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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 67 / 0 / 5 it is the complementary color CMYK 50 / 0 / 93 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 67 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 67 / 0 / 5: CMYK 27 / 66 / 0 / 7, CMYK 26 / 62 / 0 / 0, CMYK 19 / 55 / 0 / 0, CMYK 13 / 47 / 0 / 0 and CMYK 6 / 40 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 67 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 67 / 0 / 5: CMYK 31 / 67 / 0 / 5, CMYK 33 / 72 / 0 / 13, CMYK 35 / 78 / 0 / 20, CMYK 37 / 86 / 0 / 27 and CMYK 40 / 95 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 67 / 0 / 5

HEX #A750F2

RGB 167 80 242

HSL 272.22, 0.86%, 0.63%

LAB 52.25, 63.64, -67.28

 

Complementary color

CMYK 50 / 0 / 93 / 31

HEX #58AF0D

RGB 88 175 13

HSL 92.22, 0.86%, 0.37%

LAB 63.97, -50.17, 63.14

 

CMYK 27 / 66 / 0 / 7

HEX #AC50ED

RGB 172 80 237

HSL 275.16, 0.81%, 0.62%

LAB 52.53, 63.55, -63.98

 

CMYK 26 / 62 / 0 / 0

HEX #BD62FF

RGB 189 98 255

HSL 274.78, 1%, 0.69%

LAB 58.76, 62.77, -63.86

 

CMYK 19 / 55 / 0 / 0

HEX #CE74FF

RGB 206 116 255

HSL 278.85, 1%, 0.73%

LAB 64.03, 58.01, -55.34

 

CMYK 13 / 47 / 0 / 0

HEX #DF86FF

RGB 223 134 255

HSL 284.13, 1%, 0.76%

LAB 69.44, 53.39, -46.65

 

CMYK 6 / 40 / 0 / 0

HEX #F098FF

RGB 240 152 255

HSL 291.26, 1%, 0.8%

LAB 74.95, 48.96, -37.9

 

CMYK 31 / 67 / 0 / 5

HEX #A750F2

RGB 167 80 242

HSL 272.22, 0.86%, 0.63%

LAB 52.25, 63.64, -67.28

 

CMYK 33 / 72 / 0 / 13

HEX #963EDF

RGB 150 62 223

HSL 272.8, 0.72%, 0.56%

LAB 45.98, 64.01, -66.81

 

CMYK 35 / 78 / 0 / 20

HEX #852CCC

RGB 133 44 204

HSL 273.38, 0.65%, 0.49%

LAB 39.83, 63.88, -66.01

 

CMYK 37 / 86 / 0 / 27

HEX #741AB9

RGB 116 26 185

HSL 273.96, 0.75%, 0.41%

LAB 33.89, 62.92, -64.68

 

CMYK 40 / 95 / 0 / 35

HEX #6308A6

RGB 99 8 166

HSL 274.56, 0.91%, 0.34%

LAB 28.33, 60.57, -62.53

 

CMYK 31 / 67 / 0 / 5

HEX #A750F2

RGB 167 80 242

HSL 272.22, 0.86%, 0.63%

LAB 52.25, 63.64, -67.28

 

CMYK 20 / 67 / 0 / 5

HEX #C14FF1

RGB 193 79 241

HSL 282.22, 0.85%, 0.63%

LAB 55.36, 69.18, -61.53

 

CMYK 9 / 67 / 0 / 5

HEX #DC4FF1

RGB 220 79 241

HSL 292.22, 0.85%, 0.63%

LAB 59.12, 74.9, -55.3

 

CMYK 0 / 67 / 2 / 5

HEX #F14FEC

RGB 241 79 236

HSL 301.85, 0.85%, 0.63%

LAB 61.95, 78.65, -47.82

 

CMYK 0 / 67 / 13 / 5

HEX #F14FD1

RGB 241 79 209

HSL 311.85, 0.85%, 0.63%

LAB 60.69, 74.62, -34.64

 

CMYK 31 / 67 / 0 / 5

HEX #A750F2

RGB 167 80 242

HSL 272.22, 0.86%, 0.63%

LAB 52.25, 63.64, -67.28

 

CMYK 32 / 66 / 0 / 85

HEX #1A0D26

RGB 26 13 38

HSL 271.2, 0.49%, 0.1%

LAB 5.85, 12.38, -14.3

 

CMYK 31 / 67 / 0 / 65

HEX #3D1D59

RGB 61 29 89

HSL 272, 0.51%, 0.23%

LAB 18.33, 28.33, -30.23

 

CMYK 31 / 67 / 0 / 45

HEX #612E8C

RGB 97 46 140

HSL 272.55, 0.51%, 0.36%

LAB 30.37, 41.09, -43.3

 

CMYK 31 / 67 / 0 / 25

HEX #843FBF

RGB 132 63 191

HSL 272.34, 0.5%, 0.5%

LAB 41.57, 52.68, -55.62

 

CMYK 31 / 67 / 0 / 5

HEX #A750F2

RGB 167 80 242

HSL 272.22, 0.86%, 0.63%

LAB 52.25, 63.64, -67.28

 

CMYK 0 / 67 / 49 / 5

HEX #F14F7A

RGB 241 79 122

HSL 344.07, 0.85%, 0.63%

LAB 57.75, 64.71, 11.37

 

CMYK 67 / 0 / 58 / 5

HEX #4FF165

RGB 79 241 101

HSL 128.15, 0.85%, 0.63%

LAB 84.75, -69.08, 54.58

 

CMYK 31 / 67 / 0 / 5

HEX #A750F2

RGB 167 80 242

HSL 272.22, 0.86%, 0.63%

LAB 52.25, 63.64, -67.28

 

CMYK 0 / 31 / 67 / 5

HEX #F1A64F

RGB 241 166 79

HSL 32.22, 0.85%, 0.63%

LAB 73.89, 19.69, 54.83

 

CMYK 67 / 0 / 31 / 5

HEX #4FF1A6

RGB 79 241 166

HSL 152.22, 0.85%, 0.63%

LAB 85.67, -58.71, 24.27

 

CMYK 31 / 67 / 0 / 5

HEX #A750F2

RGB 167 80 242

HSL 272.22, 0.86%, 0.63%

LAB 52.25, 63.64, -67.28

 

CMYK 0 / 67 / 49 / 5

HEX #F14F7A

RGB 241 79 122

HSL 344.07, 0.85%, 0.63%

LAB 57.75, 64.71, 11.37

 

CMYK 36 / 0 / 67 / 5

HEX #9BF14F

RGB 155 241 79

HSL 91.85, 0.85%, 0.63%

LAB 87.21, -51.23, 67.08

 

CMYK 67 / 0 / 18 / 5

HEX #4FF1C6

RGB 79 241 198

HSL 164.07, 0.85%, 0.63%

LAB 86.33, -51.75, 8.63

 

CMYK 31 / 67 / 0 / 5

HEX #A750F2

RGB 167 80 242

HSL 272.22, 0.86%, 0.63%

LAB 52.25, 63.64, -67.28

 

CMYK 0 / 65 / 67 / 5

HEX #F1544F

RGB 241 84 79

HSL 1.85, 0.85%, 0.63%

LAB 57.66, 59.85, 36.21

 

CMYK 36 / 0 / 67 / 5

HEX #9BF14F

RGB 155 241 79

HSL 91.85, 0.85%, 0.63%

LAB 87.21, -51.23, 67.08

 

CMYK 67 / 2 / 0 / 5

HEX #4FECF1

RGB 79 236 241

HSL 181.85, 0.85%, 0.63%

LAB 86.01, -38.51, -14.4

 

Description

Color code: CMYK 31 / 67 / 0 / 5 | qconv.com Color code: CMYK 31 / 67 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 80 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 80 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 67 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 67% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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