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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 8 / 0 / 47 it is the complementary color CMYK 0 / 19 / 26 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 8 / 0 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 8 / 0 / 47: CMYK 25 / 5 / 0 / 49, CMYK 23 / 5 / 0 / 42, CMYK 21 / 5 / 0 / 34, CMYK 20 / 5 / 0 / 27 and CMYK 19 / 5 / 0 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 8 / 0 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 8 / 0 / 47: CMYK 31 / 8 / 0 / 47, CMYK 34 / 9 / 0 / 55, CMYK 39 / 9 / 0 / 62, CMYK 46 / 10 / 0 / 69 and CMYK 58 / 12 / 0 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 8 / 0 / 47

HEX #5D7C87

RGB 93 124 135

HSL 195.71, 0.18%, 0.45%

LAB 50.09, -8.24, -9.57

 

Complementary color

CMYK 0 / 19 / 26 / 36

HEX #A28378

RGB 162 131 120

HSL 15.71, 0.18%, 0.55%

LAB 57.34, 10.15, 10.42

 

CMYK 25 / 5 / 0 / 49

HEX #627C82

RGB 98 124 130

HSL 191.25, 0.14%, 0.45%

LAB 50.24, -7.89, -6.36

 

CMYK 23 / 5 / 0 / 42

HEX #738E95

RGB 115 142 149

HSL 192.35, 0.14%, 0.52%

LAB 57.23, -7.88, -6.88

 

CMYK 21 / 5 / 0 / 34

HEX #84A0A8

RGB 132 160 168

HSL 193.33, 0.17%, 0.59%

LAB 64.06, -7.88, -7.39

 

CMYK 20 / 5 / 0 / 27

HEX #95B2BB

RGB 149 178 187

HSL 194.21, 0.22%, 0.66%

LAB 70.75, -7.89, -7.88

 

CMYK 19 / 5 / 0 / 19

HEX #A6C4CE

RGB 166 196 206

HSL 195, 0.29%, 0.73%

LAB 77.31, -7.9, -8.37

 

CMYK 31 / 8 / 0 / 47

HEX #5D7C87

RGB 93 124 135

HSL 195.71, 0.18%, 0.45%

LAB 50.09, -8.24, -9.57

 

CMYK 34 / 9 / 0 / 55

HEX #4C6A74

RGB 76 106 116

HSL 195, 0.21%, 0.38%

LAB 42.92, -8.21, -9.1

 

CMYK 39 / 9 / 0 / 62

HEX #3B5861

RGB 59 88 97

HSL 194.21, 0.24%, 0.31%

LAB 35.54, -8.17, -8.62

 

CMYK 46 / 10 / 0 / 69

HEX #2A464E

RGB 42 70 78

HSL 193.33, 0.3%, 0.24%

LAB 27.91, -8.1, -8.12

 

CMYK 58 / 12 / 0 / 77

HEX #19343B

RGB 25 52 59

HSL 192.35, 0.4%, 0.16%

LAB 19.96, -7.93, -7.59

 

CMYK 31 / 8 / 0 / 47

HEX #5D7C87

RGB 93 124 135

HSL 195.71, 0.18%, 0.45%

LAB 50.09, -8.24, -9.57

 

CMYK 30 / 13 / 0 / 47

HEX #5E7687

RGB 94 118 135

HSL 204.88, 0.18%, 0.45%

LAB 48.37, -4.47, -12.15

 

CMYK 30 / 18 / 0 / 47

HEX #5E6F87

RGB 94 111 135

HSL 215.12, 0.18%, 0.45%

LAB 46.31, -0.34, -15.27

 

CMYK 30 / 23 / 0 / 47

HEX #5E6887

RGB 94 104 135

HSL 225.37, 0.18%, 0.45%

LAB 44.28, 3.87, -18.37

 

CMYK 30 / 28 / 0 / 47

HEX #5E6187

RGB 94 97 135

HSL 235.61, 0.18%, 0.45%

LAB 42.27, 8.16, -21.45

 

CMYK 31 / 8 / 0 / 47

HEX #5D7C87

RGB 93 124 135

HSL 195.71, 0.18%, 0.45%

LAB 50.09, -8.24, -9.57

 

CMYK 31 / 8 / 0 / 27

HEX #80ABBA

RGB 128 171 186

HSL 195.52, 0.3%, 0.62%

LAB 67.47, -10.77, -12.36

 

CMYK 31 / 8 / 0 / 7

HEX #A3DAED

RGB 163 218 237

HSL 195.41, 0.67%, 0.78%

LAB 83.99, -13.17, -15

 

CMYK 30 / 9 / 0 / 87

HEX #171E21

RGB 23 30 33

HSL 198, 0.18%, 0.11%

LAB 10.71, -2.29, -3.11

 

CMYK 31 / 8 / 0 / 67

HEX #3A4D54

RGB 58 77 84

HSL 196.15, 0.18%, 0.28%

LAB 31.46, -5.48, -6.55

 

CMYK 31 / 8 / 0 / 47

HEX #5D7C87

RGB 93 124 135

HSL 195.71, 0.18%, 0.45%

LAB 50.09, -8.24, -9.57

 

CMYK 17 / 30 / 0 / 47

HEX #705E87

RGB 112 94 135

HSL 266.34, 0.18%, 0.45%

LAB 43.06, 15.97, -20.11

 

CMYK 0 / 4 / 30 / 47

HEX #87815E

RGB 135 129 94

HSL 51.22, 0.18%, 0.45%

LAB 53.66, -3.56, 19.83

 

CMYK 31 / 8 / 0 / 47

HEX #5D7C87

RGB 93 124 135

HSL 195.71, 0.18%, 0.45%

LAB 50.09, -8.24, -9.57

 

CMYK 0 / 30 / 7 / 47

HEX #875E7D

RGB 135 94 125

HSL 314.63, 0.18%, 0.45%

LAB 45.13, 22, -10.69

 

CMYK 7 / 0 / 30 / 47

HEX #7D875E

RGB 125 135 94

HSL 74.63, 0.18%, 0.45%

LAB 54.55, -11.01, 20.88

 

CMYK 31 / 8 / 0 / 47

HEX #5D7C87

RGB 93 124 135

HSL 195.71, 0.18%, 0.45%

LAB 50.09, -8.24, -9.57

 

CMYK 17 / 30 / 0 / 47

HEX #705E87

RGB 112 94 135

HSL 266.34, 0.18%, 0.45%

LAB 43.06, 15.97, -20.11

 

CMYK 0 / 23 / 30 / 47

HEX #87685E

RGB 135 104 94

HSL 14.63, 0.18%, 0.45%

LAB 46.79, 10.86, 10.39

 

CMYK 14 / 0 / 30 / 47

HEX #74875E

RGB 116 135 94

HSL 87.8, 0.18%, 0.45%

LAB 53.87, -14.62, 19.84

 

CMYK 31 / 8 / 0 / 47

HEX #5D7C87

RGB 93 124 135

HSL 195.71, 0.18%, 0.45%

LAB 50.09, -8.24, -9.57

 

CMYK 7 / 30 / 0 / 47

HEX #7D5E87

RGB 125 94 135

HSL 285.37, 0.18%, 0.45%

LAB 44.4, 20.46, -17.94

 

CMYK 0 / 23 / 30 / 47

HEX #87685E

RGB 135 104 94

HSL 14.63, 0.18%, 0.45%

LAB 46.79, 10.86, 10.39

 

CMYK 23 / 0 / 30 / 47

HEX #68875E

RGB 104 135 94

HSL 105.37, 0.18%, 0.45%

LAB 53.04, -19.25, 18.58

 

Description

Color code: CMYK 31 / 8 / 0 / 47 | qconv.com Color code: CMYK 31 / 8 / 0 / 47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 124 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 124 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 8 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 8% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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