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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 30 / 0 / 26 it is the complementary color CMYK 0 / 8 / 51 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 30 / 0 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 30 / 0 / 26: CMYK 32 / 28 / 0 / 28, CMYK 30 / 26 / 0 / 20, CMYK 28 / 24 / 0 / 13, CMYK 27 / 23 / 0 / 5 and CMYK 24 / 20 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 30 / 0 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 30 / 0 / 26: CMYK 36 / 30 / 0 / 26, CMYK 39 / 33 / 0 / 33, CMYK 42 / 36 / 0 / 41, CMYK 47 / 41 / 0 / 48 and CMYK 53 / 47 / 0 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 30 / 0 / 26

HEX #7984BD

RGB 121 132 189

HSL 230.29, 0.34%, 0.61%

LAB 56.33, 9.97, -31.11

 

Complementary color

CMYK 0 / 8 / 51 / 47

HEX #867B42

RGB 134 123 66

HSL 50.29, 0.34%, 0.39%

LAB 51.41, -3.99, 32.47

 

CMYK 32 / 28 / 0 / 28

HEX #7E84B8

RGB 126 132 184

HSL 233.79, 0.29%, 0.61%

LAB 56.48, 10.08, -27.99

 

CMYK 30 / 26 / 0 / 20

HEX #8F96CB

RGB 143 150 203

HSL 233, 0.37%, 0.68%

LAB 63.31, 9.6, -28.06

 

CMYK 28 / 24 / 0 / 13

HEX #A0A8DE

RGB 160 168 222

HSL 232.26, 0.48%, 0.75%

LAB 70, 9.18, -28.17

 

CMYK 27 / 23 / 0 / 5

HEX #B1BAF1

RGB 177 186 241

HSL 231.56, 0.7%, 0.82%

LAB 76.57, 8.81, -28.31

 

CMYK 24 / 20 / 0 / 0

HEX #C2CCFF

RGB 194 204 255

HSL 230.16, 1%, 0.88%

LAB 82.85, 7.31, -26.09

 

CMYK 36 / 30 / 0 / 26

HEX #7984BD

RGB 121 132 189

HSL 230.29, 0.34%, 0.61%

LAB 56.33, 9.97, -31.11

 

CMYK 39 / 33 / 0 / 33

HEX #6872AA

RGB 104 114 170

HSL 230.91, 0.28%, 0.54%

LAB 49.35, 10.58, -31.14

 

CMYK 42 / 36 / 0 / 41

HEX #576097

RGB 87 96 151

HSL 231.56, 0.27%, 0.47%

LAB 42.19, 11.31, -31.23

 

CMYK 47 / 41 / 0 / 48

HEX #464E84

RGB 70 78 132

HSL 232.26, 0.31%, 0.4%

LAB 34.84, 12.23, -31.39

 

CMYK 53 / 47 / 0 / 56

HEX #353C71

RGB 53 60 113

HSL 233, 0.36%, 0.33%

LAB 27.24, 13.4, -31.64

 

CMYK 36 / 30 / 0 / 26

HEX #7984BD

RGB 121 132 189

HSL 230.29, 0.34%, 0.61%

LAB 56.33, 9.97, -31.11

 

CMYK 36 / 36 / 0 / 26

HEX #7979BD

RGB 121 121 189

HSL 240, 0.34%, 0.61%

LAB 53.4, 16.49, -35.69

 

CMYK 30 / 36 / 0 / 26

HEX #8579BD

RGB 133 121 189

HSL 250.59, 0.34%, 0.61%

LAB 54.38, 19.94, -34.08

 

CMYK 24 / 36 / 0 / 26

HEX #9079BD

RGB 144 121 189

HSL 260.29, 0.34%, 0.61%

LAB 55.36, 23.22, -32.48

 

CMYK 18 / 36 / 0 / 26

HEX #9B79BD

RGB 155 121 189

HSL 270, 0.34%, 0.61%

LAB 56.4, 26.6, -30.77

 

CMYK 36 / 30 / 0 / 26

HEX #7984BD

RGB 121 132 189

HSL 230.29, 0.34%, 0.61%

LAB 56.33, 9.97, -31.11

 

CMYK 36 / 30 / 0 / 6

HEX #9AA8F0

RGB 154 168 240

HSL 230.23, 0.74%, 0.77%

LAB 70.29, 12.06, -37.6

 

CMYK 36 / 31 / 0 / 86

HEX #171924

RGB 23 25 36

HSL 230.77, 0.22%, 0.12%

LAB 9.03, 2.37, -7.88

 

CMYK 36 / 30 / 0 / 66

HEX #383D57

RGB 56 61 87

HSL 230.32, 0.22%, 0.28%

LAB 26.35, 5.05, -16.28

 

CMYK 36 / 30 / 0 / 46

HEX #58608A

RGB 88 96 138

HSL 230.4, 0.22%, 0.44%

LAB 41.65, 7.76, -24.27

 

CMYK 36 / 30 / 0 / 26

HEX #7984BD

RGB 121 132 189

HSL 230.29, 0.34%, 0.61%

LAB 56.33, 9.97, -31.11

 

CMYK 0 / 36 / 1 / 26

HEX #BD79BB

RGB 189 121 187

HSL 301.76, 0.34%, 0.61%

LAB 59.96, 36.98, -23.84

 

CMYK 15 / 0 / 36 / 26

HEX #A0BD79

RGB 160 189 121

HSL 85.59, 0.34%, 0.61%

LAB 73.06, -21.61, 31.21

 

CMYK 36 / 30 / 0 / 26

HEX #7984BD

RGB 121 132 189

HSL 230.29, 0.34%, 0.61%

LAB 56.33, 9.97, -31.11

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 30 / 0 / 36 / 26

HEX #85BD79

RGB 133 189 121

HSL 109.41, 0.34%, 0.61%

LAB 71.39, -31.34, 28.71

 

CMYK 36 / 30 / 0 / 26

HEX #7984BD

RGB 121 132 189

HSL 230.29, 0.34%, 0.61%

LAB 56.33, 9.97, -31.11

 

CMYK 0 / 36 / 1 / 26

HEX #BD79BB

RGB 189 121 187

HSL 301.76, 0.34%, 0.61%

LAB 59.96, 36.98, -23.84

 

CMYK 0 / 6 / 36 / 26

HEX #BDB279

RGB 189 178 121

HSL 50.29, 0.34%, 0.61%

LAB 72.26, -4.6, 30.58

 

CMYK 36 / 0 / 35 / 26

HEX #79BD7B

RGB 121 189 123

HSL 121.76, 0.34%, 0.61%

LAB 70.8, -34.98, 26.75

 

CMYK 36 / 30 / 0 / 26

HEX #7984BD

RGB 121 132 189

HSL 230.29, 0.34%, 0.61%

LAB 56.33, 9.97, -31.11

 

CMYK 0 / 36 / 12 / 26

HEX #BD79A6

RGB 189 121 166

HSL 320.29, 0.34%, 0.61%

LAB 59.2, 33.23, -12.99

 

CMYK 0 / 6 / 36 / 26

HEX #BDB279

RGB 189 178 121

HSL 50.29, 0.34%, 0.61%

LAB 72.26, -4.6, 30.58

 

CMYK 36 / 0 / 24 / 26

HEX #79BD90

RGB 121 189 144

HSL 140.29, 0.34%, 0.61%

LAB 71.2, -31.24, 16.07

 

Description

Color code: CMYK 36 / 30 / 0 / 26 | qconv.com Color code: CMYK 36 / 30 / 0 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 132 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 132 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 30 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 30% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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