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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 34 / 7 / 0 / 53 it is the complementary color CMYK 0 / 18 / 23 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 34 / 7 / 0 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 34 / 7 / 0 / 53: CMYK 27 / 3 / 0 / 55, CMYK 25 / 4 / 0 / 47, CMYK 23 / 4 / 0 / 40, CMYK 22 / 4 / 0 / 33 and CMYK 20 / 4 / 0 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 34 / 7 / 0 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 34 / 7 / 0 / 53: CMYK 34 / 8 / 0 / 53, CMYK 39 / 8 / 0 / 60, CMYK 45 / 9 / 0 / 68, CMYK 56 / 10 / 0 / 75 and CMYK 75 / 11 / 0 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 7 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

Complementary color

CMYK 0 / 18 / 23 / 31

HEX #B09087

RGB 176 144 135

HSL 13.17, 0.21%, 0.61%

LAB 62.45, 10.62, 9.3

 

CMYK 27 / 3 / 0 / 55

HEX #546F73

RGB 84 111 115

HSL 187.74, 0.16%, 0.39%

LAB 44.93, -8.8, -5.44

 

CMYK 25 / 4 / 0 / 47

HEX #658186

RGB 101 129 134

HSL 189.09, 0.14%, 0.46%

LAB 52.05, -8.76, -6

 

CMYK 23 / 4 / 0 / 40

HEX #769399

RGB 118 147 153

HSL 190.29, 0.15%, 0.53%

LAB 58.99, -8.73, -6.53

 

CMYK 22 / 4 / 0 / 33

HEX #87A5AC

RGB 135 165 172

HSL 191.35, 0.18%, 0.6%

LAB 65.78, -8.72, -7.05

 

CMYK 20 / 4 / 0 / 25

HEX #98B7BF

RGB 152 183 191

HSL 192.31, 0.23%, 0.67%

LAB 72.43, -8.72, -7.55

 

CMYK 34 / 8 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

CMYK 39 / 8 / 0 / 60

HEX #3E5D65

RGB 62 93 101

HSL 192.31, 0.24%, 0.32%

LAB 37.47, -9.08, -8.2

 

CMYK 45 / 9 / 0 / 68

HEX #2D4B52

RGB 45 75 82

HSL 191.35, 0.29%, 0.25%

LAB 29.91, -9.04, -7.67

 

CMYK 56 / 10 / 0 / 75

HEX #1C393F

RGB 28 57 63

HSL 190.29, 0.38%, 0.18%

LAB 22.06, -8.91, -7.1

 

CMYK 75 / 11 / 0 / 83

HEX #0B272C

RGB 11 39 44

HSL 189.09, 0.6%, 0.11%

LAB 13.85, -8.54, -6.44

 

CMYK 34 / 8 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

CMYK 35 / 13 / 0 / 53

HEX #4E6878

RGB 78 104 120

HSL 202.86, 0.21%, 0.39%

LAB 42.58, -5.31, -12.03

 

CMYK 35 / 19 / 0 / 53

HEX #4E6178

RGB 78 97 120

HSL 212.86, 0.21%, 0.39%

LAB 40.45, -1.1, -15.26

 

CMYK 35 / 25 / 0 / 53

HEX #4E5A78

RGB 78 90 120

HSL 222.86, 0.21%, 0.39%

LAB 38.35, 3.23, -18.47

 

CMYK 35 / 31 / 0 / 53

HEX #4E5378

RGB 78 83 120

HSL 232.86, 0.21%, 0.39%

LAB 36.29, 7.65, -21.66

 

CMYK 34 / 8 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

CMYK 34 / 8 / 0 / 33

HEX #719EAB

RGB 113 158 171

HSL 193.45, 0.26%, 0.56%

LAB 62.43, -11.87, -11.63

 

CMYK 34 / 8 / 0 / 13

HEX #92CDDE

RGB 146 205 222

HSL 193.42, 0.54%, 0.72%

LAB 79.07, -14.76, -14.48

 

CMYK 33 / 6 / 0 / 93

HEX #0C1112

RGB 12 17 18

HSL 190, 0.2%, 0.06%

LAB 4.72, -1.46, -1.14

 

CMYK 35 / 7 / 0 / 73

HEX #2D4045

RGB 45 64 69

HSL 192.5, 0.21%, 0.22%

LAB 25.73, -6.09, -5.49

 

CMYK 34 / 8 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

CMYK 21 / 35 / 0 / 53

HEX #5F4E78

RGB 95 78 120

HSL 264.29, 0.21%, 0.39%

LAB 36.44, 16.4, -21.32

 

CMYK 0 / 7 / 35 / 53

HEX #78704E

RGB 120 112 78

HSL 48.57, 0.21%, 0.39%

LAB 47.15, -2.49, 20.06

 

CMYK 34 / 8 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

CMYK 0 / 35 / 8 / 53

HEX #784E6F

RGB 120 78 111

HSL 312.86, 0.21%, 0.39%

LAB 38.88, 23.28, -11.75

 

CMYK 8 / 0 / 35 / 53

HEX #6F784E

RGB 111 120 78

HSL 72.86, 0.21%, 0.39%

LAB 48.71, -10.87, 21.98

 

CMYK 34 / 8 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

CMYK 21 / 35 / 0 / 53

HEX #5F4E78

RGB 95 78 120

HSL 264.29, 0.21%, 0.39%

LAB 36.44, 16.4, -21.32

 

CMYK 0 / 28 / 35 / 53

HEX #78574E

RGB 120 87 78

HSL 12.86, 0.21%, 0.39%

LAB 40.18, 12.31, 10.59

 

CMYK 15 / 0 / 35 / 53

HEX #66784E

RGB 102 120 78

HSL 85.71, 0.21%, 0.39%

LAB 48.02, -14.6, 20.94

 

CMYK 34 / 8 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

CMYK 10 / 35 / 0 / 53

HEX #6C4E78

RGB 108 78 120

HSL 282.86, 0.21%, 0.39%

LAB 37.83, 20.87, -19.05

 

CMYK 0 / 28 / 35 / 53

HEX #78574E

RGB 120 87 78

HSL 12.86, 0.21%, 0.39%

LAB 40.18, 12.31, 10.59

 

CMYK 25 / 0 / 35 / 53

HEX #5A784E

RGB 90 120 78

HSL 102.86, 0.21%, 0.39%

LAB 47.18, -19.36, 19.68

 

Description

Color code: CMYK 34 / 7 / 0 / 53 | qconv.com Color code: CMYK 34 / 7 / 0 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 111 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 111 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 7 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 7% 0% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Nano Telecom - будущ...
Link: http://nano.uz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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