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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 33 / 24 / 0 / 4 it is the complementary color CMYK 0 / 24 / 89 / 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 33 / 24 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 33 / 24 / 0 / 4: CMYK 30 / 23 / 0 / 6, CMYK 27 / 20 / 0 / 0, CMYK 20 / 13 / 0 / 0, CMYK 14 / 6 / 0 / 0 and CMYK 7 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 33 / 24 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 33 / 24 / 0 / 4: CMYK 33 / 24 / 0 / 4, CMYK 35 / 26 / 0 / 11, CMYK 37 / 28 / 0 / 19, CMYK 40 / 30 / 0 / 26 and CMYK 43 / 33 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 24 / 0 / 4

HEX #A4BAF5

RGB 164 186 245

HSL 223.7, 0.8%, 0.8%

LAB 75.82, 6.07, -31.69

 

Complementary color

CMYK 0 / 24 / 89 / 64

HEX #5B450A

RGB 91 69 10

HSL 43.7, 0.8%, 0.2%

LAB 30.65, 3.38, 35.92

 

CMYK 30 / 23 / 0 / 6

HEX #A9BAF0

RGB 169 186 240

HSL 225.63, 0.7%, 0.8%

LAB 75.97, 6.24, -28.73

 

CMYK 27 / 20 / 0 / 0

HEX #BACCFF

RGB 186 204 255

HSL 224.35, 1%, 0.86%

LAB 82.3, 4.98, -26.98

 

CMYK 20 / 13 / 0 / 0

HEX #CBDEFF

RGB 203 222 255

HSL 218.08, 1%, 0.9%

LAB 88.05, 0.47, -18.15

 

CMYK 14 / 6 / 0 / 0

HEX #DCF0FF

RGB 220 240 255

HSL 205.71, 1%, 0.93%

LAB 93.78, -3.62, -9.46

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 33 / 24 / 0 / 4

HEX #A4BAF5

RGB 164 186 245

HSL 223.7, 0.8%, 0.8%

LAB 75.82, 6.07, -31.69

 

CMYK 35 / 26 / 0 / 11

HEX #93A8E2

RGB 147 168 226

HSL 224.05, 0.58%, 0.73%

LAB 69.25, 6.47, -31.59

 

CMYK 37 / 28 / 0 / 19

HEX #8296CF

RGB 130 150 207

HSL 224.42, 0.45%, 0.66%

LAB 62.56, 6.93, -31.54

 

CMYK 40 / 30 / 0 / 26

HEX #7184BC

RGB 113 132 188

HSL 224.8, 0.36%, 0.59%

LAB 55.73, 7.46, -31.52

 

CMYK 43 / 33 / 0 / 34

HEX #6072A9

RGB 96 114 169

HSL 225.21, 0.3%, 0.52%

LAB 48.74, 8.08, -31.55

 

CMYK 33 / 24 / 0 / 4

HEX #A4BAF5

RGB 164 186 245

HSL 223.7, 0.8%, 0.8%

LAB 75.82, 6.07, -31.69

 

CMYK 33 / 30 / 0 / 4

HEX #A3ACF4

RGB 163 172 244

HSL 233.33, 0.79%, 0.8%

LAB 72.11, 13.31, -36.9

 

CMYK 32 / 33 / 0 / 4

HEX #A7A3F4

RGB 167 163 244

HSL 242.96, 0.79%, 0.8%

LAB 70.13, 19.47, -39.95

 

CMYK 26 / 33 / 0 / 4

HEX #B4A3F4

RGB 180 163 244

HSL 252.59, 0.79%, 0.8%

LAB 71.17, 23.14, -38.27

 

CMYK 20 / 33 / 0 / 4

HEX #C2A3F4

RGB 194 163 244

HSL 262.96, 0.79%, 0.8%

LAB 72.36, 27.23, -36.32

 

CMYK 33 / 24 / 0 / 4

HEX #A4BAF5

RGB 164 186 245

HSL 223.7, 0.8%, 0.8%

LAB 75.82, 6.07, -31.69

 

CMYK 34 / 24 / 0 / 84

HEX #1B1F29

RGB 27 31 41

HSL 222.86, 0.21%, 0.13%

LAB 11.78, 1.13, -7.33

 

CMYK 33 / 24 / 0 / 64

HEX #3E465C

RGB 62 70 92

HSL 224, 0.19%, 0.3%

LAB 29.86, 2.63, -14.08

 

CMYK 33 / 24 / 0 / 44

HEX #606D8F

RGB 96 109 143

HSL 223.4, 0.2%, 0.47%

LAB 46.19, 3.65, -20.2

 

CMYK 33 / 24 / 0 / 24

HEX #8293C2

RGB 130 147 194

HSL 224.06, 0.34%, 0.64%

LAB 61.23, 5.18, -26.31

 

CMYK 33 / 24 / 0 / 4

HEX #A4BAF5

RGB 164 186 245

HSL 223.7, 0.8%, 0.8%

LAB 75.82, 6.07, -31.69

 

CMYK 2 / 33 / 0 / 4

HEX #EEA3F4

RGB 238 163 244

HSL 295.56, 0.79%, 0.8%

LAB 76.62, 40.58, -29.39

 

CMYK 11 / 0 / 33 / 4

HEX #DAF4A3

RGB 218 244 163

HSL 79.26, 0.79%, 0.8%

LAB 92.69, -21.56, 36.29

 

CMYK 33 / 24 / 0 / 4

HEX #A4BAF5

RGB 164 186 245

HSL 223.7, 0.8%, 0.8%

LAB 75.82, 6.07, -31.69

 

CMYK 0 / 33 / 24 / 4

HEX #F4A3BA

RGB 244 163 186

HSL 342.96, 0.79%, 0.8%

LAB 75.43, 33.05, 0.53

 

CMYK 24 / 0 / 33 / 4

HEX #BAF4A3

RGB 186 244 163

HSL 102.96, 0.79%, 0.8%

LAB 90.68, -32.8, 33.27

 

CMYK 33 / 24 / 0 / 4

HEX #A4BAF5

RGB 164 186 245

HSL 223.7, 0.8%, 0.8%

LAB 75.82, 6.07, -31.69

 

CMYK 2 / 33 / 0 / 4

HEX #EEA3F4

RGB 238 163 244

HSL 295.56, 0.79%, 0.8%

LAB 76.62, 40.58, -29.39

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA3

RGB 244 221 163

HSL 42.96, 0.79%, 0.8%

LAB 88.73, -0.37, 31.4

 

CMYK 30 / 0 / 33 / 4

HEX #AAF4A3

RGB 170 244 163

HSL 114.81, 0.79%, 0.8%

LAB 89.81, -38.06, 31.96

 

CMYK 33 / 24 / 0 / 4

HEX #A4BAF5

RGB 164 186 245

HSL 223.7, 0.8%, 0.8%

LAB 75.82, 6.07, -31.69

 

CMYK 0 / 33 / 7 / 4

HEX #F4A3E3

RGB 244 163 227

HSL 312.59, 0.79%, 0.8%

LAB 76.66, 39.45, -20.05

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA3

RGB 244 221 163

HSL 42.96, 0.79%, 0.8%

LAB 88.73, -0.37, 31.4

 

CMYK 33 / 0 / 26 / 4

HEX #A3F4B4

RGB 163 244 180

HSL 132.59, 0.79%, 0.8%

LAB 89.76, -37.46, 23.18

 

Description

Color code: CMYK 33 / 24 / 0 / 4 | qconv.com Color code: CMYK 33 / 24 / 0 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 186 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 186 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 24 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 24% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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