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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 37 / 15 / 0 / 20 it is the complementary color CMYK 0 / 35 / 60 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 37 / 15 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 37 / 15 / 0 / 20: CMYK 33 / 13 / 0 / 22, CMYK 31 / 12 / 0 / 15, CMYK 29 / 12 / 0 / 7, CMYK 27 / 11 / 0 / 0 and CMYK 21 / 4 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 37 / 15 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 37 / 15 / 0 / 20: CMYK 37 / 15 / 0 / 20, CMYK 39 / 16 / 0 / 27, CMYK 43 / 17 / 0 / 35, CMYK 47 / 19 / 0 / 42 and CMYK 52 / 21 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 15 / 0 / 20

HEX #81ADCC

RGB 129 173 204

HSL 204.8, 0.42%, 0.65%

LAB 68.69, -7.01, -20.46

 

Complementary color

CMYK 0 / 35 / 60 / 51

HEX #7E5233

RGB 126 82 51

HSL 24.8, 0.42%, 0.35%

LAB 39.09, 14.91, 25.55

 

CMYK 33 / 13 / 0 / 22

HEX #86ADC7

RGB 134 173 199

HSL 204, 0.37%, 0.65%

LAB 68.81, -6.89, -17.5

 

CMYK 31 / 12 / 0 / 15

HEX #97BFDA

RGB 151 191 218

HSL 204.18, 0.48%, 0.72%

LAB 75.39, -7, -17.83

 

CMYK 29 / 12 / 0 / 7

HEX #A8D1ED

RGB 168 209 237

HSL 204.35, 0.66%, 0.79%

LAB 81.86, -7.09, -18.17

 

CMYK 27 / 11 / 0 / 0

HEX #B9E3FF

RGB 185 227 255

HSL 204, 1%, 0.86%

LAB 88.2, -7.42, -18.04

 

CMYK 21 / 4 / 0 / 0

HEX #CAF5FF

RGB 202 245 255

HSL 191.32, 1%, 0.9%

LAB 93.92, -11.63, -9.37

 

CMYK 37 / 15 / 0 / 20

HEX #81ADCC

RGB 129 173 204

HSL 204.8, 0.42%, 0.65%

LAB 68.69, -7.01, -20.46

 

CMYK 39 / 16 / 0 / 27

HEX #709BB9

RGB 112 155 185

HSL 204.66, 0.34%, 0.58%

LAB 61.99, -6.83, -20.18

 

CMYK 43 / 17 / 0 / 35

HEX #5F89A6

RGB 95 137 166

HSL 204.51, 0.29%, 0.51%

LAB 55.15, -6.6, -19.9

 

CMYK 47 / 19 / 0 / 42

HEX #4E7793

RGB 78 119 147

HSL 204.35, 0.31%, 0.44%

LAB 48.16, -6.31, -19.64

 

CMYK 52 / 21 / 0 / 50

HEX #3D6580

RGB 61 101 128

HSL 204.18, 0.35%, 0.37%

LAB 40.99, -5.93, -19.38

 

CMYK 37 / 15 / 0 / 20

HEX #81ADCC

RGB 129 173 204

HSL 204.8, 0.42%, 0.65%

LAB 68.69, -7.01, -20.46

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 37 / 27 / 0 / 20

HEX #8094CB

RGB 128 148 203

HSL 224, 0.42%, 0.65%

LAB 61.72, 6.44, -30.61

 

CMYK 37 / 33 / 0 / 20

HEX #8087CB

RGB 128 135 203

HSL 234.4, 0.42%, 0.65%

LAB 58.25, 14, -36.01

 

CMYK 34 / 37 / 0 / 20

HEX #8580CB

RGB 133 128 203

HSL 244, 0.42%, 0.65%

LAB 56.82, 19.5, -38.23

 

CMYK 37 / 15 / 0 / 20

HEX #81ADCC

RGB 129 173 204

HSL 204.8, 0.42%, 0.65%

LAB 68.69, -7.01, -20.46

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 37 / 16 / 0 / 80

HEX #202B33

RGB 32 43 51

HSL 205.26, 0.23%, 0.16%

LAB 16.86, -2.31, -6.7

 

CMYK 36 / 15 / 0 / 60

HEX #415766

RGB 65 87 102

HSL 204.32, 0.22%, 0.33%

LAB 35.79, -4.23, -11.33

 

CMYK 37 / 15 / 0 / 40

HEX #618299

RGB 97 130 153

HSL 204.64, 0.22%, 0.49%

LAB 52.74, -5.67, -16.06

 

CMYK 37 / 15 / 0 / 20

HEX #81ADCC

RGB 129 173 204

HSL 204.8, 0.42%, 0.65%

LAB 68.69, -7.01, -20.46

 

CMYK 15 / 37 / 0 / 20

HEX #AD80CB

RGB 173 128 203

HSL 276, 0.42%, 0.65%

LAB 60.46, 31.31, -32.28

 

CMYK 0 / 0 / 37 / 20

HEX #CBCB80

RGB 203 203 128

HSL 60, 0.42%, 0.65%

LAB 80.16, -11.18, 37.43

 

CMYK 37 / 15 / 0 / 20

HEX #81ADCC

RGB 129 173 204

HSL 204.8, 0.42%, 0.65%

LAB 68.69, -7.01, -20.46

 

CMYK 0 / 37 / 15 / 20

HEX #CB80AD

RGB 203 128 173

HSL 324, 0.42%, 0.65%

LAB 62.64, 35.41, -11.66

 

CMYK 15 / 0 / 37 / 20

HEX #ADCB80

RGB 173 203 128

HSL 84, 0.42%, 0.65%

LAB 77.97, -22.73, 34.16

 

CMYK 37 / 15 / 0 / 20

HEX #81ADCC

RGB 129 173 204

HSL 204.8, 0.42%, 0.65%

LAB 68.69, -7.01, -20.46

 

CMYK 15 / 37 / 0 / 20

HEX #AD80CB

RGB 173 128 203

HSL 276, 0.42%, 0.65%

LAB 60.46, 31.31, -32.28

 

CMYK 0 / 22 / 37 / 20

HEX #CB9E80

RGB 203 158 128

HSL 24, 0.42%, 0.65%

LAB 68.54, 12.63, 22.08

 

CMYK 22 / 0 / 37 / 20

HEX #9ECB80

RGB 158 203 128

HSL 96, 0.42%, 0.65%

LAB 77, -28.22, 32.72

 

CMYK 37 / 15 / 0 / 20

HEX #81ADCC

RGB 129 173 204

HSL 204.8, 0.42%, 0.65%

LAB 68.69, -7.01, -20.46

 

CMYK 4 / 37 / 0 / 20

HEX #C380CB

RGB 195 128 203

HSL 293.6, 0.42%, 0.65%

LAB 62.8, 38.13, -28.45

 

CMYK 0 / 22 / 37 / 20

HEX #CB9E80

RGB 203 158 128

HSL 24, 0.42%, 0.65%

LAB 68.54, 12.63, 22.08

 

CMYK 33 / 0 / 37 / 20

HEX #87CB80

RGB 135 203 128

HSL 114.4, 0.42%, 0.65%

LAB 75.71, -36.1, 30.79

 

Description

Color code: CMYK 37 / 15 / 0 / 20 | qconv.com Color code: CMYK 37 / 15 / 0 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 173 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 173 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 15 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 15% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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