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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 0 / 1 / 45 it is the complementary color CMYK 0 / 30 / 30 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 0 / 1 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 0 / 1 / 45: CMYK 32 / 0 / 4 / 45, CMYK 29 / 0 / 3 / 38, CMYK 27 / 0 / 2 / 31, CMYK 25 / 0 / 2 / 24 and CMYK 23 / 0 / 1 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 0 / 1 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 0 / 1 / 45: CMYK 36 / 0 / 1 / 45, CMYK 40 / 0 / 2 / 52, CMYK 46 / 0 / 3 / 59, CMYK 55 / 0 / 5 / 66 and CMYK 68 / 0 / 7 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 1 / 45

HEX #5A8C8B

RGB 90 140 139

HSL 178.8, 0.22%, 0.45%

LAB 54.86, -16.95, -4.8

 

Complementary color

CMYK 0 / 30 / 30 / 35

HEX #A57374

RGB 165 115 116

HSL 358.8, 0.22%, 0.55%

LAB 53.52, 19.87, 7.37

 

CMYK 32 / 0 / 4 / 45

HEX #5F8C86

RGB 95 140 134

HSL 172, 0.19%, 0.46%

LAB 54.98, -16.7, -1.71

 

CMYK 29 / 0 / 3 / 38

HEX #709E99

RGB 112 158 153

HSL 173.48, 0.19%, 0.53%

LAB 61.83, -16.56, -2.39

 

CMYK 27 / 0 / 2 / 31

HEX #81B0AC

RGB 129 176 172

HSL 174.89, 0.23%, 0.6%

LAB 68.53, -16.43, -3.02

 

CMYK 25 / 0 / 2 / 24

HEX #92C2BF

RGB 146 194 191

HSL 176.25, 0.28%, 0.67%

LAB 75.11, -16.32, -3.63

 

CMYK 23 / 0 / 1 / 17

HEX #A3D4D2

RGB 163 212 210

HSL 177.55, 0.36%, 0.74%

LAB 81.58, -16.22, -4.22

 

CMYK 36 / 0 / 1 / 45

HEX #5A8C8B

RGB 90 140 139

HSL 178.8, 0.22%, 0.45%

LAB 54.86, -16.95, -4.8

 

CMYK 40 / 0 / 2 / 52

HEX #497A78

RGB 73 122 120

HSL 177.55, 0.25%, 0.38%

LAB 47.87, -17.04, -4.14

 

CMYK 46 / 0 / 3 / 59

HEX #386865

RGB 56 104 101

HSL 176.25, 0.3%, 0.31%

LAB 40.7, -17.11, -3.41

 

CMYK 55 / 0 / 5 / 66

HEX #275652

RGB 39 86 82

HSL 174.89, 0.38%, 0.25%

LAB 33.34, -17.11, -2.59

 

CMYK 68 / 0 / 7 / 73

HEX #16443F

RGB 22 68 63

HSL 173.48, 0.51%, 0.18%

LAB 25.75, -16.94, -1.62

 

CMYK 36 / 0 / 1 / 45

HEX #5A8C8B

RGB 90 140 139

HSL 178.8, 0.22%, 0.45%

LAB 54.86, -16.95, -4.8

 

CMYK 36 / 4 / 0 / 45

HEX #59858B

RGB 89 133 139

HSL 187.2, 0.22%, 0.45%

LAB 52.69, -13.44, -8.04

 

CMYK 36 / 11 / 0 / 45

HEX #597C8B

RGB 89 124 139

HSL 198, 0.22%, 0.45%

LAB 49.98, -8.4, -12.1

 

CMYK 36 / 17 / 0 / 45

HEX #59748B

RGB 89 116 139

HSL 207.6, 0.22%, 0.45%

LAB 47.6, -3.77, -15.71

 

CMYK 36 / 22 / 0 / 45

HEX #596C8B

RGB 89 108 139

HSL 217.2, 0.22%, 0.45%

LAB 45.24, 0.99, -19.32

 

CMYK 36 / 0 / 1 / 45

HEX #5A8C8B

RGB 90 140 139

HSL 178.8, 0.22%, 0.45%

LAB 54.86, -16.95, -4.8

 

CMYK 36 / 0 / 1 / 25

HEX #7BBFBE

RGB 123 191 190

HSL 179.12, 0.35%, 0.62%

LAB 73.02, -21.62, -6.32

 

CMYK 36 / 0 / 1 / 5

HEX #9CF2F0

RGB 156 242 240

HSL 178.6, 0.77%, 0.78%

LAB 90.26, -26.28, -7.27

 

CMYK 37 / 0 / 0 / 85

HEX #182626

RGB 24 38 38

HSL 180, 0.23%, 0.12%

LAB 13.95, -5.94, -1.93

 

CMYK 36 / 0 / 1 / 65

HEX #395958

RGB 57 89 88

HSL 178.13, 0.22%, 0.29%

LAB 35.44, -11.92, -3.16

 

CMYK 36 / 0 / 1 / 45

HEX #5A8C8B

RGB 90 140 139

HSL 178.8, 0.22%, 0.45%

LAB 54.86, -16.95, -4.8

 

CMYK 30 / 36 / 0 / 45

HEX #61598B

RGB 97 89 139

HSL 249.6, 0.22%, 0.45%

LAB 40.49, 15.18, -26.62

 

CMYK 0 / 15 / 36 / 45

HEX #8B7659

RGB 139 118 89

HSL 34.8, 0.22%, 0.45%

LAB 50.88, 3.7, 19.02

 

CMYK 36 / 0 / 1 / 45

HEX #5A8C8B

RGB 90 140 139

HSL 178.8, 0.22%, 0.45%

LAB 54.86, -16.95, -4.8

 

CMYK 1 / 36 / 0 / 45

HEX #8A598B

RGB 138 89 139

HSL 298.8, 0.22%, 0.45%

LAB 44.82, 28.73, -19.57

 

CMYK 0 / 1 / 36 / 45

HEX #8B8A59

RGB 139 138 89

HSL 58.8, 0.22%, 0.45%

LAB 56.47, -7.55, 26.41

 

CMYK 36 / 0 / 1 / 45

HEX #5A8C8B

RGB 90 140 139

HSL 178.8, 0.22%, 0.45%

LAB 54.86, -16.95, -4.8

 

CMYK 30 / 36 / 0 / 45

HEX #61598B

RGB 97 89 139

HSL 249.6, 0.22%, 0.45%

LAB 40.49, 15.18, -26.62

 

CMYK 0 / 36 / 35 / 45

HEX #8B595B

RGB 139 89 91

HSL 357.6, 0.22%, 0.45%

LAB 43.34, 20.91, 7.42

 

CMYK 6 / 0 / 36 / 45

HEX #838B59

RGB 131 139 89

HSL 69.6, 0.22%, 0.45%

LAB 56.1, -11.43, 25.8

 

CMYK 36 / 0 / 1 / 45

HEX #5A8C8B

RGB 90 140 139

HSL 178.8, 0.22%, 0.45%

LAB 54.86, -16.95, -4.8

 

CMYK 19 / 36 / 0 / 45

HEX #71598B

RGB 113 89 139

HSL 268.8, 0.22%, 0.45%

LAB 42.03, 20.33, -24.11

 

CMYK 0 / 36 / 35 / 45

HEX #8B595B

RGB 139 89 91

HSL 357.6, 0.22%, 0.45%

LAB 43.34, 20.91, 7.42

 

CMYK 17 / 0 / 36 / 45

HEX #748B59

RGB 116 139 89

HSL 87.6, 0.22%, 0.45%

LAB 54.97, -17.51, 24.11

 

Description

Color code: CMYK 36 / 0 / 1 / 45 | qconv.com Color code: CMYK 36 / 0 / 1 / 45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 140 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 140 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 1 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 1% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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