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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 34 / 35 / 0 / 33 it is the complementary color CMYK 1 / 0 / 42 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 34 / 35 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 34 / 35 / 0 / 33: CMYK 29 / 33 / 0 / 35, CMYK 27 / 30 / 0 / 27, CMYK 25 / 28 / 0 / 20, CMYK 24 / 26 / 0 / 13 and CMYK 23 / 24 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 34 / 35 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 34 / 35 / 0 / 33: CMYK 34 / 35 / 0 / 33, CMYK 37 / 39 / 0 / 40, CMYK 41 / 44 / 0 / 48, CMYK 46 / 50 / 0 / 55 and CMYK 53 / 59 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 35 / 0 / 33

HEX #716FAB

RGB 113 111 171

HSL 242, 0.26%, 0.55%

LAB 49.28, 15.26, -31.79

 

Complementary color

CMYK 1 / 0 / 42 / 44

HEX #8E9054

RGB 142 144 84

HSL 62, 0.26%, 0.45%

LAB 58.36, -10.15, 31.59

 

CMYK 29 / 33 / 0 / 35

HEX #766FA6

RGB 118 111 166

HSL 247.64, 0.24%, 0.54%

LAB 49.46, 15.41, -28.54

 

CMYK 27 / 30 / 0 / 27

HEX #8781B9

RGB 135 129 185

HSL 246.43, 0.29%, 0.62%

LAB 56.44, 14.8, -28.57

 

CMYK 25 / 28 / 0 / 20

HEX #9893CC

RGB 152 147 204

HSL 245.26, 0.36%, 0.69%

LAB 63.26, 14.27, -28.64

 

CMYK 24 / 26 / 0 / 13

HEX #A9A5DF

RGB 169 165 223

HSL 244.14, 0.48%, 0.76%

LAB 69.95, 13.79, -28.75

 

CMYK 23 / 24 / 0 / 5

HEX #BAB7F2

RGB 186 183 242

HSL 243.05, 0.69%, 0.83%

LAB 76.51, 13.35, -28.89

 

CMYK 34 / 35 / 0 / 33

HEX #716FAB

RGB 113 111 171

HSL 242, 0.26%, 0.55%

LAB 49.28, 15.26, -31.79

 

CMYK 37 / 39 / 0 / 40

HEX #605D98

RGB 96 93 152

HSL 243.05, 0.24%, 0.48%

LAB 42.13, 16.04, -31.88

 

CMYK 41 / 44 / 0 / 48

HEX #4F4B85

RGB 79 75 133

HSL 244.14, 0.28%, 0.41%

LAB 34.78, 16.97, -32.05

 

CMYK 46 / 50 / 0 / 55

HEX #3E3972

RGB 62 57 114

HSL 245.26, 0.33%, 0.34%

LAB 27.2, 18.12, -32.3

 

CMYK 53 / 59 / 0 / 63

HEX #2D275F

RGB 45 39 95

HSL 246.43, 0.42%, 0.26%

LAB 19.37, 19.6, -32.64

 

CMYK 34 / 35 / 0 / 33

HEX #716FAB

RGB 113 111 171

HSL 242, 0.26%, 0.55%

LAB 49.28, 15.26, -31.79

 

CMYK 28 / 35 / 0 / 33

HEX #7A6EAA

RGB 122 110 170

HSL 252, 0.26%, 0.55%

LAB 49.73, 18.28, -30.44

 

CMYK 22 / 35 / 0 / 33

HEX #846EAA

RGB 132 110 170

HSL 262, 0.26%, 0.55%

LAB 50.64, 21.36, -28.95

 

CMYK 16 / 35 / 0 / 33

HEX #8E6EAA

RGB 142 110 170

HSL 272, 0.26%, 0.55%

LAB 51.62, 24.52, -27.36

 

CMYK 11 / 35 / 0 / 33

HEX #986EAA

RGB 152 110 170

HSL 282, 0.26%, 0.55%

LAB 52.65, 27.74, -25.67

 

CMYK 34 / 35 / 0 / 33

HEX #716FAB

RGB 113 111 171

HSL 242, 0.26%, 0.55%

LAB 49.28, 15.26, -31.79

 

CMYK 34 / 35 / 0 / 13

HEX #9390DE

RGB 147 144 222

HSL 242.31, 0.54%, 0.72%

LAB 62.86, 19.1, -39.33

 

CMYK 33 / 33 / 0 / 93

HEX #0C0C12

RGB 12 12 18

HSL 240, 0.2%, 0.06%

LAB 3.48, 1.09, -2.96

 

CMYK 33 / 35 / 0 / 73

HEX #2E2D45

RGB 46 45 69

HSL 242.5, 0.21%, 0.22%

LAB 19.59, 7.03, -14.84

 

CMYK 34 / 35 / 0 / 53

HEX #4F4E78

RGB 79 78 120

HSL 241.43, 0.21%, 0.39%

LAB 34.94, 11.17, -23.77

 

CMYK 34 / 35 / 0 / 33

HEX #716FAB

RGB 113 111 171

HSL 242, 0.26%, 0.55%

LAB 49.28, 15.26, -31.79

 

CMYK 0 / 35 / 8 / 33

HEX #AA6E9C

RGB 170 110 156

HSL 314, 0.26%, 0.55%

LAB 54.13, 31.01, -15.08

 

CMYK 22 / 0 / 35 / 33

HEX #84AA6E

RGB 132 170 110

HSL 98, 0.26%, 0.55%

LAB 65.58, -24.15, 26.85

 

CMYK 34 / 35 / 0 / 33

HEX #716FAB

RGB 113 111 171

HSL 242, 0.26%, 0.55%

LAB 49.28, 15.26, -31.79

 

CMYK 0 / 34 / 35 / 33

HEX #AA706E

RGB 170 112 110

HSL 2, 0.26%, 0.55%

LAB 53.23, 22.73, 10.57

 

CMYK 35 / 0 / 34 / 33

HEX #6EAA70

RGB 110 170 112

HSL 122, 0.26%, 0.55%

LAB 64.35, -31.5, 23.92

 

CMYK 34 / 35 / 0 / 33

HEX #716FAB

RGB 113 111 171

HSL 242, 0.26%, 0.55%

LAB 49.28, 15.26, -31.79

 

CMYK 0 / 35 / 8 / 33

HEX #AA6E9C

RGB 170 110 156

HSL 314, 0.26%, 0.55%

LAB 54.13, 31.01, -15.08

 

CMYK 1 / 0 / 35 / 33

HEX #A8AA6E

RGB 168 170 110

HSL 62, 0.26%, 0.55%

LAB 68.17, -10.18, 30.73

 

CMYK 35 / 0 / 27 / 33

HEX #6EAA7C

RGB 110 170 124

HSL 134, 0.26%, 0.55%

LAB 64.58, -29.36, 17.7

 

CMYK 34 / 35 / 0 / 33

HEX #716FAB

RGB 113 111 171

HSL 242, 0.26%, 0.55%

LAB 49.28, 15.26, -31.79

 

CMYK 0 / 35 / 19 / 33

HEX #AA6E8A

RGB 170 110 138

HSL 332, 0.26%, 0.55%

LAB 53.53, 27.94, -5.45

 

CMYK 1 / 0 / 35 / 33

HEX #A8AA6E

RGB 168 170 110

HSL 62, 0.26%, 0.55%

LAB 68.17, -10.18, 30.73

 

CMYK 35 / 0 / 16 / 33

HEX #6EAA8E

RGB 110 170 142

HSL 152, 0.26%, 0.55%

LAB 64.98, -25.77, 8.32

 

Description

Color code: CMYK 34 / 35 / 0 / 33 | qconv.com Color code: CMYK 34 / 35 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 111 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 111 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 35 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 35% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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