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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 37 / 40 / 0 / 10 it is the complementary color CMYK 6 / 0 / 79 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 37 / 40 / 0 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 37 / 40 / 0 / 10: CMYK 33 / 39 / 0 / 12, CMYK 32 / 36 / 0 / 4, CMYK 28 / 32 / 0 / 0, CMYK 21 / 25 / 0 / 0 and CMYK 15 / 18 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 37 / 40 / 0 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 37 / 40 / 0 / 10: CMYK 37 / 40 / 0 / 10, CMYK 39 / 43 / 0 / 17, CMYK 42 / 47 / 0 / 25, CMYK 46 / 51 / 0 / 32 and CMYK 50 / 57 / 0 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 40 / 0 / 10

HEX #918AE6

RGB 145 138 230

HSL 244.57, 0.65%, 0.72%

LAB 61.58, 24.17, -45.8

 

Complementary color

CMYK 6 / 0 / 79 / 54

HEX #6E7519

RGB 110 117 25

HSL 64.57, 0.65%, 0.28%

LAB 47.12, -14.65, 46.18

 

CMYK 33 / 39 / 0 / 12

HEX #968AE1

RGB 150 138 225

HSL 248.28, 0.59%, 0.71%

LAB 61.74, 24.18, -42.74

 

CMYK 32 / 36 / 0 / 4

HEX #A79CF4

RGB 167 156 244

HSL 247.5, 0.8%, 0.78%

LAB 68.41, 23.43, -42.65

 

CMYK 28 / 32 / 0 / 0

HEX #B8AEFF

RGB 184 174 255

HSL 247.41, 1%, 0.84%

LAB 74.62, 20.8, -38.82

 

CMYK 21 / 25 / 0 / 0

HEX #C9C0FF

RGB 201 192 255

HSL 248.57, 1%, 0.88%

LAB 80.37, 15.88, -29.83

 

CMYK 15 / 18 / 0 / 0

HEX #DAD2FF

RGB 218 210 255

HSL 250.67, 1%, 0.91%

LAB 86.12, 11.4, -20.96

 

CMYK 37 / 40 / 0 / 10

HEX #918AE6

RGB 145 138 230

HSL 244.57, 0.65%, 0.72%

LAB 61.58, 24.17, -45.8

 

CMYK 39 / 43 / 0 / 17

HEX #8078D3

RGB 128 120 211

HSL 245.27, 0.51%, 0.65%

LAB 54.79, 25.08, -45.98

 

CMYK 42 / 47 / 0 / 25

HEX #6F66C0

RGB 111 102 192

HSL 246, 0.42%, 0.58%

LAB 47.86, 26.13, -46.21

 

CMYK 46 / 51 / 0 / 32

HEX #5E54AD

RGB 94 84 173

HSL 246.74, 0.35%, 0.5%

LAB 40.8, 27.35, -46.49

 

CMYK 50 / 57 / 0 / 40

HEX #4D429A

RGB 77 66 154

HSL 247.5, 0.4%, 0.43%

LAB 33.58, 28.79, -46.81

 

CMYK 37 / 40 / 0 / 10

HEX #918AE6

RGB 145 138 230

HSL 244.57, 0.65%, 0.72%

LAB 61.58, 24.17, -45.8

 

CMYK 31 / 40 / 0 / 10

HEX #9E89E6

RGB 158 137 230

HSL 253.55, 0.65%, 0.72%

LAB 62.4, 28.23, -44.43

 

CMYK 24 / 40 / 0 / 10

HEX #AE89E6

RGB 174 137 230

HSL 263.87, 0.65%, 0.72%

LAB 63.84, 32.69, -42.07

 

CMYK 18 / 40 / 0 / 10

HEX #BD89E6

RGB 189 137 230

HSL 273.55, 0.65%, 0.72%

LAB 65.3, 37, -39.68

 

CMYK 11 / 40 / 0 / 10

HEX #CD89E6

RGB 205 137 230

HSL 283.87, 0.65%, 0.72%

LAB 66.96, 41.69, -36.96

 

CMYK 37 / 40 / 0 / 10

HEX #918AE6

RGB 145 138 230

HSL 244.57, 0.65%, 0.72%

LAB 61.58, 24.17, -45.8

 

CMYK 38 / 38 / 0 / 90

HEX #10101A

RGB 16 16 26

HSL 240, 0.24%, 0.08%

LAB 5.02, 2.36, -6.38

 

CMYK 36 / 40 / 0 / 70

HEX #312E4D

RGB 49 46 77

HSL 245.81, 0.25%, 0.24%

LAB 20.61, 9.87, -18.65

 

CMYK 37 / 40 / 0 / 50

HEX #514D80

RGB 81 77 128

HSL 244.71, 0.25%, 0.4%

LAB 35.23, 14.76, -28.24

 

CMYK 37 / 40 / 0 / 30

HEX #716BB3

RGB 113 107 179

HSL 245, 0.32%, 0.56%

LAB 48.61, 19.91, -37.49

 

CMYK 37 / 40 / 0 / 10

HEX #918AE6

RGB 145 138 230

HSL 244.57, 0.65%, 0.72%

LAB 61.58, 24.17, -45.8

 

CMYK 0 / 40 / 11 / 10

HEX #E689CD

RGB 230 137 205

HSL 316.13, 0.65%, 0.72%

LAB 68.84, 44.81, -19.97

 

CMYK 27 / 0 / 40 / 10

HEX #A8E689

RGB 168 230 137

HSL 100, 0.65%, 0.72%

LAB 85.36, -36.11, 39.13

 

CMYK 37 / 40 / 0 / 10

HEX #918AE6

RGB 145 138 230

HSL 244.57, 0.65%, 0.72%

LAB 61.58, 24.17, -45.8

 

CMYK 0 / 38 / 40 / 10

HEX #E68F89

RGB 230 143 137

HSL 3.87, 0.65%, 0.72%

LAB 68.22, 32.28, 17.16

 

CMYK 40 / 0 / 38 / 10

HEX #89E68F

RGB 137 230 143

HSL 123.87, 0.65%, 0.72%

LAB 83.91, -45.12, 33.93

 

CMYK 37 / 40 / 0 / 10

HEX #918AE6

RGB 145 138 230

HSL 244.57, 0.65%, 0.72%

LAB 61.58, 24.17, -45.8

 

CMYK 0 / 40 / 11 / 10

HEX #E689CD

RGB 230 137 205

HSL 316.13, 0.65%, 0.72%

LAB 68.84, 44.81, -19.97

 

CMYK 3 / 0 / 40 / 10

HEX #DFE689

RGB 223 230 137

HSL 64.52, 0.65%, 0.72%

LAB 88.96, -15.92, 44.45

 

CMYK 40 / 0 / 30 / 10

HEX #89E6A1

RGB 137 230 161

HSL 135.48, 0.65%, 0.72%

LAB 84.22, -42.14, 25.16

 

CMYK 37 / 40 / 0 / 10

HEX #918AE6

RGB 145 138 230

HSL 244.57, 0.65%, 0.72%

LAB 61.58, 24.17, -45.8

 

CMYK 0 / 40 / 23 / 10

HEX #E689B1

RGB 230 137 177

HSL 334.19, 0.65%, 0.72%

LAB 67.94, 40.51, -5.67

 

CMYK 3 / 0 / 40 / 10

HEX #DFE689

RGB 223 230 137

HSL 64.52, 0.65%, 0.72%

LAB 88.96, -15.92, 44.45

 

CMYK 40 / 0 / 18 / 10

HEX #89E6BD

RGB 137 230 189

HSL 153.55, 0.65%, 0.72%

LAB 84.78, -36.8, 11.38

 

Description

Color code: CMYK 37 / 40 / 0 / 10 | qconv.com Color code: CMYK 37 / 40 / 0 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 138 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 138 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 40 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 40% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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