152

RGB 52 33 82

HSL 263.27, 0.43%, 0.23%

LAB 17.59, 21.31, -26.79

 

CMYK 37 / 59 / 0 / 48

HEX #543685

RGB 84 54 133

HSL 262.78, 0.42%, 0.37%

LAB 29.95, 31.58, -39.72

 

CMYK 0 / 59 / 33 / 48

HEX #853659

RGB 133 54 89

HSL 333.42, 0.42%, 0.37%

LAB 34.69, 37.75, -3.98

 

CMYK 57 / 0 / 59 / 48

HEX #398536

RGB 57 133 54

HSL 117.72, 0.42%, 0.37%

LAB 49.39, -40.11, 35.05

 

CMYK 37 / 59 / 0 / 48

HEX #543685

RGB 84 54 133

HSL 262.78, 0.42%, 0.37%

LAB 29.95, 31.58, -39.72

 

CMYK 0 / 38 / 59 / 48

HEX #855336

RGB 133 83 54

HSL 22.03, 0.42%, 0.37%

LAB 40.31, 17.72, 25.52

 

CMYK 59 / 0 / 38 / 48

HEX #368553

RGB 54 133 83

HSL 142.03, 0.42%, 0.37%

LAB 49.72, -36.18, 19.91

 

CMYK 37 / 59 / 0 / 48

HEX #543685

RGB 84 54 133

HSL 262.78, 0.42%, 0.37%

LAB 29.95, 31.58, -39.72

 

CMYK 0 / 59 / 33 / 48

HEX #853659

RGB 133 54 89

HSL 333.42, 0.42%, 0.37%

LAB 34.69, 37.75, -3.98

 

CMYK 22 / 0 / 59 / 48

HEX #688536

RGB 104 133 54

HSL 82.03, 0.42%, 0.37%

LAB 51.82, -23.56, 38.49

 

CMYK 59 / 0 / 26 / 48

HEX #368563

RGB 54 133 99

HSL 154.18, 0.42%, 0.37%

LAB 50.05, -32.75, 11.22

 

CMYK 37 / 59 / 0 / 48

HEX #543685

RGB 84 54 133

HSL 262.78, 0.42%, 0.37%

LAB 29.95, 31.58, -39.72

 

CMYK 0 / 59 / 51 / 48

HEX #853641

RGB 133 54 65

HSL 351.65, 0.42%, 0.37%

LAB 34, 34.96, 10.45

 

CMYK 22 / 0 / 59 / 48

HEX #688536

RGB 104 133 54

HSL 82.03, 0.42%, 0.37%

LAB 51.82, -23.56, 38.49

 

CMYK 59 / 0 / 8 / 48

HEX #36857B

RGB 54 133 123

HSL 172.41, 0.42%, 0.37%

LAB 50.67, -26.62, -1.86

 

Description

Color code: CMYK 37 / 59 / 0 / 48 | qconv.com Color code: CMYK 37 / 59 / 0 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 54 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 54 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 59 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 59% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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