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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 37 / 0 / 48 it is the complementary color CMYK 1 / 0 / 29 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 37 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 37 / 0 / 48: CMYK 29 / 34 / 0 / 50, CMYK 27 / 31 / 0 / 42, CMYK 25 / 28 / 0 / 35, CMYK 23 / 25 / 0 / 27 and CMYK 22 / 24 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 37 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 37 / 0 / 48: CMYK 35 / 37 / 0 / 48, CMYK 39 / 42 / 0 / 55, CMYK 45 / 49 / 0 / 63, CMYK 54 / 61 / 0 / 70 and CMYK 68 / 79 / 0 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 37 / 0 / 48

HEX #565485

RGB 86 84 133

HSL 242.45, 0.23%, 0.43%

LAB 37.86, 13.26, -27.15

 

Complementary color

CMYK 1 / 0 / 29 / 33

HEX #A9AB7A

RGB 169 171 122

HSL 62.45, 0.23%, 0.57%

LAB 68.73, -8.75, 25.07

 

CMYK 29 / 34 / 0 / 50

HEX #5B5480

RGB 91 84 128

HSL 249.55, 0.21%, 0.42%

LAB 38.06, 13.41, -23.75

 

CMYK 27 / 31 / 0 / 42

HEX #6C6693

RGB 108 102 147

HSL 248, 0.18%, 0.49%

LAB 45.36, 12.77, -23.78

 

CMYK 25 / 28 / 0 / 35

HEX #7D78A6

RGB 125 120 166

HSL 246.52, 0.21%, 0.56%

LAB 52.45, 12.22, -23.87

 

CMYK 23 / 25 / 0 / 27

HEX #8E8AB9

RGB 142 138 185

HSL 245.11, 0.25%, 0.63%

LAB 59.37, 11.74, -24.01

 

CMYK 22 / 24 / 0 / 20

HEX #9F9CCC

RGB 159 156 204

HSL 243.75, 0.32%, 0.71%

LAB 66.14, 11.3, -24.17

 

CMYK 35 / 37 / 0 / 48

HEX #565485

RGB 86 84 133

HSL 242.45, 0.23%, 0.43%

LAB 37.86, 13.26, -27.15

 

CMYK 39 / 42 / 0 / 55

HEX #454272

RGB 69 66 114

HSL 243.75, 0.27%, 0.35%

LAB 30.34, 14.13, -27.28

 

CMYK 45 / 49 / 0 / 63

HEX #34305F

RGB 52 48 95

HSL 245.11, 0.33%, 0.28%

LAB 22.55, 15.24, -27.51

 

CMYK 54 / 61 / 0 / 70

HEX #231E4C

RGB 35 30 76

HSL 246.52, 0.43%, 0.21%

LAB 14.44, 16.72, -27.85

 

CMYK 68 / 79 / 0 / 78

HEX #120C39

RGB 18 12 57

HSL 248, 0.65%, 0.14%

LAB 6.21, 18.05, -27.89

 

CMYK 35 / 37 / 0 / 48

HEX #565485

RGB 86 84 133

HSL 242.45, 0.23%, 0.43%

LAB 37.86, 13.26, -27.15

 

CMYK 30 / 37 / 0 / 47

HEX #5E5486

RGB 94 84 134

HSL 252, 0.23%, 0.43%

LAB 38.62, 16.01, -26.52

 

CMYK 24 / 37 / 0 / 47

HEX #665486

RGB 102 84 134

HSL 261.6, 0.23%, 0.43%

LAB 39.39, 18.56, -25.27

 

CMYK 17 / 37 / 0 / 47

HEX #6F5486

RGB 111 84 134

HSL 272.4, 0.23%, 0.43%

LAB 40.31, 21.51, -23.76

 

CMYK 11 / 37 / 0 / 47

HEX #775486

RGB 119 84 134

HSL 282, 0.23%, 0.43%

LAB 41.19, 24.18, -22.33

 

CMYK 35 / 37 / 0 / 48

HEX #565485

RGB 86 84 133

HSL 242.45, 0.23%, 0.43%

LAB 37.86, 13.26, -27.15

 

CMYK 35 / 37 / 0 / 28

HEX #7774B8

RGB 119 116 184

HSL 242.65, 0.32%, 0.59%

LAB 51.69, 17.54, -35.5

 

CMYK 35 / 37 / 0 / 8

HEX #9894EB

RGB 152 148 235

HSL 242.76, 0.69%, 0.75%

LAB 64.85, 21.59, -43.38

 

CMYK 35 / 35 / 0 / 88

HEX #14141F

RGB 20 20 31

HSL 240, 0.22%, 0.1%

LAB 6.76, 3.07, -7.61

 

CMYK 35 / 37 / 0 / 68

HEX #353452

RGB 53 52 82

HSL 242, 0.22%, 0.26%

LAB 23.07, 8.61, -18.1

 

CMYK 35 / 37 / 0 / 48

HEX #565485

RGB 86 84 133

HSL 242.45, 0.23%, 0.43%

LAB 37.86, 13.26, -27.15

 

CMYK 0 / 37 / 8 / 47

HEX #86547B

RGB 134 84 123

HSL 313.2, 0.23%, 0.43%

LAB 42.52, 27.12, -13.44

 

CMYK 24 / 0 / 37 / 47

HEX #668654

RGB 102 134 84

HSL 98.4, 0.23%, 0.43%

LAB 52.41, -21.11, 23.35

 

CMYK 35 / 37 / 0 / 48

HEX #565485

RGB 86 84 133

HSL 242.45, 0.23%, 0.43%

LAB 37.86, 13.26, -27.15

 

CMYK 0 / 36 / 37 / 47

HEX #865654

RGB 134 86 84

HSL 2.4, 0.23%, 0.43%

LAB 41.79, 19.66, 9.41

 

CMYK 37 / 0 / 36 / 47

HEX #548656

RGB 84 134 86

HSL 122.4, 0.23%, 0.43%

LAB 51.39, -27.29, 20.68

 

CMYK 35 / 37 / 0 / 48

HEX #565485

RGB 86 84 133

HSL 242.45, 0.23%, 0.43%

LAB 37.86, 13.26, -27.15

 

CMYK 0 / 37 / 8 / 47

HEX #86547B

RGB 134 84 123

HSL 313.2, 0.23%, 0.43%

LAB 42.52, 27.12, -13.44

 

CMYK 1 / 0 / 37 / 47

HEX #858654

RGB 133 134 84

HSL 61.2, 0.23%, 0.43%

LAB 54.74, -8.51, 26.82

 

CMYK 37 / 0 / 28 / 47

HEX #548660

RGB 84 134 96

HSL 134.4, 0.23%, 0.43%

LAB 51.59, -25.44, 15.27

 

CMYK 35 / 37 / 0 / 48

HEX #565485

RGB 86 84 133

HSL 242.45, 0.23%, 0.43%

LAB 37.86, 13.26, -27.15

 

CMYK 0 / 37 / 20 / 47

HEX #86546B

RGB 134 84 107

HSL 332.4, 0.23%, 0.43%

LAB 41.95, 24.28, -4.49

 

CMYK 1 / 0 / 37 / 47

HEX #858654

RGB 133 134 84

HSL 61.2, 0.23%, 0.43%

LAB 54.74, -8.51, 26.82

 

CMYK 37 / 0 / 17 / 47

HEX #54866F

RGB 84 134 111

HSL 152.4, 0.23%, 0.43%

LAB 51.93, -22.3, 7.11

 

Description

Color code: CMYK 35 / 37 / 0 / 48 | qconv.com Color code: CMYK 35 / 37 / 0 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 84 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 84 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 37 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 37% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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