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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 45 / 0 / 62 it is the complementary color CMYK 7 / 0 / 22 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 45 / 0 / 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 45 / 0 / 62: CMYK 22 / 42 / 0 / 64, CMYK 20 / 36 / 0 / 56, CMYK 18 / 32 / 0 / 49, CMYK 17 / 28 / 0 / 42 and CMYK 17 / 26 / 0 / 34

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 45 / 0 / 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 45 / 0 / 62: CMYK 31 / 45 / 0 / 62, CMYK 36 / 55 / 0 / 69, CMYK 44 / 71 / 0 / 77, CMYK 60 / 100 / 0 / 84 and CMYK 100 / 100 / 0 / 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 45 / 0 / 62

HEX #433561

RGB 67 53 97

HSL 259.09, 0.29%, 0.29%

LAB 25.57, 17.04, -23.93

 

Complementary color

CMYK 7 / 0 / 22 / 21

HEX #BCCA9E

RGB 188 202 158

HSL 79.09, 0.29%, 0.71%

LAB 79.27, -12.4, 20.42

 

CMYK 22 / 42 / 0 / 64

HEX #48355C

RGB 72 53 92

HSL 269.23, 0.27%, 0.28%

LAB 25.85, 17.32, -20.2

 

CMYK 20 / 36 / 0 / 56

HEX #59476F

RGB 89 71 111

HSL 267, 0.22%, 0.36%

LAB 33.52, 16.49, -20.28

 

CMYK 18 / 32 / 0 / 49

HEX #6A5982

RGB 106 89 130

HSL 264.88, 0.19%, 0.43%

LAB 40.93, 15.78, -20.41

 

CMYK 17 / 28 / 0 / 42

HEX #7B6B95

RGB 123 107 149

HSL 262.86, 0.17%, 0.5%

LAB 48.13, 15.17, -20.58

 

CMYK 17 / 26 / 0 / 34

HEX #8C7DA8

RGB 140 125 168

HSL 260.93, 0.2%, 0.57%

LAB 55.14, 14.63, -20.78

 

CMYK 31 / 45 / 0 / 62

HEX #433561

RGB 67 53 97

HSL 259.09, 0.29%, 0.29%

LAB 25.57, 17.04, -23.93

 

CMYK 36 / 55 / 0 / 69

HEX #32234E

RGB 50 35 78

HSL 260.93, 0.38%, 0.22%

LAB 17.6, 18.15, -24.07

 

CMYK 44 / 71 / 0 / 77

HEX #21113B

RGB 33 17 59

HSL 262.86, 0.55%, 0.15%

LAB 9.32, 19.46, -24.2

 

CMYK 60 / 100 / 0 / 84

HEX #100028

RGB 16 0 40

HSL 264, 1%, 0.08%

LAB 2.38, 14.19, -21.32

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 31 / 45 / 0 / 62

HEX #433561

RGB 67 53 97

HSL 259.09, 0.29%, 0.29%

LAB 25.57, 17.04, -23.93

 

CMYK 23 / 45 / 0 / 63

HEX #49345F

RGB 73 52 95

HSL 269.3, 0.29%, 0.29%

LAB 25.86, 19.12, -22.14

 

CMYK 16 / 45 / 0 / 63

HEX #50345F

RGB 80 52 95

HSL 279.07, 0.29%, 0.29%

LAB 26.7, 21.48, -20.76

 

CMYK 8 / 45 / 0 / 63

HEX #57345F

RGB 87 52 95

HSL 288.84, 0.29%, 0.29%

LAB 27.6, 23.88, -19.29

 

CMYK 1 / 45 / 0 / 63

HEX #5E345F

RGB 94 52 95

HSL 298.6, 0.29%, 0.29%

LAB 28.54, 26.3, -17.75

 

CMYK 31 / 45 / 0 / 62

HEX #433561

RGB 67 53 97

HSL 259.09, 0.29%, 0.29%

LAB 25.57, 17.04, -23.93

 

CMYK 31 / 45 / 0 / 42

HEX #665194

RGB 102 81 148

HSL 258.81, 0.29%, 0.45%

LAB 39.32, 24.13, -33.86

 

CMYK 31 / 45 / 0 / 22

HEX #896DC7

RGB 137 109 199

HSL 258.67, 0.45%, 0.6%

LAB 52.26, 30.73, -43.11

 

CMYK 31 / 45 / 0 / 2

HEX #AD89FA

RGB 173 137 250

HSL 259.12, 0.92%, 0.76%

LAB 64.71, 37.26, -51.73

 

CMYK 30 / 46 / 0 / 82

HEX #20192E

RGB 32 25 46

HSL 260, 0.3%, 0.14%

LAB 10.55, 9.16, -12.83

 

CMYK 31 / 45 / 0 / 62

HEX #433561

RGB 67 53 97

HSL 259.09, 0.29%, 0.29%

LAB 25.57, 17.04, -23.93

 

CMYK 0 / 45 / 23 / 63

HEX #5F3449

RGB 95 52 73

HSL 330.7, 0.29%, 0.29%

LAB 27.76, 22.43, -4.52

 

CMYK 41 / 0 / 45 / 63

HEX #385F34

RGB 56 95 52

HSL 114.42, 0.29%, 0.29%

LAB 36.5, -23.51, 20.35

 

CMYK 31 / 45 / 0 / 62

HEX #433561

RGB 67 53 97

HSL 259.09, 0.29%, 0.29%

LAB 25.57, 17.04, -23.93

 

CMYK 0 / 31 / 45 / 63

HEX #5F4234

RGB 95 66 52

HSL 19.53, 0.29%, 0.29%

LAB 30.82, 10.58, 13.51

 

CMYK 45 / 0 / 31 / 63

HEX #345F42

RGB 52 95 66

HSL 139.53, 0.29%, 0.29%

LAB 36.57, -22.21, 12.04

 

CMYK 31 / 45 / 0 / 62

HEX #433561

RGB 67 53 97

HSL 259.09, 0.29%, 0.29%

LAB 25.57, 17.04, -23.93

 

CMYK 0 / 45 / 23 / 63

HEX #5F3449

RGB 95 52 73

HSL 330.7, 0.29%, 0.29%

LAB 27.76, 22.43, -4.52

 

CMYK 15 / 0 / 45 / 63

HEX #515F34

RGB 81 95 52

HSL 79.53, 0.29%, 0.29%

LAB 38.17, -13.4, 22.8

 

CMYK 45 / 0 / 22 / 63

HEX #345F4A

RGB 52 95 74

HSL 150.7, 0.29%, 0.29%

LAB 36.76, -20.41, 7.41

 

CMYK 31 / 45 / 0 / 62

HEX #433561

RGB 67 53 97

HSL 259.09, 0.29%, 0.29%

LAB 25.57, 17.04, -23.93

 

CMYK 0 / 45 / 37 / 63

HEX #5F343C

RGB 95 52 60

HSL 348.84, 0.29%, 0.29%

LAB 27.34, 20.38, 3.46

 

CMYK 15 / 0 / 45 / 63

HEX #515F34

RGB 81 95 52

HSL 79.53, 0.29%, 0.29%

LAB 38.17, -13.4, 22.8

 

CMYK 45 / 0 / 8 / 63

HEX #345F57

RGB 52 95 87

HSL 168.84, 0.29%, 0.29%

LAB 37.12, -17.12, -0.1

 

Description

Color code: CMYK 31 / 45 / 0 / 62 | qconv.com Color code: CMYK 31 / 45 / 0 / 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 53 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 53 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 45 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 45% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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