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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 33 / 0 / 9 / 30 it is the complementary color CMYK 0 / 44 / 31 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 33 / 0 / 9 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 33 / 0 / 9 / 30: CMYK 30 / 0 / 12 / 30, CMYK 28 / 0 / 11 / 23, CMYK 26 / 0 / 9 / 16, CMYK 24 / 0 / 8 / 9 and CMYK 23 / 0 / 7 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 33 / 0 / 9 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 33 / 0 / 9 / 30: CMYK 33 / 0 / 9 / 30, CMYK 36 / 0 / 11 / 37, CMYK 40 / 0 / 13 / 44, CMYK 45 / 0 / 16 / 51 and CMYK 51 / 0 / 20 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 9 / 30

HEX #78B3A2

RGB 120 179 162

HSL 162.71, 0.28%, 0.59%

LAB 68.64, -22.92, 2.59

 

Complementary color

CMYK 0 / 44 / 31 / 47

HEX #874C5D

RGB 135 76 93

HSL 342.71, 0.28%, 0.41%

LAB 39.77, 27.12, 0.97

 

CMYK 30 / 0 / 12 / 30

HEX #7DB39D

RGB 125 179 157

HSL 155.56, 0.26%, 0.6%

LAB 68.78, -22.49, 5.58

 

CMYK 28 / 0 / 11 / 23

HEX #8EC5B0

RGB 142 197 176

HSL 157.09, 0.32%, 0.66%

LAB 75.34, -22.29, 4.8

 

CMYK 26 / 0 / 9 / 16

HEX #9FD7C3

RGB 159 215 195

HSL 158.57, 0.41%, 0.73%

LAB 81.79, -22.1, 4.05

 

CMYK 24 / 0 / 8 / 9

HEX #B0E9D6

RGB 176 233 214

HSL 160, 0.56%, 0.8%

LAB 88.14, -21.93, 3.35

 

CMYK 23 / 0 / 7 / 2

HEX #C1FBE9

RGB 193 251 233

HSL 161.38, 0.88%, 0.87%

LAB 94.4, -21.79, 2.67

 

CMYK 33 / 0 / 9 / 30

HEX #78B3A2

RGB 120 179 162

HSL 162.71, 0.28%, 0.59%

LAB 68.64, -22.92, 2.59

 

CMYK 36 / 0 / 11 / 37

HEX #67A18F

RGB 103 161 143

HSL 161.38, 0.24%, 0.52%

LAB 61.96, -23.13, 3.39

 

CMYK 40 / 0 / 13 / 44

HEX #568F7C

RGB 86 143 124

HSL 160, 0.25%, 0.45%

LAB 55.15, -23.34, 4.24

 

CMYK 45 / 0 / 16 / 51

HEX #457D69

RGB 69 125 105

HSL 158.57, 0.29%, 0.38%

LAB 48.2, -23.56, 5.18

 

CMYK 51 / 0 / 20 / 58

HEX #346B56

RGB 52 107 86

HSL 157.09, 0.35%, 0.31%

LAB 41.08, -23.75, 6.23

 

CMYK 33 / 0 / 9 / 30

HEX #78B3A2

RGB 120 179 162

HSL 162.71, 0.28%, 0.59%

LAB 68.64, -22.92, 2.59

 

CMYK 32 / 0 / 4 / 30

HEX #79B3AB

RGB 121 179 171

HSL 171.72, 0.28%, 0.59%

LAB 68.93, -20.59, -1.94

 

CMYK 32 / 1 / 0 / 30

HEX #79B1B3

RGB 121 177 179

HSL 182.07, 0.28%, 0.59%

LAB 68.58, -17.66, -6.87

 

CMYK 32 / 6 / 0 / 30

HEX #79A8B3

RGB 121 168 179

HSL 191.38, 0.28%, 0.59%

LAB 66, -12.93, -10.71

 

CMYK 32 / 12 / 0 / 30

HEX #799EB3

RGB 121 158 179

HSL 201.72, 0.28%, 0.59%

LAB 63.16, -7.51, -14.99

 

CMYK 33 / 0 / 9 / 30

HEX #78B3A2

RGB 120 179 162

HSL 162.71, 0.28%, 0.59%

LAB 68.64, -22.92, 2.59

 

CMYK 33 / 0 / 10 / 10

HEX #9AE6D0

RGB 154 230 208

HSL 162.63, 0.6%, 0.75%

LAB 86.02, -28.16, 3.27

 

CMYK 35 / 0 / 8 / 90

HEX #111A18

RGB 17 26 24

HSL 166.67, 0.21%, 0.08%

LAB 8.34, -4.6, 0.05

 

CMYK 32 / 0 / 9 / 70

HEX #344D46

RGB 52 77 70

HSL 163.2, 0.19%, 0.25%

LAB 30.59, -11.32, 1.09

 

CMYK 33 / 0 / 9 / 50

HEX #568074

RGB 86 128 116

HSL 162.86, 0.2%, 0.42%

LAB 50.31, -17.37, 1.87

 

CMYK 33 / 0 / 9 / 30

HEX #78B3A2

RGB 120 179 162

HSL 162.71, 0.28%, 0.59%

LAB 68.64, -22.92, 2.59

 

CMYK 32 / 29 / 0 / 30

HEX #797FB3

RGB 121 127 179

HSL 233.79, 0.28%, 0.59%

LAB 54.55, 10.21, -28.15

 

CMYK 0 / 23 / 32 / 30

HEX #B38A79

RGB 179 138 121

HSL 17.59, 0.28%, 0.59%

LAB 60.91, 13.16, 15.11

 

CMYK 33 / 0 / 9 / 30

HEX #78B3A2

RGB 120 179 162

HSL 162.71, 0.28%, 0.59%

LAB 68.64, -22.92, 2.59

 

CMYK 9 / 32 / 0 / 30

HEX #A279B3

RGB 162 121 179

HSL 282.41, 0.28%, 0.59%

LAB 56.69, 26.62, -24.54

 

CMYK 0 / 9 / 32 / 30

HEX #B3A279

RGB 179 162 121

HSL 42.41, 0.28%, 0.59%

LAB 67.13, -0.07, 23.61

 

CMYK 33 / 0 / 9 / 30

HEX #78B3A2

RGB 120 179 162

HSL 162.71, 0.28%, 0.59%

LAB 68.64, -22.92, 2.59

 

CMYK 32 / 29 / 0 / 30

HEX #797FB3

RGB 121 127 179

HSL 233.79, 0.28%, 0.59%

LAB 54.55, 10.21, -28.15

 

CMYK 0 / 32 / 23 / 30

HEX #B3798A

RGB 179 121 138

HSL 342.41, 0.28%, 0.59%

LAB 57.17, 25.12, 0.02

 

CMYK 0 / 3 / 32 / 30

HEX #B3AD79

RGB 179 173 121

HSL 53.79, 0.28%, 0.59%

LAB 70.07, -5.96, 27.54

 

CMYK 33 / 0 / 9 / 30

HEX #78B3A2

RGB 120 179 162

HSL 162.71, 0.28%, 0.59%

LAB 68.64, -22.92, 2.59

 

CMYK 26 / 32 / 0 / 30

HEX #8479B3

RGB 132 121 179

HSL 251.38, 0.28%, 0.59%

LAB 53.85, 17.08, -29.17

 

CMYK 0 / 32 / 23 / 30

HEX #B3798A

RGB 179 121 138

HSL 342.41, 0.28%, 0.59%

LAB 57.17, 25.12, 0.02

 

CMYK 6 / 0 / 32 / 30

HEX #A8B379

RGB 168 179 121

HSL 71.38, 0.28%, 0.59%

LAB 70.83, -13.46, 28.39

 

Description

Color code: CMYK 33 / 0 / 9 / 30 | qconv.com Color code: CMYK 33 / 0 / 9 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 179 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 179 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 9 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 9% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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