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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 15 / 0 / 42 it is the complementary color CMYK 0 / 16 / 30 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 15 / 0 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 15 / 0 / 42: CMYK 25 / 12 / 0 / 44, CMYK 23 / 11 / 0 / 36, CMYK 22 / 10 / 0 / 29, CMYK 21 / 10 / 0 / 22 and CMYK 20 / 10 / 0 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 15 / 0 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 15 / 0 / 42: CMYK 31 / 15 / 0 / 42, CMYK 34 / 16 / 0 / 49, CMYK 38 / 18 / 0 / 57, CMYK 44 / 21 / 0 / 64 and CMYK 53 / 25 / 0 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 15 / 0 / 42

HEX #667E94

RGB 102 126 148

HSL 208.7, 0.18%, 0.49%

LAB 51.71, -3.2, -14.68

 

Complementary color

CMYK 0 / 16 / 30 / 40

HEX #99816B

RGB 153 129 107

HSL 28.7, 0.18%, 0.51%

LAB 55.62, 5.75, 15.35

 

CMYK 25 / 12 / 0 / 44

HEX #6B7E8F

RGB 107 126 143

HSL 208.33, 0.14%, 0.49%

LAB 51.87, -2.88, -11.48

 

CMYK 23 / 11 / 0 / 36

HEX #7C90A2

RGB 124 144 162

HSL 208.42, 0.17%, 0.56%

LAB 58.83, -2.99, -11.87

 

CMYK 22 / 10 / 0 / 29

HEX #8DA2B5

RGB 141 162 181

HSL 208.5, 0.21%, 0.63%

LAB 65.62, -3.1, -12.26

 

CMYK 21 / 10 / 0 / 22

HEX #9EB4C8

RGB 158 180 200

HSL 208.57, 0.28%, 0.7%

LAB 72.28, -3.21, -12.66

 

CMYK 20 / 10 / 0 / 14

HEX #AFC6DB

RGB 175 198 219

HSL 208.64, 0.38%, 0.77%

LAB 78.82, -3.31, -13.06

 

CMYK 31 / 15 / 0 / 42

HEX #667E94

RGB 102 126 148

HSL 208.7, 0.18%, 0.49%

LAB 51.71, -3.2, -14.68

 

CMYK 34 / 16 / 0 / 49

HEX #556C81

RGB 85 108 129

HSL 208.64, 0.21%, 0.42%

LAB 44.58, -3.02, -14.37

 

CMYK 38 / 18 / 0 / 57

HEX #445A6E

RGB 68 90 110

HSL 208.57, 0.24%, 0.35%

LAB 37.24, -2.81, -14.08

 

CMYK 44 / 21 / 0 / 64

HEX #33485B

RGB 51 72 91

HSL 208.5, 0.28%, 0.28%

LAB 29.65, -2.54, -13.82

 

CMYK 53 / 25 / 0 / 72

HEX #223648

RGB 34 54 72

HSL 208.42, 0.36%, 0.21%

LAB 21.75, -2.13, -13.6

 

CMYK 31 / 15 / 0 / 42

HEX #667E94

RGB 102 126 148

HSL 208.7, 0.18%, 0.49%

LAB 51.71, -3.2, -14.68

 

CMYK 31 / 20 / 0 / 42

HEX #667693

RGB 102 118 147

HSL 218.67, 0.18%, 0.49%

LAB 49.36, 1.22, -17.67

 

CMYK 31 / 24 / 0 / 42

HEX #666F93

RGB 102 111 147

HSL 228, 0.18%, 0.49%

LAB 47.37, 5.4, -20.72

 

CMYK 31 / 30 / 0 / 42

HEX #666793

RGB 102 103 147

HSL 238.67, 0.18%, 0.49%

LAB 45.13, 10.26, -24.18

 

CMYK 27 / 31 / 0 / 42

HEX #6C6693

RGB 108 102 147

HSL 248, 0.18%, 0.49%

LAB 45.36, 12.77, -23.78

 

CMYK 31 / 15 / 0 / 42

HEX #667E94

RGB 102 126 148

HSL 208.7, 0.18%, 0.49%

LAB 51.71, -3.2, -14.68

 

CMYK 31 / 15 / 0 / 22

HEX #89A9C7

RGB 137 169 199

HSL 209.03, 0.36%, 0.66%

LAB 67.89, -3.83, -18.88

 

CMYK 31 / 15 / 0 / 2

HEX #ACD5FA

RGB 172 213 250

HSL 208.46, 0.89%, 0.83%

LAB 83.58, -4.97, -22.45

 

CMYK 30 / 15 / 0 / 82

HEX #20272E

RGB 32 39 46

HSL 210, 0.18%, 0.15%

LAB 15.25, -1.08, -5.62

 

CMYK 31 / 14 / 0 / 62

HEX #435361

RGB 67 83 97

HSL 208, 0.18%, 0.32%

LAB 34.48, -2.52, -10.17

 

CMYK 31 / 15 / 0 / 42

HEX #667E94

RGB 102 126 148

HSL 208.7, 0.18%, 0.49%

LAB 51.71, -3.2, -14.68

 

CMYK 10 / 31 / 0 / 42

HEX #846693

RGB 132 102 147

HSL 280, 0.18%, 0.49%

LAB 47.64, 20.74, -20.07

 

CMYK 2 / 0 / 31 / 42

HEX #909366

RGB 144 147 102

HSL 64, 0.18%, 0.49%

LAB 59.67, -8.67, 23.52

 

CMYK 31 / 15 / 0 / 42

HEX #667E94

RGB 102 126 148

HSL 208.7, 0.18%, 0.49%

LAB 51.71, -3.2, -14.68

 

CMYK 0 / 31 / 14 / 42

HEX #93667E

RGB 147 102 126

HSL 328, 0.18%, 0.49%

LAB 48.53, 21.97, -6.07

 

CMYK 14 / 0 / 31 / 42

HEX #7E9366

RGB 126 147 102

HSL 88, 0.18%, 0.49%

LAB 58.29, -15.85, 21.43

 

CMYK 31 / 15 / 0 / 42

HEX #667E94

RGB 102 126 148

HSL 208.7, 0.18%, 0.49%

LAB 51.71, -3.2, -14.68

 

CMYK 10 / 31 / 0 / 42

HEX #846693

RGB 132 102 147

HSL 280, 0.18%, 0.49%

LAB 47.64, 20.74, -20.07

 

CMYK 0 / 16 / 31 / 42

HEX #937B66

RGB 147 123 102

HSL 28, 0.18%, 0.49%

LAB 53.31, 5.98, 14.95

 

CMYK 20 / 0 / 31 / 42

HEX #759366

RGB 117 147 102

HSL 100, 0.18%, 0.49%

LAB 57.66, -19.29, 20.49

 

CMYK 31 / 15 / 0 / 42

HEX #667E94

RGB 102 126 148

HSL 208.7, 0.18%, 0.49%

LAB 51.71, -3.2, -14.68

 

CMYK 1 / 31 / 0 / 42

HEX #916693

RGB 145 102 147

HSL 297.33, 0.18%, 0.49%

LAB 49.04, 25.21, -17.8

 

CMYK 0 / 16 / 31 / 42

HEX #937B66

RGB 147 123 102

HSL 28, 0.18%, 0.49%

LAB 53.31, 5.98, 14.95

 

CMYK 30 / 0 / 31 / 42

HEX #679366

RGB 103 147 102

HSL 118.67, 0.18%, 0.49%

LAB 56.79, -24.38, 19.16

 

Description

Color code: CMYK 31 / 15 / 0 / 42 | qconv.com Color code: CMYK 31 / 15 / 0 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 126 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 126 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 15 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 15% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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