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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 89 / 0 / 49 it is the complementary color CMYK 29 / 0 / 48 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 89 / 0 / 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 89 / 0 / 49: CMYK 30 / 89 / 0 / 51, CMYK 27 / 78 / 0 / 44, CMYK 25 / 69 / 0 / 36, CMYK 24 / 63 / 0 / 29 and CMYK 22 / 57 / 0 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 89 / 0 / 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 89 / 0 / 49: CMYK 36 / 89 / 0 / 49, CMYK 41 / 100 / 0 / 56, CMYK 47 / 100 / 0 / 64, CMYK 56 / 100 / 0 / 71 and CMYK 72 / 100 / 0 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 89 / 0 / 49

HEX #530E82

RGB 83 14 130

HSL 275.69, 0.81%, 0.28%

LAB 22.88, 49.27, -49.32

 

Complementary color

CMYK 29 / 0 / 48 / 5

HEX #ACF17D

RGB 172 241 125

HSL 95.69, 0.81%, 0.72%

LAB 88.52, -41.15, 48.96

 

CMYK 30 / 89 / 0 / 51

HEX #580E7D

RGB 88 14 125

HSL 280, 0.8%, 0.27%

LAB 23.24, 48.93, -45.54

 

CMYK 27 / 78 / 0 / 44

HEX #692090

RGB 105 32 144

HSL 279.11, 0.64%, 0.35%

LAB 29.54, 50.12, -47.06

 

CMYK 25 / 69 / 0 / 36

HEX #7A32A3

RGB 122 50 163

HSL 278.23, 0.53%, 0.42%

LAB 36.11, 50.2, -47.9

 

CMYK 24 / 63 / 0 / 29

HEX #8B44B6

RGB 139 68 182

HSL 277.37, 0.46%, 0.49%

LAB 42.76, 49.73, -48.37

 

CMYK 22 / 57 / 0 / 21

HEX #9C56C9

RGB 156 86 201

HSL 276.52, 0.52%, 0.56%

LAB 49.42, 49.02, -48.64

 

CMYK 36 / 89 / 0 / 49

HEX #530E82

RGB 83 14 130

HSL 275.69, 0.81%, 0.28%

LAB 22.88, 49.27, -49.32

 

CMYK 41 / 100 / 0 / 56

HEX #42006F

RGB 66 0 111

HSL 275.68, 1%, 0.22%

LAB 17.02, 46.47, -46.86

 

CMYK 47 / 100 / 0 / 64

HEX #31005C

RGB 49 0 92

HSL 271.96, 1%, 0.18%

LAB 12.13, 40.18, -42.43

 

CMYK 56 / 100 / 0 / 71

HEX #200049

RGB 32 0 73

HSL 266.3, 1%, 0.14%

LAB 7.12, 33.58, -37.74

 

CMYK 72 / 100 / 0 / 79

HEX #0F0036

RGB 15 0 54

HSL 256.67, 1%, 0.11%

LAB 3.32, 21.01, -30.37

 

CMYK 36 / 89 / 0 / 49

HEX #530E82

RGB 83 14 130

HSL 275.69, 0.81%, 0.28%

LAB 22.88, 49.27, -49.32

 

CMYK 22 / 90 / 0 / 49

HEX #640D81

RGB 100 13 129

HSL 285, 0.82%, 0.28%

LAB 25.51, 51.99, -44.28

 

CMYK 8 / 90 / 0 / 49

HEX #770D81

RGB 119 13 129

HSL 294.83, 0.82%, 0.28%

LAB 28.89, 55.34, -38.65

 

CMYK 0 / 90 / 8 / 49

HEX #810D77

RGB 129 13 119

HSL 305.17, 0.82%, 0.28%

LAB 30.13, 55.64, -30.25

 

CMYK 0 / 90 / 22 / 49

HEX #810D64

RGB 129 13 100

HSL 315, 0.82%, 0.28%

LAB 29.1, 52.91, -19.67

 

CMYK 36 / 89 / 0 / 49

HEX #530E82

RGB 83 14 130

HSL 275.69, 0.81%, 0.28%

LAB 22.88, 49.27, -49.32

 

CMYK 36 / 90 / 0 / 29

HEX #7413B5

RGB 116 19 181

HSL 275.93, 0.81%, 0.39%

LAB 32.95, 63.78, -63.84

 

CMYK 36 / 89 / 0 / 9

HEX #9419E8

RGB 148 25 232

HSL 275.65, 0.82%, 0.5%

LAB 42.49, 77.1, -77.65

 

CMYK 36 / 89 / 0 / 89

HEX #12031C

RGB 18 3 28

HSL 276, 0.81%, 0.06%

LAB 2.51, 9.33, -11.67

 

CMYK 37 / 89 / 0 / 69

HEX #32094F

RGB 50 9 79

HSL 275.14, 0.8%, 0.17%

LAB 12.21, 33.28, -33.44

 

CMYK 36 / 89 / 0 / 49

HEX #530E82

RGB 83 14 130

HSL 275.69, 0.81%, 0.28%

LAB 22.88, 49.27, -49.32

 

CMYK 0 / 90 / 71 / 49

HEX #810D26

RGB 129 13 38

HSL 347.07, 0.82%, 0.28%

LAB 27, 47.06, 18.75

 

CMYK 90 / 0 / 74 / 49

HEX #0D8122

RGB 13 129 34

HSL 130.86, 0.82%, 0.28%

LAB 46.85, -49.01, 41.07

 

CMYK 36 / 89 / 0 / 49

HEX #530E82

RGB 83 14 130

HSL 275.69, 0.81%, 0.28%

LAB 22.88, 49.27, -49.32

 

CMYK 0 / 37 / 90 / 49

HEX #81510D

RGB 129 81 13

HSL 35.17, 0.82%, 0.28%

LAB 38.87, 14.82, 43.77

 

CMYK 90 / 0 / 37 / 49

HEX #0D8151

RGB 13 129 81

HSL 155.17, 0.82%, 0.28%

LAB 47.47, -41.52, 17.87

 

CMYK 36 / 89 / 0 / 49

HEX #530E82

RGB 83 14 130

HSL 275.69, 0.81%, 0.28%

LAB 22.88, 49.27, -49.32

 

CMYK 0 / 90 / 71 / 49

HEX #810D26

RGB 129 13 38

HSL 347.07, 0.82%, 0.28%

LAB 27, 47.06, 18.75

 

CMYK 53 / 0 / 90 / 49

HEX #3D810D

RGB 61 129 13

HSL 95.17, 0.82%, 0.28%

LAB 47.91, -40.63, 49.18

 

CMYK 90 / 0 / 19 / 49

HEX #0D8168

RGB 13 129 104

HSL 167.07, 0.82%, 0.28%

LAB 47.99, -35.79, 5.27

 

CMYK 36 / 89 / 0 / 49

HEX #530E82

RGB 83 14 130

HSL 275.69, 0.81%, 0.28%

LAB 22.88, 49.27, -49.32

 

CMYK 0 / 82 / 90 / 49

HEX #81170D

RGB 129 23 13

HSL 5.17, 0.82%, 0.28%

LAB 27.6, 43.57, 34.59

 

CMYK 53 / 0 / 90 / 49

HEX #3D810D

RGB 61 129 13

HSL 95.17, 0.82%, 0.28%

LAB 47.91, -40.63, 49.18

 

CMYK 90 / 8 / 0 / 49

HEX #0D7781

RGB 13 119 129

HSL 185.17, 0.82%, 0.28%

LAB 45.45, -23.24, -13.29

 

Description

Color code: CMYK 36 / 89 / 0 / 49 | qconv.com Color code: CMYK 36 / 89 / 0 / 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 14 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 14 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 89 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 89% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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