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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 54 / 0 / 47 it is the complementary color CMYK 12 / 0 / 38 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 54 / 0 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 54 / 0 / 47: CMYK 30 / 52 / 0 / 49, CMYK 28 / 46 / 0 / 42, CMYK 26 / 42 / 0 / 34, CMYK 24 / 38 / 0 / 27 and CMYK 23 / 35 / 0 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 54 / 0 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 54 / 0 / 47: CMYK 36 / 54 / 0 / 47, CMYK 41 / 62 / 0 / 55, CMYK 46 / 73 / 0 / 62, CMYK 55 / 90 / 0 / 69 and CMYK 69 / 100 / 0 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 54 / 0 / 47

HEX #563E87

RGB 86 62 135

HSL 259.73, 0.37%, 0.39%

LAB 32.2, 27.77, -37.35

 

Complementary color

CMYK 12 / 0 / 38 / 24

HEX #A9C178

RGB 169 193 120

HSL 79.73, 0.37%, 0.61%

LAB 74.78, -20.32, 34.09

 

CMYK 30 / 52 / 0 / 49

HEX #5B3E82

RGB 91 62 130

HSL 265.59, 0.35%, 0.38%

LAB 32.44, 27.78, -33.83

 

CMYK 28 / 46 / 0 / 42

HEX #6C5095

RGB 108 80 149

HSL 264.35, 0.3%, 0.45%

LAB 39.74, 26.77, -33.77

 

CMYK 26 / 42 / 0 / 34

HEX #7D62A8

RGB 125 98 168

HSL 263.14, 0.29%, 0.52%

LAB 46.87, 25.86, -33.72

 

CMYK 24 / 38 / 0 / 27

HEX #8E74BB

RGB 142 116 187

HSL 261.97, 0.34%, 0.59%

LAB 53.85, 25.05, -33.71

 

CMYK 23 / 35 / 0 / 19

HEX #9F86CE

RGB 159 134 206

HSL 260.83, 0.42%, 0.67%

LAB 60.67, 24.32, -33.73

 

CMYK 36 / 54 / 0 / 47

HEX #563E87

RGB 86 62 135

HSL 259.73, 0.37%, 0.39%

LAB 32.2, 27.77, -37.35

 

CMYK 41 / 62 / 0 / 55

HEX #452C74

RGB 69 44 116

HSL 260.83, 0.45%, 0.31%

LAB 24.73, 29, -37.51

 

CMYK 46 / 73 / 0 / 62

HEX #341A61

RGB 52 26 97

HSL 261.97, 0.58%, 0.24%

LAB 17.14, 30.24, -37.54

 

CMYK 55 / 90 / 0 / 69

HEX #23084E

RGB 35 8 78

HSL 263.14, 0.81%, 0.17%

LAB 9.65, 30.96, -37.04

 

CMYK 69 / 100 / 0 / 77

HEX #12003B

RGB 18 0 59

HSL 258.31, 1%, 0.12%

LAB 4.01, 24.7, -32.9

 

CMYK 36 / 54 / 0 / 47

HEX #563E87

RGB 86 62 135

HSL 259.73, 0.37%, 0.39%

LAB 32.2, 27.77, -37.35

 

CMYK 28 / 54 / 0 / 47

HEX #623E88

RGB 98 62 136

HSL 269.19, 0.37%, 0.39%

LAB 33.6, 31.35, -35.64

 

CMYK 19 / 54 / 0 / 47

HEX #6E3E88

RGB 110 62 136

HSL 278.92, 0.37%, 0.39%

LAB 35.08, 34.76, -33.21

 

CMYK 10 / 54 / 0 / 47

HEX #7A3E88

RGB 122 62 136

HSL 288.65, 0.37%, 0.39%

LAB 36.67, 38.24, -30.59

 

CMYK 1 / 54 / 0 / 47

HEX #873E88

RGB 135 62 136

HSL 299.19, 0.37%, 0.39%

LAB 38.5, 42.05, -27.58

 

CMYK 36 / 54 / 0 / 47

HEX #563E87

RGB 86 62 135

HSL 259.73, 0.37%, 0.39%

LAB 32.2, 27.77, -37.35

 

CMYK 37 / 54 / 0 / 27

HEX #7655BA

RGB 118 85 186

HSL 259.6, 0.42%, 0.53%

LAB 44.08, 36.35, -48.74

 

CMYK 36 / 54 / 0 / 7

HEX #976DED

RGB 151 109 237

HSL 259.69, 0.78%, 0.68%

LAB 55.72, 44.13, -58.99

 

CMYK 36 / 55 / 0 / 87

HEX #150F21

RGB 21 15 33

HSL 260, 0.38%, 0.09%

LAB 5.52, 7.13, -11.02

 

CMYK 36 / 54 / 0 / 67

HEX #362754

RGB 54 39 84

HSL 260, 0.37%, 0.24%

LAB 19.54, 18.49, -25

 

CMYK 36 / 54 / 0 / 47

HEX #563E87

RGB 86 62 135

HSL 259.73, 0.37%, 0.39%

LAB 32.2, 27.77, -37.35

 

CMYK 0 / 54 / 28 / 47

HEX #883E62

RGB 136 62 98

HSL 330.81, 0.37%, 0.39%

LAB 37.04, 35.93, -6.16

 

CMYK 50 / 0 / 54 / 47

HEX #44883E

RGB 68 136 62

HSL 115.14, 0.37%, 0.39%

LAB 50.9, -37.14, 32.91

Pantone® 7741 C

CMYK 36 / 54 / 0 / 47

HEX #563E87

RGB 86 62 135

HSL 259.73, 0.37%, 0.39%

LAB 32.2, 27.77, -37.35

 

CMYK 0 / 38 / 54 / 47

HEX #88553E

RGB 136 85 62

HSL 18.65, 0.37%, 0.39%

LAB 41.34, 18.59, 22.18

 

CMYK 54 / 0 / 38 / 47

HEX #3E8855

RGB 62 136 85

HSL 138.65, 0.37%, 0.39%

LAB 51.02, -35.09, 20.58

 

CMYK 36 / 54 / 0 / 47

HEX #563E87

RGB 86 62 135

HSL 259.73, 0.37%, 0.39%

LAB 32.2, 27.77, -37.35

 

CMYK 0 / 54 / 28 / 47

HEX #883E62

RGB 136 62 98

HSL 330.81, 0.37%, 0.39%

LAB 37.04, 35.93, -6.16

 

CMYK 18 / 0 / 54 / 47

HEX #70883E

RGB 112 136 62

HSL 79.46, 0.37%, 0.39%

LAB 53.39, -20.97, 36.47

 

CMYK 54 / 0 / 26 / 47

HEX #3E8864

RGB 62 136 100

HSL 150.81, 0.37%, 0.39%

LAB 51.33, -31.99, 12.47

 

CMYK 36 / 54 / 0 / 47

HEX #563E87

RGB 86 62 135

HSL 259.73, 0.37%, 0.39%

LAB 32.2, 27.77, -37.35

 

CMYK 0 / 54 / 44 / 47

HEX #883E4C

RGB 136 62 76

HSL 348.65, 0.37%, 0.39%

LAB 36.37, 33.07, 6.81

 

CMYK 18 / 0 / 54 / 47

HEX #70883E

RGB 112 136 62

HSL 79.46, 0.37%, 0.39%

LAB 53.39, -20.97, 36.47

 

CMYK 54 / 0 / 10 / 47

HEX #3E887A

RGB 62 136 122

HSL 168.65, 0.37%, 0.39%

LAB 51.88, -26.63, 0.52

 

Description

Color code: CMYK 36 / 54 / 0 / 47 | qconv.com Color code: CMYK 36 / 54 / 0 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 62 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 62 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 54 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 54% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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