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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 0 / 7 / 41 it is the complementary color CMYK 0 / 33 / 27 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 0 / 7 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 0 / 7 / 41: CMYK 31 / 0 / 10 / 41, CMYK 29 / 0 / 8 / 34, CMYK 26 / 0 / 7 / 27, CMYK 25 / 0 / 6 / 20 and CMYK 23 / 0 / 5 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 0 / 7 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 0 / 7 / 41: CMYK 35 / 0 / 7 / 41, CMYK 39 / 0 / 8 / 48, CMYK 44 / 0 / 11 / 55, CMYK 51 / 0 / 14 / 62 and CMYK 62 / 0 / 18 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 7 / 41

HEX #62968C

RGB 98 150 140

HSL 168.46, 0.21%, 0.49%

LAB 58.32, -19.65, -0.24

 

Complementary color

CMYK 0 / 33 / 27 / 38

HEX #9D6973

RGB 157 105 115

HSL 348.46, 0.21%, 0.51%

LAB 50.11, 22.28, 2.95

 

CMYK 31 / 0 / 10 / 41

HEX #679687

RGB 103 150 135

HSL 160.85, 0.19%, 0.5%

LAB 58.46, -19.28, 2.84

 

CMYK 29 / 0 / 8 / 34

HEX #78A89A

RGB 120 168 154

HSL 162.5, 0.22%, 0.56%

LAB 65.22, -19.08, 2.07

 

CMYK 26 / 0 / 7 / 27

HEX #89BAAD

RGB 137 186 173

HSL 164.08, 0.26%, 0.63%

LAB 71.86, -18.91, 1.35

 

CMYK 25 / 0 / 6 / 20

HEX #9ACCC0

RGB 154 204 192

HSL 165.6, 0.33%, 0.7%

LAB 78.38, -18.76, 0.67

 

CMYK 23 / 0 / 5 / 13

HEX #ABDED3

RGB 171 222 211

HSL 167.06, 0.44%, 0.77%

LAB 84.79, -18.63, 0.02

 

CMYK 35 / 0 / 7 / 41

HEX #62968C

RGB 98 150 140

HSL 168.46, 0.21%, 0.49%

LAB 58.32, -19.65, -0.24

 

CMYK 39 / 0 / 8 / 48

HEX #518479

RGB 81 132 121

HSL 167.06, 0.24%, 0.42%

LAB 51.42, -19.82, 0.53

 

CMYK 44 / 0 / 11 / 55

HEX #407266

RGB 64 114 102

HSL 165.6, 0.28%, 0.35%

LAB 44.35, -20, 1.38

 

CMYK 51 / 0 / 14 / 62

HEX #2F6053

RGB 47 96 83

HSL 164.08, 0.34%, 0.28%

LAB 37.1, -20.15, 2.33

 

CMYK 62 / 0 / 18 / 69

HEX #1E4E40

RGB 30 78 64

HSL 162.5, 0.44%, 0.21%

LAB 29.65, -20.21, 3.43

 

CMYK 35 / 0 / 7 / 41

HEX #62968C

RGB 98 150 140

HSL 168.46, 0.21%, 0.49%

LAB 58.32, -19.65, -0.24

 

CMYK 35 / 0 / 1 / 41

HEX #629795

RGB 98 151 149

HSL 177.74, 0.21%, 0.49%

LAB 58.88, -17.98, -4.54

 

CMYK 35 / 5 / 0 / 41

HEX #629097

RGB 98 144 151

HSL 187.92, 0.21%, 0.49%

LAB 56.86, -13.72, -8.69

 

CMYK 35 / 11 / 0 / 41

HEX #628797

RGB 98 135 151

HSL 198.11, 0.21%, 0.49%

LAB 54.2, -8.75, -12.69

 

CMYK 35 / 17 / 0 / 41

HEX #627E97

RGB 98 126 151

HSL 208.3, 0.21%, 0.49%

LAB 51.56, -3.62, -16.69

 

CMYK 35 / 0 / 7 / 41

HEX #62968C

RGB 98 150 140

HSL 168.46, 0.21%, 0.49%

LAB 58.32, -19.65, -0.24

 

CMYK 35 / 0 / 6 / 21

HEX #83C9BC

RGB 131 201 188

HSL 168.86, 0.39%, 0.65%

LAB 76.21, -24.89, -0.49

 

CMYK 35 / 0 / 7 / 1

HEX #A5FCEB

RGB 165 252 235

HSL 168.28, 0.94%, 0.82%

LAB 93.28, -29.81, -0.17

 

CMYK 35 / 0 / 6 / 81

HEX #1F302D

RGB 31 48 45

HSL 169.41, 0.22%, 0.15%

LAB 18.34, -7.82, -0.33

 

CMYK 34 / 0 / 7 / 61

HEX #41635C

RGB 65 99 92

HSL 167.65, 0.21%, 0.32%

LAB 39.28, -14.02, 0.05

 

CMYK 35 / 0 / 7 / 41

HEX #62968C

RGB 98 150 140

HSL 168.46, 0.21%, 0.49%

LAB 58.32, -19.65, -0.24

 

CMYK 35 / 35 / 0 / 41

HEX #626297

RGB 98 98 151

HSL 240, 0.21%, 0.49%

LAB 43.6, 13.23, -28.96

 

CMYK 0 / 21 / 35 / 41

HEX #977762

RGB 151 119 98

HSL 23.77, 0.21%, 0.49%

LAB 52.57, 9.39, 16.31

 

CMYK 35 / 0 / 7 / 41

HEX #62968C

RGB 98 150 140

HSL 168.46, 0.21%, 0.49%

LAB 58.32, -19.65, -0.24

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 0 / 7 / 35 / 41

HEX #978C62

RGB 151 140 98

HSL 47.55, 0.21%, 0.49%

LAB 58.24, -2.47, 23.95

 

CMYK 35 / 0 / 7 / 41

HEX #62968C

RGB 98 150 140

HSL 168.46, 0.21%, 0.49%

LAB 58.32, -19.65, -0.24

 

CMYK 35 / 35 / 0 / 41

HEX #626297

RGB 98 98 151

HSL 240, 0.21%, 0.49%

LAB 43.6, 13.23, -28.96

 

CMYK 0 / 35 / 28 / 41

HEX #97626D

RGB 151 98 109

HSL 347.55, 0.21%, 0.49%

LAB 47.52, 23.06, 2.7

 

CMYK 0 / 0 / 35 / 41

HEX #979762

RGB 151 151 98

HSL 60, 0.21%, 0.49%

LAB 61.3, -8.49, 27.97

 

CMYK 35 / 0 / 7 / 41

HEX #62968C

RGB 98 150 140

HSL 168.46, 0.21%, 0.49%

LAB 58.32, -19.65, -0.24

 

CMYK 25 / 35 / 0 / 41

HEX #726297

RGB 114 98 151

HSL 258.11, 0.21%, 0.49%

LAB 45.01, 18.16, -26.66

 

CMYK 0 / 35 / 28 / 41

HEX #97626D

RGB 151 98 109

HSL 347.55, 0.21%, 0.49%

LAB 47.52, 23.06, 2.7

 

CMYK 11 / 0 / 35 / 41

HEX #879762

RGB 135 151 98

HSL 78.11, 0.21%, 0.49%

LAB 60.04, -14.99, 26.08

 

Description

Color code: CMYK 35 / 0 / 7 / 41 | qconv.com Color code: CMYK 35 / 0 / 7 / 41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 150 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 150 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 7% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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