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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 25 / 0 / 57 it is the complementary color CMYK 0 / 3 / 19 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 25 / 0 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 25 / 0 / 57: CMYK 23 / 22 / 0 / 59, CMYK 21 / 19 / 0 / 51, CMYK 20 / 17 / 0 / 44, CMYK 19 / 16 / 0 / 36 and CMYK 18 / 15 / 0 / 29

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 25 / 0 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 25 / 0 / 57: CMYK 31 / 25 / 0 / 57, CMYK 35 / 30 / 0 / 64, CMYK 42 / 36 / 0 / 72, CMYK 53 / 47 / 0 / 79 and CMYK 76 / 71 / 0 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 25 / 0 / 57

HEX #4C526E

RGB 76 82 110

HSL 229.41, 0.18%, 0.36%

LAB 35.39, 4.78, -16.85

 

Complementary color

CMYK 0 / 3 / 19 / 30

HEX #B3AD91

RGB 179 173 145

HSL 49.41, 0.18%, 0.64%

LAB 70.54, -2.58, 15.18

 

CMYK 23 / 22 / 0 / 59

HEX #515269

RGB 81 82 105

HSL 237.5, 0.13%, 0.36%

LAB 35.6, 5.13, -13.38

 

CMYK 21 / 19 / 0 / 51

HEX #62647C

RGB 98 100 124

HSL 235.38, 0.12%, 0.44%

LAB 43.01, 4.78, -13.65

 

CMYK 20 / 17 / 0 / 44

HEX #73768F

RGB 115 118 143

HSL 233.57, 0.11%, 0.51%

LAB 50.2, 4.46, -13.95

 

CMYK 19 / 16 / 0 / 36

HEX #8488A2

RGB 132 136 162

HSL 232, 0.14%, 0.58%

LAB 57.19, 4.19, -14.27

 

CMYK 18 / 15 / 0 / 29

HEX #959AB5

RGB 149 154 181

HSL 230.63, 0.18%, 0.65%

LAB 64.03, 3.93, -14.61

 

CMYK 31 / 25 / 0 / 57

HEX #4C526E

RGB 76 82 110

HSL 229.41, 0.18%, 0.36%

LAB 35.39, 4.78, -16.85

 

CMYK 35 / 30 / 0 / 64

HEX #3B405B

RGB 59 64 91

HSL 230.63, 0.21%, 0.29%

LAB 27.71, 5.27, -16.75

 

CMYK 42 / 36 / 0 / 72

HEX #2A2E48

RGB 42 46 72

HSL 232, 0.26%, 0.22%

LAB 19.7, 5.91, -16.74

 

CMYK 53 / 47 / 0 / 79

HEX #191C35

RGB 25 28 53

HSL 233.57, 0.36%, 0.15%

LAB 11.24, 6.86, -16.88

 

CMYK 76 / 71 / 0 / 87

HEX #080A22

RGB 8 10 34

HSL 235.38, 0.62%, 0.08%

LAB 3.47, 5.42, -15.02

 

CMYK 31 / 25 / 0 / 57

HEX #4C526E

RGB 76 82 110

HSL 229.41, 0.18%, 0.36%

LAB 35.39, 4.78, -16.85

 

CMYK 31 / 31 / 0 / 58

HEX #4B4B6C

RGB 75 75 108

HSL 240, 0.18%, 0.36%

LAB 33.16, 8.36, -19.06

 

CMYK 26 / 31 / 0 / 58

HEX #504B6C

RGB 80 75 108

HSL 249.09, 0.18%, 0.36%

LAB 33.61, 10.05, -18.33

 

CMYK 21 / 31 / 0 / 58

HEX #554B6C

RGB 85 75 108

HSL 258.18, 0.18%, 0.36%

LAB 34.08, 11.78, -17.56

 

CMYK 16 / 31 / 0 / 58

HEX #5B4B6C

RGB 91 75 108

HSL 269.09, 0.18%, 0.36%

LAB 34.68, 13.9, -16.59

 

CMYK 31 / 25 / 0 / 57

HEX #4C526E

RGB 76 82 110

HSL 229.41, 0.18%, 0.36%

LAB 35.39, 4.78, -16.85

 

CMYK 31 / 25 / 0 / 37

HEX #6F78A1

RGB 111 120 161

HSL 229.2, 0.21%, 0.53%

LAB 51.14, 6.55, -23.08

 

CMYK 31 / 25 / 0 / 17

HEX #929ED4

RGB 146 158 212

HSL 229.09, 0.43%, 0.7%

LAB 66, 8.22, -28.92

 

CMYK 25 / 25 / 0 / 97

HEX #060608

RGB 6 6 8

HSL 240, 0.14%, 0.03%

LAB 1.68, 0.28, -0.76

 

CMYK 31 / 25 / 0 / 77

HEX #292C3B

RGB 41 44 59

HSL 230, 0.18%, 0.2%

LAB 18.31, 2.84, -9.99

 

CMYK 31 / 25 / 0 / 57

HEX #4C526E

RGB 76 82 110

HSL 229.41, 0.18%, 0.36%

LAB 35.39, 4.78, -16.85

 

CMYK 0 / 31 / 1 / 58

HEX #6C4B6B

RGB 108 75 107

HSL 301.82, 0.18%, 0.36%

LAB 36.52, 19.87, -12.98

 

CMYK 13 / 0 / 31 / 58

HEX #5E6C4B

RGB 94 108 75

HSL 85.45, 0.18%, 0.36%

LAB 43.67, -11.72, 16.77

 

CMYK 31 / 25 / 0 / 57

HEX #4C526E

RGB 76 82 110

HSL 229.41, 0.18%, 0.36%

LAB 35.39, 4.78, -16.85

 

CMYK 0 / 31 / 25 / 58

HEX #6C4B51

RGB 108 75 81

HSL 349.09, 0.18%, 0.36%

LAB 35.62, 14.98, 2.05

 

CMYK 25 / 0 / 31 / 58

HEX #516C4B

RGB 81 108 75

HSL 109.09, 0.18%, 0.36%

LAB 42.74, -16.93, 15.35

 

CMYK 31 / 25 / 0 / 57

HEX #4C526E

RGB 76 82 110

HSL 229.41, 0.18%, 0.36%

LAB 35.39, 4.78, -16.85

 

CMYK 0 / 31 / 1 / 58

HEX #6C4B6B

RGB 108 75 107

HSL 301.82, 0.18%, 0.36%

LAB 36.52, 19.87, -12.98

 

CMYK 0 / 6 / 31 / 58

HEX #6C664B

RGB 108 102 75

HSL 49.09, 0.18%, 0.36%

LAB 43.06, -2.32, 16.15

 

CMYK 31 / 0 / 31 / 58

HEX #4B6C4B

RGB 75 108 75

HSL 120, 0.18%, 0.36%

LAB 42.35, -19.2, 14.76

 

CMYK 31 / 25 / 0 / 57

HEX #4C526E

RGB 76 82 110

HSL 229.41, 0.18%, 0.36%

LAB 35.39, 4.78, -16.85

 

CMYK 0 / 31 / 10 / 58

HEX #6C4B61

RGB 108 75 97

HSL 320, 0.18%, 0.36%

LAB 36.14, 17.85, -7.27

 

CMYK 0 / 6 / 31 / 58

HEX #6C664B

RGB 108 102 75

HSL 49.09, 0.18%, 0.36%

LAB 43.06, -2.32, 16.15

 

CMYK 31 / 0 / 21 / 58

HEX #4B6C55

RGB 75 108 85

HSL 138.18, 0.18%, 0.36%

LAB 42.58, -17.2, 9.11

 

Description

Color code: CMYK 31 / 25 / 0 / 57 | qconv.com Color code: CMYK 31 / 25 / 0 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 82 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 82 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 25 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 25% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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