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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 71 / 0 / 43 it is the complementary color CMYK 27 / 0 / 48 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 71 / 0 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 71 / 0 / 43: CMYK 25 / 70 / 0 / 45, CMYK 23 / 62 / 0 / 38, CMYK 22 / 56 / 0 / 30, CMYK 21 / 51 / 0 / 23 and CMYK 20 / 47 / 0 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 71 / 0 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 71 / 0 / 43: CMYK 31 / 71 / 0 / 43, CMYK 34 / 81 / 0 / 51, CMYK 38 / 94 / 0 / 58, CMYK 44 / 100 / 0 / 65 and CMYK 54 / 100 / 0 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 71 / 0 / 43

HEX #642A91

RGB 100 42 145

HSL 273.79, 0.55%, 0.37%

LAB 30.42, 44.99, -46.28

 

Complementary color

CMYK 27 / 0 / 48 / 16

HEX #9BD56E

RGB 155 213 110

HSL 93.79, 0.55%, 0.63%

LAB 79.43, -36.26, 44.77

 

CMYK 25 / 70 / 0 / 45

HEX #692A8C

RGB 105 42 140

HSL 278.57, 0.54%, 0.36%

LAB 30.77, 44.91, -42.61

 

CMYK 23 / 62 / 0 / 38

HEX #7A3C9F

RGB 122 60 159

HSL 277.58, 0.45%, 0.43%

LAB 37.61, 44.41, -43.08

 

CMYK 22 / 56 / 0 / 30

HEX #8B4EB2

RGB 139 78 178

HSL 276.6, 0.39%, 0.5%

LAB 44.45, 43.65, -43.33

 

CMYK 21 / 51 / 0 / 23

HEX #9C60C5

RGB 156 96 197

HSL 275.64, 0.47%, 0.57%

LAB 51.23, 42.81, -43.48

 

CMYK 20 / 47 / 0 / 15

HEX #AD72D8

RGB 173 114 216

HSL 274.71, 0.57%, 0.65%

LAB 57.92, 41.95, -43.57

 

CMYK 31 / 71 / 0 / 43

HEX #642A91

RGB 100 42 145

HSL 273.79, 0.55%, 0.37%

LAB 30.42, 44.99, -46.28

 

CMYK 34 / 81 / 0 / 51

HEX #53187E

RGB 83 24 126

HSL 274.71, 0.68%, 0.29%

LAB 23.67, 44.99, -45.5

 

CMYK 38 / 94 / 0 / 58

HEX #42066B

RGB 66 6 107

HSL 275.64, 0.89%, 0.22%

LAB 17.23, 43.7, -43.9

 

CMYK 44 / 100 / 0 / 65

HEX #310058

RGB 49 0 88

HSL 273.41, 1%, 0.17%

LAB 11.67, 39.23, -40.48

 

CMYK 54 / 100 / 0 / 73

HEX #200045

RGB 32 0 69

HSL 267.83, 1%, 0.14%

LAB 6.65, 32.33, -35.69

 

CMYK 31 / 71 / 0 / 43

HEX #642A91

RGB 100 42 145

HSL 273.79, 0.55%, 0.37%

LAB 30.42, 44.99, -46.28

 

CMYK 21 / 71 / 0 / 43

HEX #742A92

RGB 116 42 146

HSL 282.69, 0.55%, 0.37%

LAB 32.8, 48.72, -42.95

 

CMYK 8 / 71 / 0 / 43

HEX #862A92

RGB 134 42 146

HSL 293.08, 0.55%, 0.37%

LAB 35.6, 52.8, -38.31

 

CMYK 0 / 71 / 3 / 43

HEX #922A8D

RGB 146 42 141

HSL 302.88, 0.55%, 0.37%

LAB 37.28, 54.74, -32.45

 

CMYK 0 / 71 / 16 / 43

HEX #922A7B

RGB 146 42 123

HSL 313.27, 0.55%, 0.37%

LAB 36.36, 51.86, -22.76

 

CMYK 31 / 71 / 0 / 43

HEX #642A91

RGB 100 42 145

HSL 273.79, 0.55%, 0.37%

LAB 30.42, 44.99, -46.28

 

CMYK 31 / 71 / 0 / 23

HEX #8739C4

RGB 135 57 196

HSL 273.67, 0.55%, 0.5%

LAB 41.32, 57.22, -58.93

 

CMYK 31 / 71 / 0 / 3

HEX #AA48F7

RGB 170 72 247

HSL 273.6, 0.92%, 0.63%

LAB 51.72, 68.81, -70.91

 

CMYK 30 / 72 / 0 / 83

HEX #1E0C2B

RGB 30 12 43

HSL 274.84, 0.56%, 0.11%

LAB 6.44, 16.46, -17.11

 

CMYK 31 / 71 / 0 / 63

HEX #411B5E

RGB 65 27 94

HSL 274.03, 0.55%, 0.24%

LAB 18.87, 31.82, -32.67

 

CMYK 31 / 71 / 0 / 43

HEX #642A91

RGB 100 42 145

HSL 273.79, 0.55%, 0.37%

LAB 30.42, 44.99, -46.28

 

CMYK 0 / 71 / 53 / 43

HEX #922A44

RGB 146 42 68

HSL 345, 0.55%, 0.37%

LAB 34.36, 45.24, 9.38

 

CMYK 71 / 0 / 60 / 43

HEX #2A923A

RGB 42 146 58

HSL 129.23, 0.55%, 0.37%

LAB 53.34, -48.05, 37.59

 

CMYK 31 / 71 / 0 / 43

HEX #642A91

RGB 100 42 145

HSL 273.79, 0.55%, 0.37%

LAB 30.42, 44.99, -46.28

 

CMYK 0 / 32 / 71 / 43

HEX #92632A

RGB 146 99 42

HSL 32.88, 0.55%, 0.37%

LAB 45.91, 13.38, 38.94

 

CMYK 71 / 0 / 32 / 43

HEX #2A9263

RGB 42 146 99

HSL 152.88, 0.55%, 0.37%

LAB 53.97, -40.83, 16.6

 

CMYK 31 / 71 / 0 / 43

HEX #642A91

RGB 100 42 145

HSL 273.79, 0.55%, 0.37%

LAB 30.42, 44.99, -46.28

 

CMYK 0 / 71 / 53 / 43

HEX #922A44

RGB 146 42 68

HSL 345, 0.55%, 0.37%

LAB 34.36, 45.24, 9.38

 

CMYK 39 / 0 / 71 / 43

HEX #59922A

RGB 89 146 42

HSL 92.88, 0.55%, 0.37%

LAB 54.92, -36.58, 46.93

 

CMYK 71 / 0 / 18 / 43

HEX #2A9278

RGB 42 146 120

HSL 165, 0.55%, 0.37%

LAB 54.46, -35.76, 5.33

 

CMYK 31 / 71 / 0 / 43

HEX #642A91

RGB 100 42 145

HSL 273.79, 0.55%, 0.37%

LAB 30.42, 44.99, -46.28

 

CMYK 0 / 68 / 71 / 43

HEX #922F2A

RGB 146 47 42

HSL 2.88, 0.55%, 0.37%

LAB 34.62, 41.31, 26.25

 

CMYK 39 / 0 / 71 / 43

HEX #59922A

RGB 89 146 42

HSL 92.88, 0.55%, 0.37%

LAB 54.92, -36.58, 46.93

 

CMYK 71 / 3 / 0 / 43

HEX #2A8D92

RGB 42 141 146

HSL 182.88, 0.55%, 0.37%

LAB 53.62, -25.93, -10.89

 

Description

Color code: CMYK 31 / 71 / 0 / 43 | qconv.com Color code: CMYK 31 / 71 / 0 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 42 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 42 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 71 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 71% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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