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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 71 / 0 / 49 it is the complementary color CMYK 24 / 0 / 42 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 71 / 0 / 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 71 / 0 / 49: CMYK 23 / 70 / 0 / 51, CMYK 22 / 61 / 0 / 44, CMYK 20 / 55 / 0 / 36, CMYK 19 / 49 / 0 / 29 and CMYK 18 / 45 / 0 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 71 / 0 / 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 71 / 0 / 49: CMYK 30 / 71 / 0 / 49, CMYK 33 / 82 / 0 / 56, CMYK 38 / 98 / 0 / 64, CMYK 45 / 100 / 0 / 71 and CMYK 57 / 100 / 0 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 71 / 0 / 49

HEX #5B2682

RGB 91 38 130

HSL 274.57, 0.55%, 0.33%

LAB 27.36, 41.32, -41.98

 

Complementary color

CMYK 24 / 0 / 42 / 15

HEX #A4D97D

RGB 164 217 125

HSL 94.57, 0.55%, 0.67%

LAB 81.29, -33.08, 39.84

 

CMYK 23 / 70 / 0 / 51

HEX #60267D

RGB 96 38 125

HSL 280, 0.53%, 0.32%

LAB 27.72, 41.28, -38.22

 

CMYK 22 / 61 / 0 / 44

HEX #713890

RGB 113 56 144

HSL 278.86, 0.44%, 0.39%

LAB 34.71, 40.75, -38.69

 

CMYK 20 / 55 / 0 / 36

HEX #824AA3

RGB 130 74 163

HSL 277.75, 0.38%, 0.46%

LAB 41.67, 39.96, -38.94

 

CMYK 19 / 49 / 0 / 29

HEX #935CB6

RGB 147 92 182

HSL 276.67, 0.38%, 0.54%

LAB 48.55, 39.1, -39.1

 

CMYK 18 / 45 / 0 / 21

HEX #A46EC9

RGB 164 110 201

HSL 275.6, 0.46%, 0.61%

LAB 55.34, 38.25, -39.21

 

CMYK 30 / 71 / 0 / 49

HEX #5B2682

RGB 91 38 130

HSL 274.57, 0.55%, 0.33%

LAB 27.36, 41.32, -41.98

 

CMYK 33 / 82 / 0 / 56

HEX #4A146F

RGB 74 20 111

HSL 275.6, 0.69%, 0.26%

LAB 20.46, 41.32, -41.18

 

CMYK 38 / 98 / 0 / 64

HEX #39025C

RGB 57 2 92

HSL 276.67, 0.96%, 0.18%

LAB 13.74, 40.34, -39.72

 

CMYK 45 / 100 / 0 / 71

HEX #280049

RGB 40 0 73

HSL 272.88, 1%, 0.14%

LAB 8.41, 34.57, -35.56

 

CMYK 57 / 100 / 0 / 79

HEX #170036

RGB 23 0 54

HSL 265.56, 1%, 0.11%

LAB 4.05, 23.83, -29.16

 

CMYK 30 / 71 / 0 / 49

HEX #5B2682

RGB 91 38 130

HSL 274.57, 0.55%, 0.33%

LAB 27.36, 41.32, -41.98

 

CMYK 19 / 72 / 0 / 49

HEX #692582

RGB 105 37 130

HSL 283.87, 0.56%, 0.33%

LAB 29.26, 44.97, -38.82

 

CMYK 7 / 72 / 0 / 49

HEX #792582

RGB 121 37 130

HSL 294.19, 0.56%, 0.33%

LAB 31.81, 48.72, -34.59

 

CMYK 0 / 72 / 5 / 49

HEX #82257C

RGB 130 37 124

HSL 303.87, 0.56%, 0.33%

LAB 32.97, 49.83, -28.89

 

CMYK 0 / 72 / 17 / 49

HEX #82256C

RGB 130 37 108

HSL 314.19, 0.56%, 0.33%

LAB 32.15, 47.23, -20.06

 

CMYK 30 / 71 / 0 / 49

HEX #5B2682

RGB 91 38 130

HSL 274.57, 0.55%, 0.33%

LAB 27.36, 41.32, -41.98

 

CMYK 30 / 71 / 0 / 29

HEX #7F35B5

RGB 127 53 181

HSL 274.69, 0.55%, 0.46%

LAB 38.54, 53.97, -54.67

 

CMYK 30 / 71 / 0 / 9

HEX #A244E8

RGB 162 68 232

HSL 274.39, 0.78%, 0.59%

LAB 49.06, 65.71, -66.85

 

CMYK 29 / 71 / 0 / 89

HEX #14081C

RGB 20 8 28

HSL 276, 0.56%, 0.07%

LAB 3.67, 8.14, -9.92

 

CMYK 30 / 71 / 0 / 69

HEX #37174F

RGB 55 23 79

HSL 274.29, 0.55%, 0.2%

LAB 15.43, 27.52, -28.18

 

CMYK 30 / 71 / 0 / 49

HEX #5B2682

RGB 91 38 130

HSL 274.57, 0.55%, 0.33%

LAB 27.36, 41.32, -41.98

 

CMYK 0 / 72 / 55 / 49

HEX #82253B

RGB 130 37 59

HSL 345.81, 0.56%, 0.33%

LAB 30.36, 41.26, 9.24

 

CMYK 72 / 0 / 59 / 49

HEX #258235

RGB 37 130 53

HSL 130.32, 0.56%, 0.33%

LAB 47.77, -43.75, 33.51

 

CMYK 30 / 71 / 0 / 49

HEX #5B2682

RGB 91 38 130

HSL 274.57, 0.55%, 0.33%

LAB 27.36, 41.32, -41.98

 

CMYK 0 / 31 / 72 / 49

HEX #825A25

RGB 130 90 37

HSL 34.19, 0.56%, 0.33%

LAB 41.52, 10.98, 36.14

 

CMYK 72 / 0 / 31 / 49

HEX #25825A

RGB 37 130 90

HSL 154.19, 0.56%, 0.33%

LAB 48.38, -36.9, 14.02

 

CMYK 30 / 71 / 0 / 49

HEX #5B2682

RGB 91 38 130

HSL 274.57, 0.55%, 0.33%

LAB 27.36, 41.32, -41.98

 

CMYK 0 / 72 / 55 / 49

HEX #82253B

RGB 130 37 59

HSL 345.81, 0.56%, 0.33%

LAB 30.36, 41.26, 9.24

 

CMYK 41 / 0 / 72 / 49

HEX #4D8225

RGB 77 130 37

HSL 94.19, 0.56%, 0.33%

LAB 49.1, -34.19, 42.78

 

CMYK 72 / 0 / 17 / 49

HEX #25826C

RGB 37 130 108

HSL 165.81, 0.56%, 0.33%

LAB 48.81, -32.4, 4.15

 

CMYK 30 / 71 / 0 / 49

HEX #5B2682

RGB 91 38 130

HSL 274.57, 0.55%, 0.33%

LAB 27.36, 41.32, -41.98

 

CMYK 0 / 66 / 72 / 49

HEX #822C25

RGB 130 44 37

HSL 4.52, 0.56%, 0.33%

LAB 31.07, 36.58, 24.39

 

CMYK 41 / 0 / 72 / 49

HEX #4D8225

RGB 77 130 37

HSL 94.19, 0.56%, 0.33%

LAB 49.1, -34.19, 42.78

 

CMYK 72 / 5 / 0 / 49

HEX #257C82

RGB 37 124 130

HSL 183.87, 0.56%, 0.33%

LAB 47.52, -22.97, -10.71

 

Description

Color code: CMYK 30 / 71 / 0 / 49 | qconv.com Color code: CMYK 30 / 71 / 0 / 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 38 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 38 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 71 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 71% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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