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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 34 / 39 / 0 / 60 it is the complementary color CMYK 3 / 0 / 21 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 34 / 39 / 0 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 34 / 39 / 0 / 60: CMYK 26 / 36 / 0 / 62, CMYK 23 / 31 / 0 / 55, CMYK 21 / 27 / 0 / 47, CMYK 20 / 25 / 0 / 40 and CMYK 19 / 23 / 0 / 32

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 34 / 39 / 0 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 34 / 39 / 0 / 60: CMYK 34 / 39 / 0 / 60, CMYK 40 / 47 / 0 / 67, CMYK 48 / 59 / 0 / 75, CMYK 64 / 82 / 0 / 82 and CMYK 100 / 100 / 0 / 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

Complementary color

CMYK 3 / 0 / 21 / 24

HEX #BCC199

RGB 188 193 153

HSL 67.5, 0.24%, 0.68%

LAB 76.76, -8.52, 19.61

 

CMYK 26 / 36 / 0 / 62

HEX #483E61

RGB 72 62 97

HSL 257.14, 0.22%, 0.31%

LAB 28.61, 12.75, -19.15

 

CMYK 23 / 31 / 0 / 55

HEX #595074

RGB 89 80 116

HSL 255, 0.18%, 0.38%

LAB 36.22, 12.07, -19.22

 

CMYK 21 / 27 / 0 / 47

HEX #6A6287

RGB 106 98 135

HSL 252.97, 0.16%, 0.46%

LAB 43.58, 11.49, -19.36

 

CMYK 20 / 25 / 0 / 40

HEX #7B749A

RGB 123 116 154

HSL 251.05, 0.16%, 0.53%

LAB 50.73, 10.99, -19.54

 

CMYK 19 / 23 / 0 / 32

HEX #8C86AD

RGB 140 134 173

HSL 249.23, 0.19%, 0.6%

LAB 57.7, 10.55, -19.75

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 40 / 47 / 0 / 67

HEX #322C53

RGB 50 44 83

HSL 249.23, 0.31%, 0.25%

LAB 20.46, 13.49, -22.9

 

CMYK 48 / 59 / 0 / 75

HEX #211A40

RGB 33 26 64

HSL 251.05, 0.42%, 0.18%

LAB 12.17, 14.79, -23.17

 

CMYK 64 / 82 / 0 / 82

HEX #10082D

RGB 16 8 45

HSL 252.97, 0.7%, 0.1%

LAB 4.28, 13.29, -22.14

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 28 / 39 / 0 / 60

HEX #493E65

RGB 73 62 101

HSL 256.92, 0.24%, 0.32%

LAB 28.91, 14.21, -21.24

 

CMYK 22 / 39 / 0 / 60

HEX #4F3E65

RGB 79 62 101

HSL 266.15, 0.24%, 0.32%

LAB 29.53, 16.24, -20.22

 

CMYK 15 / 39 / 0 / 60

HEX #563E65

RGB 86 62 101

HSL 276.92, 0.24%, 0.32%

LAB 30.31, 18.68, -18.95

 

CMYK 9 / 39 / 0 / 60

HEX #5C3E65

RGB 92 62 101

HSL 286.15, 0.24%, 0.32%

LAB 31.02, 20.79, -17.79

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 34 / 39 / 0 / 40

HEX #655D99

RGB 101 93 153

HSL 248, 0.24%, 0.48%

LAB 42.61, 17.78, -31.7

 

CMYK 34 / 39 / 0 / 20

HEX #867CCC

RGB 134 124 204

HSL 247.5, 0.44%, 0.64%

LAB 55.93, 22.4, -40.18

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 33 / 39 / 0 / 80

HEX #221F33

RGB 34 31 51

HSL 249, 0.24%, 0.16%

LAB 12.98, 7.05, -12.65

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 0 / 39 / 13 / 60

HEX #653E58

RGB 101 62 88

HSL 320, 0.24%, 0.32%

LAB 31.62, 21.39, -8.44

 

CMYK 28 / 0 / 39 / 60

HEX #49653E

RGB 73 101 62

HSL 103.08, 0.24%, 0.32%

LAB 39.7, -18.52, 18.85

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 0 / 35 / 39 / 60

HEX #65423E

RGB 101 66 62

HSL 6.15, 0.24%, 0.32%

LAB 31.83, 14.62, 8.63

 

CMYK 39 / 0 / 35 / 60

HEX #3E6542

RGB 62 101 66

HSL 126.15, 0.24%, 0.32%

LAB 39.11, -21.93, 15.59

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 0 / 39 / 13 / 60

HEX #653E58

RGB 101 62 88

HSL 320, 0.24%, 0.32%

LAB 31.62, 21.39, -8.44

 

CMYK 5 / 0 / 39 / 60

HEX #60653E

RGB 96 101 62

HSL 67.69, 0.24%, 0.32%

LAB 41.44, -8.85, 21.45

 

CMYK 39 / 0 / 27 / 60

HEX #3E654A

RGB 62 101 74

HSL 138.46, 0.24%, 0.32%

LAB 39.29, -20.31, 11.02

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 0 / 39 / 24 / 60

HEX #653E4D

RGB 101 62 77

HSL 336.92, 0.24%, 0.32%

LAB 31.23, 19.41, -1.92

 

CMYK 5 / 0 / 39 / 60

HEX #60653E

RGB 96 101 62

HSL 67.69, 0.24%, 0.32%

LAB 41.44, -8.85, 21.45

 

CMYK 39 / 0 / 15 / 60

HEX #3E6556

RGB 62 101 86

HSL 156.92, 0.24%, 0.32%

LAB 39.59, -17.59, 4.15

 

Description

Color code: CMYK 34 / 39 / 0 / 60 | qconv.com Color code: CMYK 34 / 39 / 0 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 62 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 62 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 39 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 39% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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