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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 34 / 82 / 0 / 16 it is the complementary color CMYK 47 / 0 / 81 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 34 / 82 / 0 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 34 / 82 / 0 / 16: CMYK 30 / 81 / 0 / 18, CMYK 29 / 75 / 0 / 11, CMYK 27 / 70 / 0 / 3, CMYK 23 / 64 / 0 / 0 and CMYK 16 / 56 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 34 / 82 / 0 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 34 / 82 / 0 / 16: CMYK 34 / 82 / 0 / 16, CMYK 36 / 89 / 0 / 24, CMYK 39 / 98 / 0 / 31, CMYK 43 / 100 / 0 / 38 and CMYK 47 / 100 / 0 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 82 / 0 / 16

HEX #8D27D6

RGB 141 39 214

HSL 274.97, 0.69%, 0.5%

LAB 41.17, 68.95, -69.56

 

Complementary color

CMYK 47 / 0 / 81 / 15

HEX #72D829

RGB 114 216 41

HSL 94.97, 0.69%, 0.5%

LAB 77.79, -56.79, 69.64

 

CMYK 30 / 81 / 0 / 18

HEX #9227D1

RGB 146 39 209

HSL 277.76, 0.69%, 0.49%

LAB 41.48, 68.67, -66.13

 

CMYK 29 / 75 / 0 / 11

HEX #A339E4

RGB 163 57 228

HSL 277.19, 0.76%, 0.56%

LAB 47.38, 69.37, -67.3

 

CMYK 27 / 70 / 0 / 3

HEX #B44BF7

RGB 180 75 247

HSL 276.63, 0.91%, 0.63%

LAB 53.44, 69.44, -68.06

 

CMYK 23 / 64 / 0 / 0

HEX #C55DFF

RGB 197 93 255

HSL 278.52, 1%, 0.68%

LAB 58.9, 66.83, -63.59

 

CMYK 16 / 56 / 0 / 0

HEX #D66FFF

RGB 214 111 255

HSL 282.92, 1%, 0.72%

LAB 64.07, 62.41, -55.21

 

CMYK 34 / 82 / 0 / 16

HEX #8D27D6

RGB 141 39 214

HSL 274.97, 0.69%, 0.5%

LAB 41.17, 68.95, -69.56

 

CMYK 36 / 89 / 0 / 24

HEX #7C15C3

RGB 124 21 195

HSL 275.52, 0.81%, 0.42%

LAB 35.52, 67.33, -67.85

 

CMYK 39 / 98 / 0 / 31

HEX #6B03B0

RGB 107 3 176

HSL 276.07, 0.97%, 0.35%

LAB 30.22, 64.41, -65.39

 

CMYK 43 / 100 / 0 / 38

HEX #5A009D

RGB 90 0 157

HSL 274.39, 1%, 0.31%

LAB 25.59, 59.14, -61.61

 

CMYK 47 / 100 / 0 / 46

HEX #49008A

RGB 73 0 138

HSL 271.74, 1%, 0.27%

LAB 21.02, 53.29, -57.46

 

CMYK 34 / 82 / 0 / 16

HEX #8D27D6

RGB 141 39 214

HSL 274.97, 0.69%, 0.5%

LAB 41.17, 68.95, -69.56

 

CMYK 22 / 82 / 0 / 16

HEX #A827D7

RGB 168 39 215

HSL 283.98, 0.69%, 0.5%

LAB 45.2, 73.37, -63.4

 

CMYK 8 / 82 / 0 / 16

HEX #C527D7

RGB 197 39 215

HSL 293.86, 0.69%, 0.5%

LAB 49.77, 78.33, -55.79

 

CMYK 0 / 82 / 6 / 16

HEX #D727CB

RGB 215 39 203

HSL 304.09, 0.69%, 0.5%

LAB 52.07, 79.8, -45.05

 

CMYK 0 / 82 / 19 / 16

HEX #D727AE

RGB 215 39 174

HSL 313.98, 0.69%, 0.5%

LAB 50.63, 75.85, -30.45

 

CMYK 34 / 82 / 0 / 16

HEX #8D27D6

RGB 141 39 214

HSL 274.97, 0.69%, 0.5%

LAB 41.17, 68.95, -69.56

 

CMYK 30 / 80 / 0 / 96

HEX #07020A

RGB 7 2 10

HSL 277.5, 0.67%, 0.02%

LAB 1, 2.42, -2.57

 

CMYK 34 / 82 / 0 / 76

HEX #280B3D

RGB 40 11 61

HSL 274.8, 0.69%, 0.14%

LAB 9.22, 25.49, -25.75

 

CMYK 34 / 82 / 0 / 56

HEX #4A1470

RGB 74 20 112

HSL 275.22, 0.7%, 0.26%

LAB 20.54, 41.57, -41.69

 

CMYK 34 / 82 / 0 / 36

HEX #6B1EA3

RGB 107 30 163

HSL 274.74, 0.69%, 0.38%

LAB 31.11, 55.46, -56.1

 

CMYK 34 / 82 / 0 / 16

HEX #8D27D6

RGB 141 39 214

HSL 274.97, 0.69%, 0.5%

LAB 41.17, 68.95, -69.56

 

CMYK 0 / 82 / 63 / 16

HEX #D72750

RGB 215 39 80

HSL 346.02, 0.69%, 0.5%

LAB 47.59, 67.06, 21.95

 

CMYK 82 / 0 / 68 / 16

HEX #27D744

RGB 39 215 68

HSL 129.89, 0.69%, 0.5%

LAB 75.73, -70.06, 58.1

 

CMYK 34 / 82 / 0 / 16

HEX #8D27D6

RGB 141 39 214

HSL 274.97, 0.69%, 0.5%

LAB 41.17, 68.95, -69.56

 

CMYK 0 / 35 / 82 / 16

HEX #D78B27

RGB 215 139 39

HSL 34.09, 0.69%, 0.5%

LAB 64.21, 21.39, 60.86

 

CMYK 82 / 0 / 35 / 16

HEX #27D78B

RGB 39 215 139

HSL 154.09, 0.69%, 0.5%

LAB 76.62, -59.54, 25.78

 

CMYK 34 / 82 / 0 / 16

HEX #8D27D6

RGB 141 39 214

HSL 274.97, 0.69%, 0.5%

LAB 41.17, 68.95, -69.56

 

CMYK 0 / 82 / 63 / 16

HEX #D72750

RGB 215 39 80

HSL 346.02, 0.69%, 0.5%

LAB 47.59, 67.06, 21.95

 

CMYK 47 / 0 / 82 / 16

HEX #73D727

RGB 115 215 39

HSL 94.09, 0.69%, 0.5%

LAB 77.51, -56.2, 69.93

 

CMYK 82 / 0 / 19 / 16

HEX #27D7AE

RGB 39 215 174

HSL 166.02, 0.69%, 0.5%

LAB 77.33, -51.67, 8.31

 

CMYK 34 / 82 / 0 / 16

HEX #8D27D6

RGB 141 39 214

HSL 274.97, 0.69%, 0.5%

LAB 41.17, 68.95, -69.56

 

CMYK 0 / 76 / 82 / 16

HEX #D73327

RGB 215 51 39

HSL 4.09, 0.69%, 0.5%

LAB 48.21, 62.04, 46.31

 

CMYK 47 / 0 / 82 / 16

HEX #73D727

RGB 115 215 39

HSL 94.09, 0.69%, 0.5%

LAB 77.51, -56.2, 69.93

 

CMYK 82 / 6 / 0 / 16

HEX #27CBD7

RGB 39 203 215

HSL 184.09, 0.69%, 0.5%

LAB 74.86, -35.1, -17.39

 

Description

Color code: CMYK 34 / 82 / 0 / 16 | qconv.com Color code: CMYK 34 / 82 / 0 / 16 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 39 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 39 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 82 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 82% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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