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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 32 / 0 / 70 it is the complementary color CMYK 0 / 1 / 14 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 32 / 0 / 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 32 / 0 / 70: CMYK 25 / 28 / 0 / 72, CMYK 22 / 23 / 0 / 64, CMYK 20 / 20 / 0 / 57, CMYK 19 / 18 / 0 / 49 and CMYK 18 / 16 / 0 / 42

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 32 / 0 / 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 32 / 0 / 70: CMYK 36 / 32 / 0 / 70, CMYK 45 / 41 / 0 / 77, CMYK 62 / 59 / 0 / 85, CMYK 100 / 100 / 0 / 92 and CMYK 100 / 100 / 0 / 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

Complementary color

CMYK 0 / 1 / 14 / 19

HEX #CECBB2

RGB 206 203 178

HSL 53.57, 0.22%, 0.75%

LAB 81.32, -3.21, 12.85

 

CMYK 25 / 28 / 0 / 72

HEX #363448

RGB 54 52 72

HSL 246, 0.16%, 0.24%

LAB 22.68, 6, -12.03

 

CMYK 22 / 23 / 0 / 64

HEX #47465B

RGB 71 70 91

HSL 242.86, 0.13%, 0.32%

LAB 30.58, 5.53, -12.25

 

CMYK 20 / 20 / 0 / 57

HEX #58586E

RGB 88 88 110

HSL 240, 0.11%, 0.39%

LAB 38.16, 5.14, -12.53

 

CMYK 19 / 18 / 0 / 49

HEX #696A81

RGB 105 106 129

HSL 237.5, 0.1%, 0.46%

LAB 45.49, 4.8, -12.84

 

CMYK 18 / 16 / 0 / 42

HEX #7A7C94

RGB 122 124 148

HSL 235.38, 0.11%, 0.53%

LAB 52.61, 4.51, -13.18

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 45 / 41 / 0 / 77

HEX #20223A

RGB 32 34 58

HSL 235.38, 0.29%, 0.18%

LAB 14.15, 6.47, -15.8

 

CMYK 62 / 59 / 0 / 85

HEX #0F1027

RGB 15 16 39

HSL 237.5, 0.44%, 0.11%

LAB 5.59, 6.58, -15.54

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 34 / 36 / 0 / 70

HEX #33314D

RGB 51 49 77

HSL 244.29, 0.22%, 0.25%

LAB 21.71, 8.46, -16.9

 

CMYK 29 / 36 / 0 / 70

HEX #37314D

RGB 55 49 77

HSL 252.86, 0.22%, 0.25%

LAB 22.11, 9.87, -16.26

 

CMYK 22 / 36 / 0 / 70

HEX #3C314D

RGB 60 49 77

HSL 263.57, 0.22%, 0.25%

LAB 22.63, 11.67, -15.41

 

CMYK 16 / 36 / 0 / 70

HEX #41314D

RGB 65 49 77

HSL 274.29, 0.22%, 0.25%

LAB 23.19, 13.52, -14.5

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 37 / 33 / 0 / 50

HEX #515680

RGB 81 86 128

HSL 233.62, 0.22%, 0.41%

LAB 37.78, 9.01, -24.26

 

CMYK 36 / 32 / 0 / 30

HEX #7279B3

RGB 114 121 179

HSL 233.54, 0.3%, 0.57%

LAB 52.41, 11.74, -31.53

 

CMYK 37 / 33 / 0 / 10

HEX #929BE6

RGB 146 155 230

HSL 233.57, 0.63%, 0.74%

LAB 65.96, 14.63, -38.92

 

CMYK 35 / 31 / 0 / 90

HEX #11121A

RGB 17 18 26

HSL 233.33, 0.21%, 0.08%

LAB 5.66, 1.58, -5.43

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 0 / 36 / 3 / 70

HEX #4D314B

RGB 77 49 75

HSL 304.29, 0.22%, 0.25%

LAB 24.58, 17.63, -10.89

 

CMYK 17 / 0 / 36 / 70

HEX #404D31

RGB 64 77 49

HSL 87.86, 0.22%, 0.25%

LAB 30.92, -10.97, 14.96

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 0 / 36 / 32 / 70

HEX #4D3134

RGB 77 49 52

HSL 353.57, 0.22%, 0.25%

LAB 23.75, 13.23, 3.32

 

CMYK 32 / 0 / 36 / 70

HEX #344D31

RGB 52 77 49

HSL 113.57, 0.22%, 0.25%

LAB 30.06, -15.99, 13.65

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 0 / 36 / 3 / 70

HEX #4D314B

RGB 77 49 75

HSL 304.29, 0.22%, 0.25%

LAB 24.58, 17.63, -10.89

 

CMYK 0 / 4 / 36 / 70

HEX #4D4A31

RGB 77 74 49

HSL 53.57, 0.22%, 0.25%

LAB 31.11, -3.26, 15.41

 

CMYK 36 / 0 / 32 / 70

HEX #314D34

RGB 49 77 52

HSL 126.43, 0.22%, 0.25%

LAB 29.93, -16.57, 11.58

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 0 / 36 / 13 / 70

HEX #4D3143

RGB 77 49 67

HSL 321.43, 0.22%, 0.25%

LAB 24.26, 15.95, -6.04

 

CMYK 0 / 4 / 36 / 70

HEX #4D4A31

RGB 77 74 49

HSL 53.57, 0.22%, 0.25%

LAB 31.11, -3.26, 15.41

 

CMYK 36 / 0 / 22 / 70

HEX #314D3C

RGB 49 77 60

HSL 143.57, 0.22%, 0.25%

LAB 30.13, -14.82, 6.78

 

Description

Color code: CMYK 36 / 32 / 0 / 70 | qconv.com Color code: CMYK 36 / 32 / 0 / 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 52 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 52 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 32 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 32% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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