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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 0 / 2 / 66 it is the complementary color CMYK 0 / 16 / 15 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 0 / 2 / 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 0 / 2 / 66: CMYK 30 / 0 / 8 / 66, CMYK 26 / 0 / 6 / 59, CMYK 23 / 0 / 4 / 52, CMYK 21 / 0 / 3 / 45 and CMYK 19 / 0 / 2 / 38

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 0 / 2 / 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 0 / 2 / 66: CMYK 36 / 0 / 2 / 66, CMYK 43 / 0 / 4 / 73, CMYK 57 / 0 / 8 / 80, CMYK 85 / 0 / 15 / 87 and CMYK 100 / 0 / 40 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 2 / 66

HEX #385755

RGB 56 87 85

HSL 176.13, 0.22%, 0.28%

LAB 34.63, -11.89, -2.49

 

Complementary color

CMYK 0 / 16 / 15 / 22

HEX #C7A8AA

RGB 199 168 170

HSL 356.13, 0.22%, 0.72%

LAB 71.59, 11.62, 3.18

 

CMYK 30 / 0 / 8 / 66

HEX #3D5750

RGB 61 87 80

HSL 163.85, 0.18%, 0.29%

LAB 34.78, -11.5, 0.91

 

CMYK 26 / 0 / 6 / 59

HEX #4E6963

RGB 78 105 99

HSL 166.67, 0.15%, 0.36%

LAB 42.19, -11.32, 0.13

 

CMYK 23 / 0 / 4 / 52

HEX #5F7B76

RGB 95 123 118

HSL 169.29, 0.13%, 0.43%

LAB 49.38, -11.19, -0.58

 

CMYK 21 / 0 / 3 / 45

HEX #708D89

RGB 112 141 137

HSL 171.72, 0.11%, 0.5%

LAB 56.39, -11.08, -1.25

 

CMYK 19 / 0 / 2 / 38

HEX #819F9C

RGB 129 159 156

HSL 174, 0.14%, 0.56%

LAB 63.23, -11, -1.89

 

CMYK 36 / 0 / 2 / 66

HEX #385755

RGB 56 87 85

HSL 176.13, 0.22%, 0.28%

LAB 34.63, -11.89, -2.49

 

CMYK 43 / 0 / 4 / 73

HEX #274542

RGB 39 69 66

HSL 174, 0.28%, 0.21%

LAB 26.96, -12.03, -1.72

 

CMYK 57 / 0 / 8 / 80

HEX #16332F

RGB 22 51 47

HSL 171.72, 0.4%, 0.14%

LAB 18.99, -12.13, -0.83

 

CMYK 85 / 0 / 15 / 87

HEX #05211C

RGB 5 33 28

HSL 169.29, 0.74%, 0.07%

LAB 10.59, -12.2, 0.27

 

CMYK 100 / 0 / 40 / 94

HEX #000F09

RGB 0 15 9

HSL 156, 1%, 0.03%

LAB 3.26, -5.05, 1.1

 

CMYK 36 / 0 / 2 / 66

HEX #385755

RGB 56 87 85

HSL 176.13, 0.22%, 0.28%

LAB 34.63, -11.89, -2.49

 

CMYK 37 / 5 / 0 / 66

HEX #375357

RGB 55 83 87

HSL 187.5, 0.23%, 0.28%

LAB 33.32, -9.3, -5.69

 

CMYK 37 / 10 / 0 / 66

HEX #374E57

RGB 55 78 87

HSL 196.88, 0.23%, 0.28%

LAB 31.69, -6.25, -8.13

 

CMYK 37 / 16 / 0 / 66

HEX #374957

RGB 55 73 87

HSL 206.25, 0.23%, 0.28%

LAB 30.07, -3.12, -10.58

 

CMYK 37 / 22 / 0 / 66

HEX #374457

RGB 55 68 87

HSL 215.63, 0.23%, 0.28%

LAB 28.47, 0.09, -13.02

 

CMYK 36 / 0 / 2 / 66

HEX #385755

RGB 56 87 85

HSL 176.13, 0.22%, 0.28%

LAB 34.63, -11.89, -2.49

 

CMYK 36 / 0 / 2 / 46

HEX #598A87

RGB 89 138 135

HSL 176.33, 0.22%, 0.45%

LAB 54.08, -17.18, -3.65

 

CMYK 35 / 0 / 2 / 26

HEX #7ABDB9

RGB 122 189 185

HSL 176.42, 0.34%, 0.61%

LAB 72.25, -22.08, -4.73

 

CMYK 36 / 0 / 3 / 6

HEX #9AF0EA

RGB 154 240 234

HSL 175.81, 0.74%, 0.77%

LAB 89.45, -27.21, -5.33

 

CMYK 36 / 0 / 3 / 86

HEX #172423

RGB 23 36 35

HSL 175.38, 0.22%, 0.12%

LAB 13.02, -5.88, -1.15

 

CMYK 36 / 0 / 2 / 66

HEX #385755

RGB 56 87 85

HSL 176.13, 0.22%, 0.28%

LAB 34.63, -11.89, -2.49

 

CMYK 32 / 37 / 0 / 66

HEX #3B3757

RGB 59 55 87

HSL 247.5, 0.23%, 0.28%

LAB 24.8, 10.11, -18.67

 

CMYK 0 / 17 / 37 / 66

HEX #574837

RGB 87 72 55

HSL 31.88, 0.23%, 0.28%

LAB 31.66, 3.51, 12.58

 

CMYK 36 / 0 / 2 / 66

HEX #385755

RGB 56 87 85

HSL 176.13, 0.22%, 0.28%

LAB 34.63, -11.89, -2.49

 

CMYK 2 / 37 / 0 / 66

HEX #553757

RGB 85 55 87

HSL 296.25, 0.23%, 0.28%

LAB 27.71, 19.48, -13.92

 

CMYK 0 / 2 / 37 / 66

HEX #575537

RGB 87 85 55

HSL 56.25, 0.23%, 0.28%

LAB 35.59, -4.47, 17.83

 

CMYK 36 / 0 / 2 / 66

HEX #385755

RGB 56 87 85

HSL 176.13, 0.22%, 0.28%

LAB 34.63, -11.89, -2.49

 

CMYK 32 / 37 / 0 / 66

HEX #3B3757

RGB 59 55 87

HSL 247.5, 0.23%, 0.28%

LAB 24.8, 10.11, -18.67

 

CMYK 0 / 37 / 34 / 66

HEX #573739

RGB 87 55 57

HSL 356.25, 0.23%, 0.28%

LAB 26.89, 14.61, 4.65

 

CMYK 6 / 0 / 37 / 66

HEX #525737

RGB 82 87 55

HSL 69.38, 0.23%, 0.28%

LAB 35.76, -7.93, 17.96

 

CMYK 36 / 0 / 2 / 66

HEX #385755

RGB 56 87 85

HSL 176.13, 0.22%, 0.28%

LAB 34.63, -11.89, -2.49

 

CMYK 21 / 37 / 0 / 66

HEX #453757

RGB 69 55 87

HSL 266.25, 0.23%, 0.28%

LAB 25.82, 13.61, -17

 

CMYK 0 / 37 / 34 / 66

HEX #573739

RGB 87 55 57

HSL 356.25, 0.23%, 0.28%

LAB 26.89, 14.61, 4.65

 

CMYK 16 / 0 / 37 / 66

HEX #495737

RGB 73 87 55

HSL 86.25, 0.23%, 0.28%

LAB 35.02, -11.89, 16.85

 

Description

Color code: CMYK 35 / 0 / 2 / 66 | qconv.com Color code: CMYK 35 / 0 / 2 / 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 87 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 87 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 2 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 2% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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