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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 14 / 0 / 30 it is the complementary color CMYK 0 / 27 / 45 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 14 / 0 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 14 / 0 / 30: CMYK 30 / 11 / 0 / 32, CMYK 28 / 11 / 0 / 24, CMYK 27 / 10 / 0 / 17, CMYK 26 / 10 / 0 / 9 and CMYK 24 / 10 / 0 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 14 / 0 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 14 / 0 / 30: CMYK 35 / 14 / 0 / 30, CMYK 38 / 15 / 0 / 37, CMYK 42 / 16 / 0 / 45, CMYK 47 / 18 / 0 / 52 and CMYK 53 / 20 / 0 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 14 / 0 / 30

HEX #749AB3

RGB 116 154 179

HSL 203.81, 0.29%, 0.58%

LAB 61.72, -6.75, -17.19

 

Complementary color

CMYK 0 / 27 / 45 / 45

HEX #8B654C

RGB 139 101 76

HSL 23.81, 0.29%, 0.42%

LAB 46.07, 11.99, 20.15

 

CMYK 30 / 11 / 0 / 32

HEX #799AAE

RGB 121 154 174

HSL 202.64, 0.25%, 0.58%

LAB 61.85, -6.57, -14.14

 

CMYK 28 / 11 / 0 / 24

HEX #8AACC1

RGB 138 172 193

HSL 202.91, 0.31%, 0.65%

LAB 68.58, -6.65, -14.51

 

CMYK 27 / 10 / 0 / 17

HEX #9BBED4

RGB 155 190 212

HSL 203.16, 0.4%, 0.72%

LAB 75.17, -6.73, -14.89

 

CMYK 26 / 10 / 0 / 9

HEX #ACD0E7

RGB 172 208 231

HSL 203.39, 0.55%, 0.79%

LAB 81.65, -6.8, -15.27

 

CMYK 24 / 10 / 0 / 2

HEX #BDE2FA

RGB 189 226 250

HSL 203.61, 0.86%, 0.86%

LAB 88.02, -6.87, -15.65

 

CMYK 35 / 14 / 0 / 30

HEX #749AB3

RGB 116 154 179

HSL 203.81, 0.29%, 0.58%

LAB 61.72, -6.75, -17.19

 

CMYK 38 / 15 / 0 / 37

HEX #6388A0

RGB 99 136 160

HSL 203.61, 0.24%, 0.51%

LAB 54.86, -6.6, -16.87

 

CMYK 42 / 16 / 0 / 45

HEX #52768D

RGB 82 118 141

HSL 203.39, 0.26%, 0.44%

LAB 47.85, -6.41, -16.55

 

CMYK 47 / 18 / 0 / 52

HEX #41647A

RGB 65 100 122

HSL 203.16, 0.3%, 0.37%

LAB 40.64, -6.16, -16.25

 

CMYK 53 / 20 / 0 / 60

HEX #305267

RGB 48 82 103

HSL 202.91, 0.36%, 0.3%

LAB 33.23, -5.8, -15.96

 

CMYK 35 / 14 / 0 / 30

HEX #749AB3

RGB 116 154 179

HSL 203.81, 0.29%, 0.58%

LAB 61.72, -6.75, -17.19

 

CMYK 35 / 19 / 0 / 30

HEX #7490B2

RGB 116 144 178

HSL 212.9, 0.29%, 0.58%

LAB 58.86, -1.4, -20.98

 

CMYK 35 / 25 / 0 / 30

HEX #7486B2

RGB 116 134 178

HSL 222.58, 0.29%, 0.58%

LAB 56.07, 4.36, -25.27

 

CMYK 35 / 30 / 0 / 30

HEX #747CB2

RGB 116 124 178

HSL 232.26, 0.29%, 0.58%

LAB 53.32, 10.25, -29.52

 

CMYK 33 / 35 / 0 / 30

HEX #7774B2

RGB 119 116 178

HSL 242.9, 0.29%, 0.58%

LAB 51.41, 15.91, -32.47

 

CMYK 35 / 14 / 0 / 30

HEX #749AB3

RGB 116 154 179

HSL 203.81, 0.29%, 0.58%

LAB 61.72, -6.75, -17.19

 

CMYK 35 / 14 / 0 / 10

HEX #95C6E6

RGB 149 198 230

HSL 203.7, 0.62%, 0.74%

LAB 77.57, -8.31, -21.02

 

CMYK 35 / 15 / 0 / 90

HEX #11161A

RGB 17 22 26

HSL 206.67, 0.21%, 0.08%

LAB 6.93, -1.03, -3.54

 

CMYK 35 / 14 / 0 / 70

HEX #32424D

RGB 50 66 77

HSL 204.44, 0.21%, 0.25%

LAB 27.05, -3.29, -8.72

 

CMYK 35 / 14 / 0 / 50

HEX #536E80

RGB 83 110 128

HSL 204, 0.21%, 0.41%

LAB 45.01, -5.1, -13.13

 

CMYK 35 / 14 / 0 / 30

HEX #749AB3

RGB 116 154 179

HSL 203.81, 0.29%, 0.58%

LAB 61.72, -6.75, -17.19

 

CMYK 14 / 35 / 0 / 30

HEX #9974B2

RGB 153 116 178

HSL 275.81, 0.29%, 0.58%

LAB 54.53, 26.36, -27.39

 

CMYK 0 / 1 / 35 / 30

HEX #B2B174

RGB 178 177 116

HSL 59.03, 0.29%, 0.58%

LAB 70.99, -9.1, 31.39

 

CMYK 35 / 14 / 0 / 30

HEX #749AB3

RGB 116 154 179

HSL 203.81, 0.29%, 0.58%

LAB 61.72, -6.75, -17.19

 

CMYK 0 / 35 / 13 / 30

HEX #B2749B

RGB 178 116 155

HSL 322.26, 0.29%, 0.58%

LAB 56.41, 30.29, -10.97

 

CMYK 13 / 0 / 35 / 30

HEX #9BB274

RGB 155 178 116

HSL 82.26, 0.29%, 0.58%

LAB 69.52, -18.66, 29.14

 

CMYK 35 / 14 / 0 / 30

HEX #749AB3

RGB 116 154 179

HSL 203.81, 0.29%, 0.58%

LAB 61.72, -6.75, -17.19

 

CMYK 14 / 35 / 0 / 30

HEX #9974B2

RGB 153 116 178

HSL 275.81, 0.29%, 0.58%

LAB 54.53, 26.36, -27.39

 

CMYK 0 / 21 / 35 / 30

HEX #B28C74

RGB 178 140 116

HSL 23.23, 0.29%, 0.58%

LAB 61.2, 10.99, 18.32

 

CMYK 20 / 0 / 35 / 30

HEX #8EB274

RGB 142 178 116

HSL 94.84, 0.29%, 0.58%

LAB 68.64, -23.55, 27.82

 

CMYK 35 / 14 / 0 / 30

HEX #749AB3

RGB 116 154 179

HSL 203.81, 0.29%, 0.58%

LAB 61.72, -6.75, -17.19

 

CMYK 4 / 35 / 0 / 30

HEX #AB74B2

RGB 171 116 178

HSL 293.23, 0.29%, 0.58%

LAB 56.45, 32.17, -24.27

 

CMYK 0 / 21 / 35 / 30

HEX #B28C74

RGB 178 140 116

HSL 23.23, 0.29%, 0.58%

LAB 61.2, 10.99, 18.32

 

CMYK 30 / 0 / 35 / 30

HEX #7CB274

RGB 124 178 116

HSL 112.26, 0.29%, 0.58%

LAB 67.57, -29.96, 26.2

 

Description

Color code: CMYK 35 / 14 / 0 / 30 | qconv.com Color code: CMYK 35 / 14 / 0 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 154 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 154 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 14 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 14% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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