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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 10 / 0 / 28 it is the complementary color CMYK 0 / 30 / 45 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 10 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 10 / 0 / 28: CMYK 26 / 8 / 0 / 30, CMYK 25 / 8 / 0 / 22, CMYK 24 / 7 / 0 / 15, CMYK 22 / 7 / 0 / 7 and CMYK 22 / 7 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 10 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 10 / 0 / 28: CMYK 31 / 10 / 0 / 28, CMYK 33 / 11 / 0 / 35, CMYK 36 / 12 / 0 / 43, CMYK 40 / 13 / 0 / 50 and CMYK 45 / 14 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 10 / 0 / 28

HEX #7FA5B8

RGB 127 165 184

HSL 200, 0.29%, 0.61%

LAB 65.66, -8.32, -13.98

 

Complementary color

CMYK 0 / 30 / 45 / 50

HEX #805A47

RGB 128 90 71

HSL 20, 0.29%, 0.39%

LAB 41.78, 13.09, 17.18

 

CMYK 26 / 8 / 0 / 30

HEX #84A5B3

RGB 132 165 179

HSL 197.87, 0.24%, 0.61%

LAB 65.8, -8.03, -10.94

 

CMYK 25 / 8 / 0 / 22

HEX #95B7C6

RGB 149 183 198

HSL 198.37, 0.3%, 0.68%

LAB 72.45, -8.06, -11.38

 

CMYK 24 / 7 / 0 / 15

HEX #A6C9D9

RGB 166 201 217

HSL 198.82, 0.4%, 0.75%

LAB 78.98, -8.1, -11.81

 

CMYK 22 / 7 / 0 / 7

HEX #B7DBEC

RGB 183 219 236

HSL 199.25, 0.58%, 0.82%

LAB 85.4, -8.13, -12.24

 

CMYK 22 / 7 / 0 / 0

HEX #C8EDFF

RGB 200 237 255

HSL 199.64, 1%, 0.89%

LAB 91.72, -8.17, -12.66

 

CMYK 31 / 10 / 0 / 28

HEX #7FA5B8

RGB 127 165 184

HSL 200, 0.29%, 0.61%

LAB 65.66, -8.32, -13.98

 

CMYK 33 / 11 / 0 / 35

HEX #6E93A5

RGB 110 147 165

HSL 199.64, 0.23%, 0.54%

LAB 58.88, -8.25, -13.59

 

CMYK 36 / 12 / 0 / 43

HEX #5D8192

RGB 93 129 146

HSL 199.25, 0.22%, 0.47%

LAB 51.95, -8.17, -13.2

 

CMYK 40 / 13 / 0 / 50

HEX #4C6F7F

RGB 76 111 127

HSL 198.82, 0.25%, 0.4%

LAB 44.85, -8.06, -12.8

 

CMYK 45 / 14 / 0 / 58

HEX #3B5D6C

RGB 59 93 108

HSL 198.37, 0.29%, 0.33%

LAB 37.56, -7.91, -12.41

 

CMYK 31 / 10 / 0 / 28

HEX #7FA5B8

RGB 127 165 184

HSL 200, 0.29%, 0.61%

LAB 65.66, -8.32, -13.98

 

CMYK 32 / 16 / 0 / 28

HEX #7E9BB8

RGB 126 155 184

HSL 210, 0.29%, 0.61%

LAB 62.79, -3.1, -18.32

 

CMYK 32 / 21 / 0 / 28

HEX #7E91B8

RGB 126 145 184

HSL 220.34, 0.29%, 0.61%

LAB 60.02, 2.55, -22.54

 

CMYK 32 / 26 / 0 / 28

HEX #7E88B8

RGB 126 136 184

HSL 229.66, 0.29%, 0.61%

LAB 57.56, 7.74, -26.32

 

CMYK 32 / 32 / 0 / 28

HEX #7E7EB8

RGB 126 126 184

HSL 240, 0.29%, 0.61%

LAB 54.88, 13.61, -30.47

 

CMYK 31 / 10 / 0 / 28

HEX #7FA5B8

RGB 127 165 184

HSL 200, 0.29%, 0.61%

LAB 65.66, -8.32, -13.98

 

CMYK 31 / 10 / 0 / 8

HEX #A2D3EB

RGB 162 211 235

HSL 199.73, 0.65%, 0.78%

LAB 81.98, -10.31, -16.95

 

CMYK 32 / 10 / 0 / 88

HEX #151C1F

RGB 21 28 31

HSL 198, 0.19%, 0.1%

LAB 9.71, -2.3, -3.13

 

CMYK 30 / 10 / 0 / 68

HEX #394A52

RGB 57 74 82

HSL 199.2, 0.18%, 0.27%

LAB 30.34, -4.51, -6.94

 

CMYK 31 / 11 / 0 / 48

HEX #5C7785

RGB 92 119 133

HSL 200.49, 0.18%, 0.44%

LAB 48.46, -6.2, -10.83

 

CMYK 31 / 10 / 0 / 28

HEX #7FA5B8

RGB 127 165 184

HSL 200, 0.29%, 0.61%

LAB 65.66, -8.32, -13.98

 

CMYK 15 / 32 / 0 / 28

HEX #9D7EB8

RGB 157 126 184

HSL 272.07, 0.29%, 0.61%

LAB 57.61, 23.22, -26.04

 

CMYK 0 / 2 / 32 / 28

HEX #B8B47E

RGB 184 180 126

HSL 55.86, 0.29%, 0.61%

LAB 72.45, -7.03, 28.12

 

CMYK 31 / 10 / 0 / 28

HEX #7FA5B8

RGB 127 165 184

HSL 200, 0.29%, 0.61%

LAB 65.66, -8.32, -13.98

 

CMYK 0 / 32 / 10 / 28

HEX #B87EA5

RGB 184 126 165

HSL 319.66, 0.29%, 0.61%

LAB 59.73, 28.57, -11.67

 

CMYK 10 / 0 / 32 / 28

HEX #A5B87E

RGB 165 184 126

HSL 79.66, 0.29%, 0.61%

LAB 72.09, -16.5, 27.36

 

CMYK 31 / 10 / 0 / 28

HEX #7FA5B8

RGB 127 165 184

HSL 200, 0.29%, 0.61%

LAB 65.66, -8.32, -13.98

 

CMYK 15 / 32 / 0 / 28

HEX #9D7EB8

RGB 157 126 184

HSL 272.07, 0.29%, 0.61%

LAB 57.61, 23.22, -26.04

 

CMYK 0 / 21 / 32 / 28

HEX #B8917E

RGB 184 145 126

HSL 19.66, 0.29%, 0.61%

LAB 63.3, 11.94, 15.69

 

CMYK 17 / 0 / 32 / 28

HEX #99B87E

RGB 153 184 126

HSL 92.07, 0.29%, 0.61%

LAB 71.26, -21.01, 26.11

 

CMYK 31 / 10 / 0 / 28

HEX #7FA5B8

RGB 127 165 184

HSL 200, 0.29%, 0.61%

LAB 65.66, -8.32, -13.98

 

CMYK 5 / 32 / 0 / 28

HEX #AE7EB8

RGB 174 126 184

HSL 289.66, 0.29%, 0.61%

LAB 59.33, 28.75, -23.25

 

CMYK 0 / 21 / 32 / 28

HEX #B8917E

RGB 184 145 126

HSL 19.66, 0.29%, 0.61%

LAB 63.3, 11.94, 15.69

 

CMYK 26 / 0 / 32 / 28

HEX #88B87E

RGB 136 184 126

HSL 109.66, 0.29%, 0.61%

LAB 70.19, -27.12, 24.49

 

Description

Color code: CMYK 31 / 10 / 0 / 28 | qconv.com Color code: CMYK 31 / 10 / 0 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 165 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 165 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 10 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 10% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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