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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 0 / 27 / 45 it is the complementary color CMYK 0 / 30 / 7 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 0 / 27 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 0 / 27 / 45: CMYK 32 / 0 / 31 / 45, CMYK 29 / 0 / 27 / 38, CMYK 27 / 0 / 23 / 31, CMYK 25 / 0 / 21 / 24 and CMYK 23 / 0 / 18 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 0 / 27 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 0 / 27 / 45: CMYK 36 / 0 / 27 / 45, CMYK 40 / 0 / 32 / 52, CMYK 46 / 0 / 38 / 59, CMYK 55 / 0 / 48 / 66 and CMYK 68 / 0 / 62 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 27 / 45

HEX #5A8C66

RGB 90 140 102

HSL 134.4, 0.22%, 0.45%

LAB 53.91, -25.3, 15.1

 

Complementary color

CMYK 0 / 30 / 7 / 35

HEX #A57399

RGB 165 115 153

HSL 314.4, 0.22%, 0.55%

LAB 54.62, 25.91, -12.65

 

CMYK 32 / 0 / 31 / 45

HEX #5F8C61

RGB 95 140 97

HSL 122.67, 0.19%, 0.46%

LAB 54.08, -24.54, 18.21

 

CMYK 29 / 0 / 27 / 38

HEX #709E74

RGB 112 158 116

HSL 125.22, 0.19%, 0.53%

LAB 60.92, -24.28, 17.09

 

CMYK 27 / 0 / 23 / 31

HEX #81B087

RGB 129 176 135

HSL 127.66, 0.23%, 0.6%

LAB 67.63, -24.04, 16.06

 

CMYK 25 / 0 / 21 / 24

HEX #92C29A

RGB 146 194 154

HSL 130, 0.28%, 0.67%

LAB 74.21, -23.81, 15.09

 

CMYK 23 / 0 / 18 / 17

HEX #A3D4AD

RGB 163 212 173

HSL 132.24, 0.36%, 0.74%

LAB 80.68, -23.61, 14.18

 

CMYK 36 / 0 / 27 / 45

HEX #5A8C66

RGB 90 140 102

HSL 134.4, 0.22%, 0.45%

LAB 53.91, -25.3, 15.1

 

CMYK 40 / 0 / 32 / 52

HEX #497A53

RGB 73 122 83

HSL 132.24, 0.25%, 0.38%

LAB 46.92, -25.59, 16.28

 

CMYK 46 / 0 / 38 / 59

HEX #386840

RGB 56 104 64

HSL 130, 0.3%, 0.31%

LAB 39.77, -25.86, 17.59

 

CMYK 55 / 0 / 48 / 66

HEX #27562D

RGB 39 86 45

HSL 127.66, 0.38%, 0.25%

LAB 32.43, -26.03, 19.05

 

CMYK 68 / 0 / 62 / 73

HEX #16441A

RGB 22 68 26

HSL 125.22, 0.51%, 0.18%

LAB 24.89, -25.89, 20.64

 

CMYK 36 / 0 / 27 / 45

HEX #5A8C66

RGB 90 140 102

HSL 134.4, 0.22%, 0.45%

LAB 53.91, -25.3, 15.1

 

CMYK 36 / 0 / 22 / 45

HEX #598B6D

RGB 89 139 109

HSL 144, 0.22%, 0.45%

LAB 53.7, -23.71, 10.8

 

CMYK 36 / 0 / 15 / 45

HEX #598B76

RGB 89 139 118

HSL 154.8, 0.22%, 0.45%

LAB 53.92, -21.76, 5.94

 

CMYK 36 / 0 / 9 / 45

HEX #598B7E

RGB 89 139 126

HSL 164.4, 0.22%, 0.45%

LAB 54.13, -19.91, 1.62

 

CMYK 36 / 0 / 4 / 45

HEX #598B86

RGB 89 139 134

HSL 174, 0.22%, 0.45%

LAB 54.35, -17.96, -2.67

 

CMYK 36 / 0 / 27 / 45

HEX #5A8C66

RGB 90 140 102

HSL 134.4, 0.22%, 0.45%

LAB 53.91, -25.3, 15.1

 

CMYK 36 / 0 / 27 / 25

HEX #7BBF8B

RGB 123 191 139

HSL 134.12, 0.35%, 0.62%

LAB 71.78, -32.51, 19.59

 

CMYK 36 / 0 / 27 / 5

HEX #9CF2B0

RGB 156 242 176

HSL 133.95, 0.77%, 0.78%

LAB 88.78, -39.34, 23.84

 

CMYK 37 / 0 / 26 / 85

HEX #18261C

RGB 24 38 28

HSL 137.14, 0.23%, 0.12%

LAB 13.62, -8.72, 4.75

 

CMYK 36 / 0 / 27 / 65

HEX #395941

RGB 57 89 65

HSL 135, 0.22%, 0.29%

LAB 34.79, -17.52, 10.25

 

CMYK 36 / 0 / 27 / 45

HEX #5A8C66

RGB 90 140 102

HSL 134.4, 0.22%, 0.45%

LAB 53.91, -25.3, 15.1

 

CMYK 36 / 15 / 0 / 45

HEX #59768B

RGB 89 118 139

HSL 205.2, 0.22%, 0.45%

LAB 48.19, -4.94, -14.81

 

CMYK 0 / 36 / 30 / 45

HEX #8B5961

RGB 139 89 97

HSL 350.4, 0.22%, 0.45%

LAB 43.5, 21.76, 3.98

 

CMYK 36 / 0 / 27 / 45

HEX #5A8C66

RGB 90 140 102

HSL 134.4, 0.22%, 0.45%

LAB 53.91, -25.3, 15.1

 

CMYK 27 / 36 / 0 / 45

HEX #65598B

RGB 101 89 139

HSL 254.4, 0.22%, 0.45%

LAB 40.86, 16.44, -26.02

 

CMYK 0 / 27 / 36 / 45

HEX #8B6559

RGB 139 101 89

HSL 14.4, 0.22%, 0.45%

LAB 46.34, 13.6, 12.81

 

CMYK 36 / 0 / 27 / 45

HEX #5A8C66

RGB 90 140 102

HSL 134.4, 0.22%, 0.45%

LAB 53.91, -25.3, 15.1

 

CMYK 36 / 15 / 0 / 45

HEX #59768B

RGB 89 118 139

HSL 205.2, 0.22%, 0.45%

LAB 48.19, -4.94, -14.81

 

CMYK 0 / 36 / 8 / 45

HEX #8B5980

RGB 139 89 128

HSL 313.2, 0.22%, 0.45%

LAB 44.51, 26.94, -13.4

 

CMYK 0 / 20 / 36 / 45

HEX #8B6F59

RGB 139 111 89

HSL 26.4, 0.22%, 0.45%

LAB 48.98, 7.76, 16.45

 

CMYK 36 / 0 / 27 / 45

HEX #5A8C66

RGB 90 140 102

HSL 134.4, 0.22%, 0.45%

LAB 53.91, -25.3, 15.1

 

CMYK 36 / 27 / 0 / 45

HEX #59668B

RGB 89 102 139

HSL 224.4, 0.22%, 0.45%

LAB 43.49, 4.64, -22.01

 

CMYK 0 / 36 / 8 / 45

HEX #8B5980

RGB 139 89 128

HSL 313.2, 0.22%, 0.45%

LAB 44.51, 26.94, -13.4

 

CMYK 0 / 9 / 36 / 45

HEX #8B7E59

RGB 139 126 89

HSL 44.4, 0.22%, 0.45%

LAB 53.09, -0.86, 21.97

 

Description

Color code: CMYK 36 / 0 / 27 / 45 | qconv.com Color code: CMYK 36 / 0 / 27 / 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 140 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 140 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 27 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 27% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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