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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 47 / 0 / 47 it is the complementary color CMYK 9 / 0 / 34 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 47 / 0 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 47 / 0 / 47: CMYK 28 / 45 / 0 / 49, CMYK 26 / 40 / 0 / 42, CMYK 24 / 36 / 0 / 34, CMYK 23 / 33 / 0 / 27 and CMYK 22 / 30 / 0 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 47 / 0 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 47 / 0 / 47: CMYK 35 / 47 / 0 / 47, CMYK 39 / 53 / 0 / 55, CMYK 44 / 63 / 0 / 62, CMYK 53 / 77 / 0 / 69 and CMYK 66 / 100 / 0 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 47 / 0 / 47

HEX #584887

RGB 88 72 135

HSL 255.24, 0.3%, 0.41%

LAB 34.92, 22.05, -33

 

Complementary color

CMYK 9 / 0 / 34 / 28

HEX #A7B778

RGB 167 183 120

HSL 75.24, 0.3%, 0.59%

LAB 71.85, -16.04, 30.25

 

CMYK 28 / 45 / 0 / 49

HEX #5D4882

RGB 93 72 130

HSL 261.72, 0.29%, 0.4%

LAB 35.15, 22.16, -29.53

 

CMYK 26 / 40 / 0 / 42

HEX #6E5A95

RGB 110 90 149

HSL 260.34, 0.25%, 0.47%

LAB 42.46, 21.27, -29.48

 

CMYK 24 / 36 / 0 / 34

HEX #7F6CA8

RGB 127 108 168

HSL 259, 0.26%, 0.54%

LAB 49.57, 20.5, -29.48

 

CMYK 23 / 33 / 0 / 27

HEX #907EBB

RGB 144 126 187

HSL 257.7, 0.31%, 0.61%

LAB 56.52, 19.82, -29.52

 

CMYK 22 / 30 / 0 / 19

HEX #A190CE

RGB 161 144 206

HSL 256.45, 0.39%, 0.69%

LAB 63.33, 19.21, -29.6

 

CMYK 35 / 47 / 0 / 47

HEX #584887

RGB 88 72 135

HSL 255.24, 0.3%, 0.41%

LAB 34.92, 22.05, -33

 

CMYK 39 / 53 / 0 / 55

HEX #473674

RGB 71 54 116

HSL 256.45, 0.36%, 0.33%

LAB 27.4, 23.19, -33.2

 

CMYK 44 / 63 / 0 / 62

HEX #362461

RGB 54 36 97

HSL 257.7, 0.46%, 0.26%

LAB 19.68, 24.52, -33.42

 

CMYK 53 / 77 / 0 / 69

HEX #25124E

RGB 37 18 78

HSL 259, 0.63%, 0.19%

LAB 11.8, 25.94, -33.51

 

CMYK 66 / 100 / 0 / 77

HEX #14003B

RGB 20 0 59

HSL 260.34, 1%, 0.12%

LAB 4.2, 25.29, -32.6

 

CMYK 35 / 47 / 0 / 47

HEX #584887

RGB 88 72 135

HSL 255.24, 0.3%, 0.41%

LAB 34.92, 22.05, -33

 

CMYK 27 / 46 / 0 / 47

HEX #634987

RGB 99 73 135

HSL 265.16, 0.3%, 0.41%

LAB 36.3, 24.7, -30.74

 

CMYK 19 / 46 / 0 / 47

HEX #6D4987

RGB 109 73 135

HSL 274.84, 0.3%, 0.41%

LAB 37.42, 27.78, -28.91

 

CMYK 11 / 46 / 0 / 47

HEX #784987

RGB 120 73 135

HSL 285.48, 0.3%, 0.41%

LAB 38.74, 31.23, -26.75

 

CMYK 4 / 46 / 0 / 47

HEX #824987

RGB 130 73 135

HSL 295.16, 0.3%, 0.41%

LAB 40.02, 34.41, -24.66

 

CMYK 35 / 47 / 0 / 47

HEX #584887

RGB 88 72 135

HSL 255.24, 0.3%, 0.41%

LAB 34.92, 22.05, -33

 

CMYK 35 / 47 / 0 / 27

HEX #7963BA

RGB 121 99 186

HSL 255.17, 0.39%, 0.56%

LAB 47.67, 28.85, -43

 

CMYK 35 / 47 / 0 / 7

HEX #9A7EED

RGB 154 126 237

HSL 255.14, 0.76%, 0.71%

LAB 59.8, 35.27, -52.45

 

CMYK 33 / 45 / 0 / 87

HEX #161221

RGB 22 18 33

HSL 256, 0.29%, 0.1%

LAB 6.44, 5.9, -9.61

 

CMYK 35 / 46 / 0 / 67

HEX #372D54

RGB 55 45 84

HSL 255.38, 0.3%, 0.25%

LAB 21.32, 14.71, -22.18

 

CMYK 35 / 47 / 0 / 47

HEX #584887

RGB 88 72 135

HSL 255.24, 0.3%, 0.41%

LAB 34.92, 22.05, -33

 

CMYK 0 / 46 / 21 / 47

HEX #87496B

RGB 135 73 107

HSL 327.1, 0.3%, 0.41%

LAB 39.54, 30.96, -8.07

 

CMYK 39 / 0 / 46 / 47

HEX #528749

RGB 82 135 73

HSL 111.29, 0.3%, 0.41%

LAB 51.39, -30.57, 27.84

 

CMYK 35 / 47 / 0 / 47

HEX #584887

RGB 88 72 135

HSL 255.24, 0.3%, 0.41%

LAB 34.92, 22.05, -33

 

CMYK 0 / 35 / 46 / 47

HEX #875849

RGB 135 88 73

HSL 14.52, 0.3%, 0.41%

LAB 42.17, 17.55, 16.66

 

CMYK 46 / 0 / 35 / 47

HEX #498758

RGB 73 135 88

HSL 134.52, 0.3%, 0.41%

LAB 51.21, -30.94, 19.22

 

CMYK 35 / 47 / 0 / 47

HEX #584887

RGB 88 72 135

HSL 255.24, 0.3%, 0.41%

LAB 34.92, 22.05, -33

 

CMYK 0 / 46 / 21 / 47

HEX #87496B

RGB 135 73 107

HSL 327.1, 0.3%, 0.41%

LAB 39.54, 30.96, -8.07

 

CMYK 11 / 0 / 46 / 47

HEX #788749

RGB 120 135 73

HSL 74.52, 0.3%, 0.41%

LAB 53.82, -15.88, 31.41

 

CMYK 46 / 0 / 25 / 47

HEX #498765

RGB 73 135 101

HSL 147.1, 0.3%, 0.41%

LAB 51.48, -28.31, 12.17

 

CMYK 35 / 47 / 0 / 47

HEX #584887

RGB 88 72 135

HSL 255.24, 0.3%, 0.41%

LAB 34.92, 22.05, -33

 

CMYK 0 / 46 / 35 / 47

HEX #874958

RGB 135 73 88

HSL 345.48, 0.3%, 0.41%

LAB 38.93, 28.12, 2.89

 

CMYK 11 / 0 / 46 / 47

HEX #788749

RGB 120 135 73

HSL 74.52, 0.3%, 0.41%

LAB 53.82, -15.88, 31.41

 

CMYK 46 / 0 / 11 / 47

HEX #498778

RGB 73 135 120

HSL 165.48, 0.3%, 0.41%

LAB 51.95, -23.88, 1.84

 

Description

Color code: CMYK 35 / 47 / 0 / 47 | qconv.com Color code: CMYK 35 / 47 / 0 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 72 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 72 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 47 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 47% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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