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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 0 / 0 / 68 it is the complementary color CMYK 0 / 14 / 14 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 0 / 0 / 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 0 / 0 / 68: CMYK 29 / 0 / 6 / 68, CMYK 25 / 0 / 4 / 61, CMYK 22 / 0 / 3 / 54, CMYK 20 / 0 / 1 / 47 and CMYK 18 / 0 / 1 / 40

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 0 / 0 / 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 0 / 0 / 68: CMYK 35 / 0 / 0 / 68, CMYK 44 / 0 / 2 / 75, CMYK 59 / 0 / 4 / 82, CMYK 93 / 0 / 11 / 89 and CMYK 100 / 0 / 40 / 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 0 / 68

HEX #355252

RGB 53 82 82

HSL 180, 0.21%, 0.26%

LAB 32.7, -10.74, -3.46

 

Complementary color

CMYK 0 / 14 / 14 / 21

HEX #CAADAD

RGB 202 173 173

HSL 0, 0.21%, 0.74%

LAB 73.19, 10.49, 3.89

 

CMYK 29 / 0 / 6 / 68

HEX #3A524D

RGB 58 82 77

HSL 167.5, 0.17%, 0.27%

LAB 32.85, -10.37, -0.03

 

CMYK 25 / 0 / 4 / 61

HEX #4B6460

RGB 75 100 96

HSL 170.4, 0.14%, 0.34%

LAB 40.34, -10.22, -0.77

 

CMYK 22 / 0 / 3 / 54

HEX #5C7673

RGB 92 118 115

HSL 173.08, 0.12%, 0.41%

LAB 47.59, -10.1, -1.46

 

CMYK 20 / 0 / 1 / 47

HEX #6D8886

RGB 109 136 134

HSL 175.56, 0.11%, 0.48%

LAB 54.64, -10.01, -2.11

 

CMYK 18 / 0 / 1 / 40

HEX #7E9A99

RGB 126 154 153

HSL 177.86, 0.12%, 0.55%

LAB 61.52, -9.95, -2.73

 

CMYK 35 / 0 / 0 / 68

HEX #355252

RGB 53 82 82

HSL 180, 0.21%, 0.26%

LAB 32.7, -10.74, -3.46

 

CMYK 44 / 0 / 2 / 75

HEX #24403F

RGB 36 64 63

HSL 177.86, 0.28%, 0.2%

LAB 24.95, -10.85, -2.73

 

CMYK 59 / 0 / 4 / 82

HEX #132E2C

RGB 19 46 44

HSL 175.56, 0.42%, 0.13%

LAB 16.87, -10.9, -1.89

 

CMYK 93 / 0 / 11 / 89

HEX #021C19

RGB 2 28 25

HSL 173.08, 0.87%, 0.06%

LAB 8.25, -10.34, -0.94

 

CMYK 100 / 0 / 40 / 96

HEX #000A06

RGB 0 10 6

HSL 156, 1%, 0.02%

LAB 2.08, -3.17, 0.59

 

CMYK 35 / 0 / 0 / 68

HEX #355252

RGB 53 82 82

HSL 180, 0.21%, 0.26%

LAB 32.7, -10.74, -3.46

 

CMYK 35 / 6 / 0 / 69

HEX #344B50

RGB 52 75 80

HSL 190.71, 0.21%, 0.26%

LAB 30.26, -7.41, -5.82

 

CMYK 35 / 13 / 0 / 69

HEX #344650

RGB 52 70 80

HSL 201.43, 0.21%, 0.26%

LAB 28.62, -4.28, -8.29

 

CMYK 35 / 18 / 0 / 69

HEX #344250

RGB 52 66 80

HSL 210, 0.21%, 0.26%

LAB 27.31, -1.72, -10.26

 

CMYK 35 / 24 / 0 / 69

HEX #343D50

RGB 52 61 80

HSL 220.71, 0.21%, 0.26%

LAB 25.7, 1.56, -12.72

 

CMYK 35 / 0 / 0 / 68

HEX #355252

RGB 53 82 82

HSL 180, 0.21%, 0.26%

LAB 32.7, -10.74, -3.46

 

CMYK 35 / 0 / 0 / 48

HEX #568585

RGB 86 133 133

HSL 180, 0.21%, 0.43%

LAB 52.34, -15.87, -5.08

 

CMYK 35 / 0 / 0 / 28

HEX #77B8B8

RGB 119 184 184

HSL 180, 0.31%, 0.59%

LAB 70.64, -20.61, -6.58

 

CMYK 35 / 0 / 0 / 8

HEX #98EBEB

RGB 152 235 235

HSL 180, 0.67%, 0.76%

LAB 88.01, -25.08, -8

 

CMYK 35 / 0 / 0 / 88

HEX #141F1F

RGB 20 31 31

HSL 180, 0.22%, 0.1%

LAB 10.76, -4.85, -1.58

 

CMYK 35 / 0 / 0 / 68

HEX #355252

RGB 53 82 82

HSL 180, 0.21%, 0.26%

LAB 32.7, -10.74, -3.46

 

CMYK 29 / 35 / 0 / 69

HEX #393450

RGB 57 52 80

HSL 250.71, 0.21%, 0.26%

LAB 23.35, 9.4, -16.31

 

CMYK 0 / 14 / 35 / 69

HEX #504534

RGB 80 69 52

HSL 36.43, 0.21%, 0.26%

LAB 29.94, 1.71, 12.01

 

CMYK 35 / 0 / 0 / 68

HEX #355252

RGB 53 82 82

HSL 180, 0.21%, 0.26%

LAB 32.7, -10.74, -3.46

 

CMYK 0 / 35 / 0 / 69

HEX #503450

RGB 80 52 80

HSL 300, 0.21%, 0.26%

LAB 25.98, 17.95, -12.04

 

CMYK 0 / 0 / 35 / 69

HEX #505034

RGB 80 80 52

HSL 60, 0.21%, 0.26%

LAB 33.33, -5.1, 16.55

 

CMYK 35 / 0 / 0 / 68

HEX #355252

RGB 53 82 82

HSL 180, 0.21%, 0.26%

LAB 32.7, -10.74, -3.46

 

CMYK 29 / 35 / 0 / 69

HEX #393450

RGB 57 52 80

HSL 250.71, 0.21%, 0.26%

LAB 23.35, 9.4, -16.31

 

CMYK 0 / 35 / 35 / 69

HEX #503434

RGB 80 52 52

HSL 0, 0.21%, 0.26%

LAB 24.98, 12.63, 5.14

 

CMYK 7 / 0 / 35 / 69

HEX #4A5034

RGB 74 80 52

HSL 72.86, 0.21%, 0.26%

LAB 32.79, -7.82, 15.74

 

CMYK 35 / 0 / 0 / 68

HEX #355252

RGB 53 82 82

HSL 180, 0.21%, 0.26%

LAB 32.7, -10.74, -3.46

 

CMYK 18 / 35 / 0 / 69

HEX #423450

RGB 66 52 80

HSL 270, 0.21%, 0.26%

LAB 24.3, 12.67, -14.77

 

CMYK 0 / 35 / 35 / 69

HEX #503434

RGB 80 52 52

HSL 0, 0.21%, 0.26%

LAB 24.98, 12.63, 5.14

 

CMYK 18 / 0 / 35 / 69

HEX #425034

RGB 66 80 52

HSL 90, 0.21%, 0.26%

LAB 32.13, -11.35, 14.74

 

Description

Color code: CMYK 35 / 0 / 0 / 68 | qconv.com Color code: CMYK 35 / 0 / 0 / 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 82 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 82 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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