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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 0 / 52 / 41 it is the complementary color CMYK 17 / 43 / 0 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 0 / 52 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 0 / 52 / 41: CMYK 27 / 0 / 55 / 41, CMYK 25 / 0 / 49 / 34, CMYK 23 / 0 / 44 / 27, CMYK 22 / 0 / 39 / 20 and CMYK 20 / 0 / 36 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 0 / 52 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 0 / 52 / 41: CMYK 31 / 0 / 52 / 41, CMYK 34 / 0 / 60 / 48, CMYK 39 / 0 / 70 / 55, CMYK 45 / 0 / 84 / 62 and CMYK 54 / 0 / 100 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 52 / 41

HEX #689648

RGB 104 150 72

HSL 95.38, 0.35%, 0.44%

LAB 57.29, -29.93, 35.94

 

Complementary color

CMYK 17 / 43 / 0 / 28

HEX #9769B7

RGB 151 105 183

HSL 275.38, 0.35%, 0.56%

LAB 51.95, 33.18, -34.3

 

CMYK 27 / 0 / 55 / 41

HEX #6D9643

RGB 109 150 67

HSL 89.64, 0.38%, 0.43%

LAB 57.53, -28.61, 38.81

 

CMYK 25 / 0 / 49 / 34

HEX #7EA856

RGB 126 168 86

HSL 90.73, 0.32%, 0.5%

LAB 64.25, -28.63, 37.62

 

CMYK 23 / 0 / 44 / 27

HEX #8FBA69

RGB 143 186 105

HSL 91.85, 0.37%, 0.57%

LAB 70.86, -28.6, 36.42

 

CMYK 22 / 0 / 39 / 20

HEX #A0CC7C

RGB 160 204 124

HSL 93, 0.44%, 0.64%

LAB 77.35, -28.52, 35.24

 

CMYK 20 / 0 / 36 / 13

HEX #B1DE8F

RGB 177 222 143

HSL 94.18, 0.54%, 0.72%

LAB 83.74, -28.43, 34.11

 

CMYK 31 / 0 / 52 / 41

HEX #689648

RGB 104 150 72

HSL 95.38, 0.35%, 0.44%

LAB 57.29, -29.93, 35.94

 

CMYK 34 / 0 / 60 / 48

HEX #578435

RGB 87 132 53

HSL 94.18, 0.43%, 0.36%

LAB 50.44, -29.91, 37.11

 

CMYK 39 / 0 / 70 / 55

HEX #467222

RGB 70 114 34

HSL 93, 0.54%, 0.29%

LAB 43.44, -29.73, 38.02

 

CMYK 45 / 0 / 84 / 62

HEX #35600F

RGB 53 96 15

HSL 91.85, 0.73%, 0.22%

LAB 36.29, -29.23, 38.12

 

CMYK 54 / 0 / 100 / 69

HEX #244E00

RGB 36 78 0

HSL 92.31, 1%, 0.15%

LAB 28.96, -28.23, 36.46

 

CMYK 31 / 0 / 52 / 41

HEX #689648

RGB 104 150 72

HSL 95.38, 0.35%, 0.44%

LAB 57.29, -29.93, 35.94

 

CMYK 39 / 0 / 52 / 41

HEX #5C9748

RGB 92 151 72

HSL 104.81, 0.35%, 0.44%

LAB 56.95, -34.69, 35.38

 

CMYK 48 / 0 / 52 / 41

HEX #4F9748

RGB 79 151 72

HSL 114.68, 0.35%, 0.44%

LAB 56.35, -38.92, 34.51

 

CMYK 52 / 0 / 48 / 41

HEX #48974F

RGB 72 151 79

HSL 125.32, 0.35%, 0.44%

LAB 56.16, -39.95, 30.58

 

CMYK 52 / 0 / 39 / 41

HEX #48975C

RGB 72 151 92

HSL 135.19, 0.35%, 0.44%

LAB 56.37, -37.77, 23.86

 

CMYK 31 / 0 / 52 / 41

HEX #689648

RGB 104 150 72

HSL 95.38, 0.35%, 0.44%

LAB 57.29, -29.93, 35.94

 

CMYK 31 / 0 / 52 / 21

HEX #8BC960

RGB 139 201 96

HSL 95.43, 0.49%, 0.58%

LAB 74.89, -38.08, 45.78

 

CMYK 31 / 0 / 52 / 1

HEX #AFFC79

RGB 175 252 121

HSL 95.27, 0.96%, 0.73%

LAB 91.74, -45.36, 54.74

 

CMYK 31 / 0 / 52 / 81

HEX #213017

RGB 33 48 23

HSL 96, 0.35%, 0.14%

LAB 17.91, -11.96, 14.01

 

CMYK 30 / 0 / 52 / 61

HEX #456330

RGB 69 99 48

HSL 95.29, 0.35%, 0.29%

LAB 38.55, -21.17, 25.37

 

CMYK 31 / 0 / 52 / 41

HEX #689648

RGB 104 150 72

HSL 95.38, 0.35%, 0.44%

LAB 57.29, -29.93, 35.94

 

CMYK 52 / 0 / 11 / 41

HEX #489786

RGB 72 151 134

HSL 167.09, 0.35%, 0.44%

LAB 57.3, -28.6, 1.55

 

CMYK 0 / 52 / 9 / 41

HEX #974889

RGB 151 72 137

HSL 310.63, 0.35%, 0.44%

LAB 42.79, 41.95, -21.34

 

CMYK 31 / 0 / 52 / 41

HEX #689648

RGB 104 150 72

HSL 95.38, 0.35%, 0.44%

LAB 57.29, -29.93, 35.94

 

CMYK 52 / 30 / 0 / 41

HEX #486997

RGB 72 105 151

HSL 214.94, 0.35%, 0.44%

LAB 43.82, 1.79, -28.75

 

CMYK 0 / 52 / 30 / 41

HEX #974869

RGB 151 72 105

HSL 334.94, 0.35%, 0.44%

LAB 41.59, 36.94, -3.54

 

CMYK 31 / 0 / 52 / 41

HEX #689648

RGB 104 150 72

HSL 95.38, 0.35%, 0.44%

LAB 57.29, -29.93, 35.94

 

CMYK 52 / 0 / 11 / 41

HEX #489786

RGB 72 151 134

HSL 167.09, 0.35%, 0.44%

LAB 57.3, -28.6, 1.55

 

CMYK 22 / 52 / 0 / 41

HEX #764897

RGB 118 72 151

HSL 274.94, 0.35%, 0.44%

LAB 39.11, 34.91, -35.9

 

CMYK 0 / 52 / 41 / 41

HEX #974859

RGB 151 72 89

HSL 347.09, 0.35%, 0.44%

LAB 41.11, 34.89, 5.71

 

CMYK 31 / 0 / 52 / 41

HEX #689648

RGB 104 150 72

HSL 95.38, 0.35%, 0.44%

LAB 57.29, -29.93, 35.94

 

CMYK 52 / 5 / 0 / 41

HEX #489097

RGB 72 144 151

HSL 185.32, 0.35%, 0.44%

LAB 55.64, -20.45, -10.64

 

CMYK 22 / 52 / 0 / 41

HEX #764897

RGB 118 72 151

HSL 274.94, 0.35%, 0.44%

LAB 39.11, 34.91, -35.9

 

CMYK 0 / 48 / 52 / 41

HEX #974F48

RGB 151 79 72

HSL 5.32, 0.35%, 0.44%

LAB 42.21, 29.28, 17.7

 

Description

Color code: CMYK 31 / 0 / 52 / 41 | qconv.com Color code: CMYK 31 / 0 / 52 / 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 150 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 150 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 52 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 52% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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