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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 33 / 40 / 0 / 43 it is the complementary color CMYK 6 / 0 / 35 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 33 / 40 / 0 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 33 / 40 / 0 / 43: CMYK 27 / 38 / 0 / 45, CMYK 25 / 34 / 0 / 38, CMYK 24 / 31 / 0 / 30, CMYK 22 / 28 / 0 / 23 and CMYK 21 / 26 / 0 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 33 / 40 / 0 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 33 / 40 / 0 / 43: CMYK 33 / 40 / 0 / 43, CMYK 37 / 45 / 0 / 51, CMYK 41 / 52 / 0 / 58, CMYK 48 / 63 / 0 / 65 and CMYK 58 / 78 / 0 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 40 / 0 / 43

HEX #615791

RGB 97 87 145

HSL 250.34, 0.25%, 0.45%

LAB 40.25, 18.09, -30.62

 

Complementary color

CMYK 6 / 0 / 35 / 34

HEX #9EA86E

RGB 158 168 110

HSL 70.34, 0.25%, 0.55%

LAB 66.82, -13.13, 28.83

 

CMYK 27 / 38 / 0 / 45

HEX #66578C

RGB 102 87 140

HSL 256.98, 0.23%, 0.45%

LAB 40.47, 18.26, -27.23

 

CMYK 25 / 34 / 0 / 38

HEX #77699F

RGB 119 105 159

HSL 255.56, 0.22%, 0.52%

LAB 47.66, 17.53, -27.24

 

CMYK 24 / 31 / 0 / 30

HEX #887BB2

RGB 136 123 178

HSL 254.18, 0.26%, 0.59%

LAB 54.67, 16.89, -27.29

 

CMYK 22 / 28 / 0 / 23

HEX #998DC5

RGB 153 141 197

HSL 252.86, 0.33%, 0.66%

LAB 61.53, 16.33, -27.39

 

CMYK 21 / 26 / 0 / 15

HEX #AA9FD8

RGB 170 159 216

HSL 251.58, 0.42%, 0.74%

LAB 68.24, 15.82, -27.52

 

CMYK 33 / 40 / 0 / 43

HEX #615791

RGB 97 87 145

HSL 250.34, 0.25%, 0.45%

LAB 40.25, 18.09, -30.62

 

CMYK 37 / 45 / 0 / 51

HEX #50457E

RGB 80 69 126

HSL 251.58, 0.29%, 0.38%

LAB 32.85, 19.03, -30.77

 

CMYK 41 / 52 / 0 / 58

HEX #3F336B

RGB 63 51 107

HSL 252.86, 0.35%, 0.31%

LAB 25.22, 20.18, -30.99

 

CMYK 48 / 63 / 0 / 65

HEX #2E2158

RGB 46 33 88

HSL 254.18, 0.45%, 0.24%

LAB 17.33, 21.58, -31.26

 

CMYK 58 / 78 / 0 / 73

HEX #1D0F45

RGB 29 15 69

HSL 255.56, 0.64%, 0.16%

LAB 9.26, 23.19, -31.43

 

CMYK 33 / 40 / 0 / 43

HEX #615791

RGB 97 87 145

HSL 250.34, 0.25%, 0.45%

LAB 40.25, 18.09, -30.62

 

CMYK 27 / 40 / 0 / 44

HEX #69568F

RGB 105 86 143

HSL 260, 0.25%, 0.45%

LAB 40.64, 20.61, -28.75

 

CMYK 20 / 40 / 0 / 44

HEX #72568F

RGB 114 86 143

HSL 269.47, 0.25%, 0.45%

LAB 41.56, 23.45, -27.25

 

CMYK 13 / 40 / 0 / 44

HEX #7C568F

RGB 124 86 143

HSL 280, 0.25%, 0.45%

LAB 42.65, 26.68, -25.47

 

CMYK 7 / 40 / 0 / 44

HEX #85568F

RGB 133 86 143

HSL 289.47, 0.25%, 0.45%

LAB 43.69, 29.62, -23.77

 

CMYK 33 / 40 / 0 / 43

HEX #615791

RGB 97 87 145

HSL 250.34, 0.25%, 0.45%

LAB 40.25, 18.09, -30.62

 

CMYK 33 / 40 / 0 / 23

HEX #8376C4

RGB 131 118 196

HSL 250, 0.4%, 0.62%

LAB 53.78, 22.98, -39.04

 

CMYK 33 / 40 / 0 / 3

HEX #A594F7

RGB 165 148 247

HSL 250.3, 0.86%, 0.77%

LAB 66.44, 28.18, -47.39

 

CMYK 33 / 40 / 0 / 83

HEX #1D1A2B

RGB 29 26 43

HSL 250.59, 0.25%, 0.14%

LAB 10.37, 6.29, -10.95

 

CMYK 33 / 40 / 0 / 63

HEX #3F385E

RGB 63 56 94

HSL 251.05, 0.25%, 0.29%

LAB 25.84, 12.86, -21.59

 

CMYK 33 / 40 / 0 / 43

HEX #615791

RGB 97 87 145

HSL 250.34, 0.25%, 0.45%

LAB 40.25, 18.09, -30.62

 

CMYK 0 / 40 / 15 / 44

HEX #8F567A

RGB 143 86 122

HSL 322.11, 0.25%, 0.45%

LAB 44.09, 29.02, -10.35

 

CMYK 31 / 0 / 40 / 44

HEX #638F56

RGB 99 143 86

HSL 106.32, 0.25%, 0.45%

LAB 55.04, -26.46, 25.64

 

CMYK 33 / 40 / 0 / 43

HEX #615791

RGB 97 87 145

HSL 250.34, 0.25%, 0.45%

LAB 40.25, 18.09, -30.62

 

CMYK 0 / 34 / 40 / 44

HEX #8F5F56

RGB 143 95 86

HSL 9.47, 0.25%, 0.45%

LAB 45.21, 18.4, 13.14

 

CMYK 40 / 0 / 34 / 44

HEX #568F5F

RGB 86 143 95

HSL 129.47, 0.25%, 0.45%

LAB 54.5, -29.39, 19.82

 

CMYK 33 / 40 / 0 / 43

HEX #615791

RGB 97 87 145

HSL 250.34, 0.25%, 0.45%

LAB 40.25, 18.09, -30.62

 

CMYK 0 / 40 / 15 / 44

HEX #8F567A

RGB 143 86 122

HSL 322.11, 0.25%, 0.45%

LAB 44.09, 29.02, -10.35

 

CMYK 7 / 0 / 40 / 44

HEX #858F56

RGB 133 143 86

HSL 70.53, 0.25%, 0.45%

LAB 57.37, -13.14, 29.11

 

CMYK 40 / 0 / 25 / 44

HEX #568F6B

RGB 86 143 107

HSL 142.11, 0.25%, 0.45%

LAB 54.75, -27.07, 13.38

 

CMYK 33 / 40 / 0 / 43

HEX #615791

RGB 97 87 145

HSL 250.34, 0.25%, 0.45%

LAB 40.25, 18.09, -30.62

 

CMYK 0 / 40 / 27 / 44

HEX #8F5669

RGB 143 86 105

HSL 340, 0.25%, 0.45%

LAB 43.53, 26.25, -0.81

 

CMYK 7 / 0 / 40 / 44

HEX #858F56

RGB 133 143 86

HSL 70.53, 0.25%, 0.45%

LAB 57.37, -13.14, 29.11

 

CMYK 40 / 0 / 13 / 44

HEX #568F7C

RGB 86 143 124

HSL 160, 0.25%, 0.45%

LAB 55.15, -23.34, 4.24

 

Description

Color code: CMYK 33 / 40 / 0 / 43 | qconv.com Color code: CMYK 33 / 40 / 0 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 87 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 87 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 40 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 40% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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