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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 68 / 0 / 61 it is the complementary color CMYK 15 / 0 / 30 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 68 / 0 / 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 68 / 0 / 61: CMYK 26 / 66 / 0 / 63, CMYK 23 / 56 / 0 / 56, CMYK 21 / 48 / 0 / 48, CMYK 20 / 43 / 0 / 41 and CMYK 19 / 39 / 0 / 33

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 68 / 0 / 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 68 / 0 / 61: CMYK 34 / 68 / 0 / 61, CMYK 40 / 83 / 0 / 69, CMYK 49 / 100 / 0 / 76, CMYK 67 / 100 / 0 / 84 and CMYK 100 / 100 / 0 / 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 68 / 0 / 61

HEX #412063

RGB 65 32 99

HSL 269.55, 0.51%, 0.26%

LAB 20.27, 30.35, -33.7

 

Complementary color

CMYK 15 / 0 / 30 / 13

HEX #BEDF9C

RGB 190 223 156

HSL 89.55, 0.51%, 0.74%

LAB 85.06, -22.45, 29.36

 

CMYK 26 / 66 / 0 / 63

HEX #46205E

RGB 70 32 94

HSL 276.77, 0.49%, 0.25%

LAB 20.61, 30.33, -29.83

 

CMYK 23 / 56 / 0 / 56

HEX #573271

RGB 87 50 113

HSL 275.24, 0.39%, 0.32%

LAB 28.11, 29.45, -30.05

 

CMYK 21 / 48 / 0 / 48

HEX #684484

RGB 104 68 132

HSL 273.75, 0.32%, 0.39%

LAB 35.49, 28.5, -30.15

 

CMYK 20 / 43 / 0 / 41

HEX #795697

RGB 121 86 151

HSL 272.31, 0.27%, 0.46%

LAB 42.7, 27.6, -30.22

 

CMYK 19 / 39 / 0 / 33

HEX #8A68AA

RGB 138 104 170

HSL 270.91, 0.28%, 0.54%

LAB 49.75, 26.77, -30.3

 

CMYK 34 / 68 / 0 / 61

HEX #412063

RGB 65 32 99

HSL 269.55, 0.51%, 0.26%

LAB 20.27, 30.35, -33.7

 

CMYK 40 / 83 / 0 / 69

HEX #300E50

RGB 48 14 80

HSL 270.91, 0.7%, 0.18%

LAB 12.74, 30.96, -33.27

 

CMYK 49 / 100 / 0 / 76

HEX #1F003D

RGB 31 0 61

HSL 270.49, 1%, 0.12%

LAB 5.67, 29.35, -31.58

 

CMYK 67 / 100 / 0 / 84

HEX #0E002A

RGB 14 0 42

HSL 260, 1%, 0.08%

LAB 2.35, 14.39, -22.91

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 34 / 68 / 0 / 61

HEX #412063

RGB 65 32 99

HSL 269.55, 0.51%, 0.26%

LAB 20.27, 30.35, -33.7

 

CMYK 24 / 68 / 0 / 61

HEX #4C2064

RGB 76 32 100

HSL 278.82, 0.52%, 0.26%

LAB 21.91, 33.43, -31.65

 

CMYK 13 / 68 / 0 / 61

HEX #572064

RGB 87 32 100

HSL 288.53, 0.52%, 0.26%

LAB 23.6, 36.33, -28.84

 

CMYK 2 / 68 / 0 / 61

HEX #622064

RGB 98 32 100

HSL 298.24, 0.52%, 0.26%

LAB 25.41, 39.28, -25.86

 

CMYK 0 / 68 / 11 / 61

HEX #642059

RGB 100 32 89

HSL 309.71, 0.52%, 0.26%

LAB 25.15, 37.81, -19.03

 

CMYK 34 / 68 / 0 / 61

HEX #412063

RGB 65 32 99

HSL 269.55, 0.51%, 0.26%

LAB 20.27, 30.35, -33.7

 

CMYK 35 / 68 / 0 / 41

HEX #623096

RGB 98 48 150

HSL 269.41, 0.52%, 0.39%

LAB 31.61, 42.8, -47.45

 

CMYK 34 / 68 / 0 / 21

HEX #8441C9

RGB 132 65 201

HSL 269.56, 0.56%, 0.52%

LAB 42.62, 54.1, -59.74

 

CMYK 35 / 68 / 0 / 1

HEX #A551FC

RGB 165 81 252

HSL 269.47, 0.97%, 0.65%

LAB 52.85, 65.08, -71.88

 

CMYK 33 / 67 / 0 / 81

HEX #201030

RGB 32 16 48

HSL 270, 0.5%, 0.13%

LAB 8.05, 16.36, -18.26

 

CMYK 34 / 68 / 0 / 61

HEX #412063

RGB 65 32 99

HSL 269.55, 0.51%, 0.26%

LAB 20.27, 30.35, -33.7

 

CMYK 0 / 68 / 47 / 61

HEX #642035

RGB 100 32 53

HSL 341.47, 0.52%, 0.26%

LAB 23.67, 32.58, 3.03

 

CMYK 68 / 0 / 62 / 61

HEX #206426

RGB 32 100 38

HSL 125.29, 0.52%, 0.26%

LAB 37.04, -35.21, 28.54

 

CMYK 34 / 68 / 0 / 61

HEX #412063

RGB 65 32 99

HSL 269.55, 0.51%, 0.26%

LAB 20.27, 30.35, -33.7

 

CMYK 0 / 35 / 68 / 61

HEX #644120

RGB 100 65 32

HSL 29.12, 0.52%, 0.26%

LAB 30.86, 11.56, 25.93

 

CMYK 68 / 0 / 35 / 61

HEX #206441

RGB 32 100 65

HSL 149.12, 0.52%, 0.26%

LAB 37.49, -30.28, 13.77

 

CMYK 34 / 68 / 0 / 61

HEX #412063

RGB 65 32 99

HSL 269.55, 0.51%, 0.26%

LAB 20.27, 30.35, -33.7

 

CMYK 0 / 68 / 47 / 61

HEX #642035

RGB 100 32 53

HSL 341.47, 0.52%, 0.26%

LAB 23.67, 32.58, 3.03

 

CMYK 33 / 0 / 68 / 61

HEX #436420

RGB 67 100 32

HSL 89.12, 0.52%, 0.26%

LAB 38.57, -24.32, 33.68

 

CMYK 68 / 0 / 22 / 61

HEX #20644E

RGB 32 100 78

HSL 160.59, 0.52%, 0.26%

LAB 37.79, -27.1, 6.31

 

CMYK 34 / 68 / 0 / 61

HEX #412063

RGB 65 32 99

HSL 269.55, 0.51%, 0.26%

LAB 20.27, 30.35, -33.7

 

CMYK 0 / 68 / 67 / 61

HEX #642021

RGB 100 32 33

HSL 359.12, 0.52%, 0.26%

LAB 23.18, 30.74, 16

 

CMYK 33 / 0 / 68 / 61

HEX #436420

RGB 67 100 32

HSL 89.12, 0.52%, 0.26%

LAB 38.57, -24.32, 33.68

 

CMYK 68 / 0 / 2 / 61

HEX #206462

RGB 32 100 98

HSL 178.24, 0.52%, 0.26%

LAB 38.38, -21.31, -5.11

 

Description

Color code: CMYK 35 / 68 / 0 / 61 | qconv.com Color code: CMYK 35 / 68 / 0 / 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 32 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 32 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 68 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 68% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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