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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 15 / 0 / 25 it is the complementary color CMYK 0 / 31 / 52 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 15 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 15 / 0 / 25: CMYK 32 / 12 / 0 / 27, CMYK 30 / 12 / 0 / 20, CMYK 28 / 11 / 0 / 12, CMYK 27 / 11 / 0 / 5 and CMYK 24 / 8 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 15 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 15 / 0 / 25: CMYK 36 / 15 / 0 / 25, CMYK 39 / 16 / 0 / 33, CMYK 42 / 17 / 0 / 40, CMYK 47 / 19 / 0 / 47 and CMYK 53 / 21 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 15 / 0 / 25

HEX #7AA3BF

RGB 122 163 191

HSL 204.35, 0.35%, 0.61%

LAB 65.04, -6.88, -18.85

 

Complementary color

CMYK 0 / 31 / 52 / 48

HEX #855C40

RGB 133 92 64

HSL 24.35, 0.35%, 0.39%

LAB 42.78, 13.35, 22.77

 

CMYK 32 / 12 / 0 / 27

HEX #7FA3BA

RGB 127 163 186

HSL 203.39, 0.3%, 0.61%

LAB 65.16, -6.73, -15.84

 

CMYK 30 / 12 / 0 / 20

HEX #90B5CD

RGB 144 181 205

HSL 203.61, 0.38%, 0.68%

LAB 71.82, -6.83, -16.19

 

CMYK 28 / 11 / 0 / 12

HEX #A1C7E0

RGB 161 199 224

HSL 203.81, 0.5%, 0.75%

LAB 78.35, -6.92, -16.55

 

CMYK 27 / 11 / 0 / 5

HEX #B2D9F3

RGB 178 217 243

HSL 204, 0.73%, 0.83%

LAB 84.77, -7, -16.91

 

CMYK 24 / 8 / 0 / 0

HEX #C3EBFF

RGB 195 235 255

HSL 200, 1%, 0.88%

LAB 90.89, -8.63, -13.93

 

CMYK 36 / 15 / 0 / 25

HEX #7AA3BF

RGB 122 163 191

HSL 204.35, 0.35%, 0.61%

LAB 65.04, -6.88, -18.85

 

CMYK 39 / 16 / 0 / 33

HEX #6991AC

RGB 105 145 172

HSL 204.18, 0.29%, 0.54%

LAB 58.26, -6.71, -18.55

 

CMYK 42 / 17 / 0 / 40

HEX #587F99

RGB 88 127 153

HSL 204, 0.27%, 0.47%

LAB 51.33, -6.5, -18.25

 

CMYK 47 / 19 / 0 / 47

HEX #476D86

RGB 71 109 134

HSL 203.81, 0.31%, 0.4%

LAB 44.23, -6.23, -17.97

 

CMYK 53 / 21 / 0 / 55

HEX #365B73

RGB 54 91 115

HSL 203.61, 0.36%, 0.33%

LAB 36.94, -5.85, -17.7

 

CMYK 36 / 15 / 0 / 25

HEX #7AA3BF

RGB 122 163 191

HSL 204.35, 0.35%, 0.61%

LAB 65.04, -6.88, -18.85

 

CMYK 37 / 21 / 0 / 25

HEX #7896BE

RGB 120 150 190

HSL 214.29, 0.35%, 0.61%

LAB 61.24, -0.45, -24.09

 

CMYK 37 / 27 / 0 / 25

HEX #788BBE

RGB 120 139 190

HSL 223.71, 0.35%, 0.61%

LAB 58.2, 5.86, -28.78

 

CMYK 37 / 33 / 0 / 25

HEX #787FBE

RGB 120 127 190

HSL 234, 0.35%, 0.61%

LAB 54.96, 12.91, -33.82

 

CMYK 34 / 37 / 0 / 25

HEX #7D78BE

RGB 125 120 190

HSL 244.29, 0.35%, 0.61%

LAB 53.5, 18.49, -36.07

 

CMYK 36 / 15 / 0 / 25

HEX #7AA3BF

RGB 122 163 191

HSL 204.35, 0.35%, 0.61%

LAB 65.04, -6.88, -18.85

 

CMYK 36 / 14 / 0 / 5

HEX #9BCFF2

RGB 155 207 242

HSL 204.14, 0.77%, 0.78%

LAB 80.74, -8.42, -22.6

 

CMYK 37 / 16 / 0 / 85

HEX #182026

RGB 24 32 38

HSL 205.71, 0.23%, 0.12%

LAB 11.74, -1.75, -5.23

 

CMYK 36 / 15 / 0 / 65

HEX #394C59

RGB 57 76 89

HSL 204.38, 0.22%, 0.29%

LAB 31.25, -3.77, -10.05

 

CMYK 36 / 15 / 0 / 45

HEX #59778C

RGB 89 119 140

HSL 204.71, 0.22%, 0.45%

LAB 48.52, -5.25, -14.89

 

CMYK 36 / 15 / 0 / 25

HEX #7AA3BF

RGB 122 163 191

HSL 204.35, 0.35%, 0.61%

LAB 65.04, -6.88, -18.85

 

CMYK 15 / 37 / 0 / 25

HEX #A278BE

RGB 162 120 190

HSL 276, 0.35%, 0.61%

LAB 56.91, 29.57, -30.5

 

CMYK 0 / 0 / 37 / 25

HEX #BEBE78

RGB 190 190 120

HSL 60, 0.35%, 0.61%

LAB 75.53, -10.58, 35.37

 

CMYK 36 / 15 / 0 / 25

HEX #7AA3BF

RGB 122 163 191

HSL 204.35, 0.35%, 0.61%

LAB 65.04, -6.88, -18.85

 

CMYK 0 / 37 / 15 / 25

HEX #BE78A2

RGB 190 120 162

HSL 324, 0.35%, 0.61%

LAB 58.96, 33.46, -11.04

 

CMYK 15 / 0 / 37 / 25

HEX #A2BE78

RGB 162 190 120

HSL 84, 0.35%, 0.61%

LAB 73.46, -21.49, 32.28

 

CMYK 36 / 15 / 0 / 25

HEX #7AA3BF

RGB 122 163 191

HSL 204.35, 0.35%, 0.61%

LAB 65.04, -6.88, -18.85

 

CMYK 15 / 37 / 0 / 25

HEX #A278BE

RGB 162 120 190

HSL 276, 0.35%, 0.61%

LAB 56.91, 29.57, -30.5

 

CMYK 0 / 22 / 37 / 25

HEX #BE9478

RGB 190 148 120

HSL 24, 0.35%, 0.61%

LAB 64.55, 11.92, 20.86

 

CMYK 22 / 0 / 37 / 25

HEX #94BE78

RGB 148 190 120

HSL 96, 0.35%, 0.61%

LAB 72.55, -26.68, 30.92

 

CMYK 36 / 15 / 0 / 25

HEX #7AA3BF

RGB 122 163 191

HSL 204.35, 0.35%, 0.61%

LAB 65.04, -6.88, -18.85

 

CMYK 4 / 37 / 0 / 25

HEX #B778BE

RGB 183 120 190

HSL 294, 0.35%, 0.61%

LAB 59.18, 36.18, -26.81

 

CMYK 0 / 22 / 37 / 25

HEX #BE9478

RGB 190 148 120

HSL 24, 0.35%, 0.61%

LAB 64.55, 11.92, 20.86

 

CMYK 33 / 0 / 37 / 25

HEX #7FBE78

RGB 127 190 120

HSL 114, 0.35%, 0.61%

LAB 71.35, -33.97, 29.12

 

Description

Color code: CMYK 36 / 15 / 0 / 25 | qconv.com Color code: CMYK 36 / 15 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 163 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 163 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 15 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 15% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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